The TASCAM MZ-372 is an industrial-grade multi-channel, multi-zone mixer well suited for small format install applications such as hotels, restaurants, meeting rooms, schools, houses of worship, and more. Source content can include music, spoken word (microphone), turntables, and more and are easily controlled via familiar sliders and assignment controls on the front panel.

The MZ-372 allows up to 19 audio sources to be mixed, muted, and routed to two redundant outputs. The rear panel offers six input channels, each with two sets of RCAs for a total of 12 RCA stereo pairs for connecting a variety of equipment. Channels 2 and 3 also offer a switchable phono preamp for connecting turntables. Additionally, each of the six channel inputs offers a dedicated XLR input that is switchable between mic and line. The two outputs offer a pair of balanced XLR and a pair of unbalanced RCA connectors, while the monitor output and sub output each offer a stereo pair of RCAs.

The front panel features six volume sliders for each input channel. Each channel also offers A/B/C source select and is equipped with a dedicated gain trim and a 3-band EQ. The two main outputs feature independent volume knobs. A single combo XLR-1/4" microphone input features a volume control, two band EQ, and a "Talkover" function for music ducking when using a microphone. The TASCAM MZ-372 ships with a power supply.

Open Box Products Have a Limited 1-Year Manufacturer Warranty    Six Input Channels    Each Input Offers Mic/Line XLR Connector    Each Input Offers 2 x Pairs of RCA    Two Outputs: Each with XLR and RCA    Front Mic Input with 2-Band EQ and Duck    Dedicated 3-Band EQ on Each Channel    Dedicated Headphone Output    Dedicated Monitor and Sub Outputs    Includes Power Supply

• Maximum flexibility for audio routing, input selection, and multiple redundant output flow
• Well suited for integrator, musical instrument, and residential applications
• Multiple inputs include 12 sets of stereo RCA-type, 6 selectable mic/line XLR, and a dedicated front-panel XLR mic input; 19 total input “sets”
• Channel audio sources can easily be selected, muted, and contoured via simple volume sliders, toggle switches/buttons, and knobs
• Two redundant output channels, each with stereo XLR balanced and unbalanced RCA-type connectors and separate volume controls
• Separate stereo booth, recording, and headphone outputs, each with independent control
• One additional mic-compatible XLR input on the front panel with “Talkover” function automatically lowering source audio
• Independent three-band EQ per each of the 5 channels and a two-band EQ on the additional front panel microphone input
• Compact 3 RU rackmount design
  

   

Related Questions and Answers

Q: 1. What is the preAmp gain on the Mic inputs? Am I going to need a cloudlifter to operate my RE-20

A: Tascam lists the gain range for the Mixcast 4 as 66.5 dB which should be sufficient for the RE-20.

Q: 2. If I use this as an audio interface recording into DaVinci Resolve/Audacity with multiple mics, does it record each mic as separate, individual tracks or is it all mixed down into one track?

A: When used as an audio interface, the TASCAM Mixcast 4 Podcast Mixer, Recorder, and USB Audio Interface will capture all tracks individually.

Q: 3. Are you able to change the recording to either stereo or mono audio tracks on this device?

A: The TASCAM Mixcast 4 Podcast Mixer, Recorder, and USB Audio Interface has four mono mic inputs and two stereo line inputs. These cannot be swapped or reconfigured, but if you have a stereo microphone for example, you can record the left and right channels as mono tracks and group them into a stereo track in your DAW or audio editor.

Q: 4. Is this possible to use with teams/zoom meetings where I can turn off headphone monitoring, and hear audio with no feedback?

A: Yes, live monitoring can be disabled on the TASCAM Mixcast 4 Podcast Mixer, Recorder, and USB Audio Interface.

Q: 5. Can this product be ordered in a 220V version?

A: No, the Rolls RM64 Four-Zone Mixer is only available in the US for 120V.

Q: 6. Can this be used to control volumens and outputs to different zones like attenuators such as the AT 100D? And if so, in what other ways would make it better?

A: Thank you for your question. This unit has four stereo rca inputs with separate zone selector switches for each of the 4 zones. you can control the input and output volume from each channel and zone.

Q: 7. does this unit have echo, delay, and reverb ?

A: No, the Tascam Mixcast 4 Podcast Mixer, Recorder, and USB Audio Interface does have any built-in effects like echo, delay, or reverb.

Q: 8. Is phase reverse offered on all the channels?

A: No phase reverse shown on any channels, or in the Operator Manual.

Q: 9. Can you send to an external effects processor and get back the wet signal for your recording?

A: You can use the analog FX output to connect an external FX processor to this mixer. For returning the wet signal to mixer, you would need to use an available input channel on the board.

Q: 10. According to reviews the Mixcast 4 saves the files as a proprietary polywav file. Does it also save a stereo mix in mp3 or similar format?

A: The Tascam Mixcast 4 allows you to record in multi-track or stereo mixes and saves the files on an SD memory card in WAV format at 48 kHz, 24-bit, 2-channel stereo / 14-channel poly (BWF format). You can also route the output from the Mixcast 4 to a Mac or Windows computer, or to an iOS or Android device for a 14-in / 2-out audio capture on the external device. The files recorded on the Mixcast 4 can also be exported in 2-channel stereo WAV, MP3, and MP4 formats.