Izotope Vocalsynth 2 - Vocal Resynthesis & Harmony Software

Product Code: eq57221
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$298.50 $429.84

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Featuring a complete graphical redesign and a whole new voice-modeling module, iZotope VocalSynth 2 - Vocal Resynthesis & Harmony Softwareis a tool designed to transform an input signal—usually a vocal—into a creative, synthetic sound. An instance of this plug-in provides access to five separate vocal engines. You get the four modules from the original Vocalsynth (Vocoder, Talkbox, Polyvox, & Compuvox), and a whole new one called Biovox.

Biovox utilizes scientific modeling of the human vocal tract, allowing you to change aspects like formants, vowel shapes, and nasality in a smooth manner. Use Biovox for subtly-changed vocal doubles when you've only got a single vocal track, or utilize this module as an eccentric sound-design tool.

The effects section has been updated to provide better sound quality, and two new stompbox-style modules have been added to the mix: Chorus and Ring Mod, the latter also serving as an idiosyncratic tremolo effect. As with the previous version of VocalSynth, you can use the plug-in in various modes, including Auto Mode (requiring no MIDI or sidechaining), MIDI Mode (imparting the consonants, formants, and vowels of a sidechain inpun upon the MIDI synth); and Sidechain Mode (applying the quality of the vocal to an audio source, say a guitar for example).

This plug-in also allows for inter-communication between iZotope plug-ins, meaning you can seamlessly integrate VocalSynth 2 with Neutron 2, Ozone 8, and Tonal Balance Control. VocalSynth 2 can be seen and manipulated within Neutron 2's Visual Mixer and Masking Meter as well. This software is compatible with Mac and Windows platforms, and supports AU, VST, and AAX formats.

Sonic & GUI Enhancements Over Original 5 x Processors in a Single Plug-In Vocoder, Talkbox & Polyvox Compuvox, Biovox & FX Section Biovox Models Human Vocal Tract Shred Section Now Has a Sequencer 2 New FX: Chorus & Ring Mod Auto Mode, MIDI Mode & Sidechain Mode Communicates with Neutron 2 & Ozone 8 Mac OS X, Windows

Parameters
Delivery Format	Download
License Type	Standard (Educational): Perpetual License
User Support	1 User
Standalone Operation	Not Specified by Manufacturer
System Compatibility/Requirements	Operating System: Windows/macOS Plug In Formats: VST3 / VST2 / AAX (Native) / AU / AudioSuite / RTAS

VocalSynth 2 provides separate engines for Vocoder, Talkbox, Polyvox, Compuvox, and now Biovox. Use any of these to emulate the tones of classic records or to achieve something truly new.

VocalSynth 2's effects include two brand new pedal-style effects: Chorus and Ring Mod with a tremolo effect. Now drag to re-order all seven effects including an improved Shred with sequencer as well as Distort, Filter, Transform, and Delay.

VocalSynth 2 is built to be flexible, giving you three ways to interact and create: Auto Mode, MIDI Mode, and Sidechain Mode.

Use VocalSynth 2 within Neutron 2's Visual Mixer and Masking Meter, as well as Tonal Balance Control for a bird's eye view of your music production at all times.

Improvements have been made to the Vocoder module, as well as Talkbox, Polyvox, and Compuvox. These improve usability, CPU utilization, and sound quality.

Related Questions and Answers

Q: 1. How much does it weigh?

A: The Shure SM7B weighs 1.69 lbs.

Q: 2. I have a Mix Pre3 preamp; will I need a Cloudlifter to increase gain (to avoid buzz), or will the Mix Pre3 be fine on its own with the SM7B?

A: The Sound Devices MixPre-3 II Audio Recorder pairs quiet Kashmir preamps with 70dB of gain range, making it one of the few devices that can be used with the Shure SM7B Vocal Microphone without the need for a Cloudlifter.

Q: 3. To use it in Europe do I need to have 110v to 220v converter?

A: To power the Cloudlifter CL2, all you need is 48v phantom power from your audio interface or mic pre-amp.

Q: 4. Why can't you ship the Shure SM7B to Australia?

A: This is a restriction placed on all USA authorized Shure dealers and enforced by SHURE USA.

Q: 5. Can you use this with the Blue Yeti boom arm?

A: Yes, the Shure SM7B microphone can be mounted on a Blue Compass Premium Tube-Style Broadcast Boom Arm (B&H # BLCOMPASS).

Q: 6. Is there an affordable USB audio interface you'd recommend for using the SM7B to record with a MacBook Pro? Shure recommends at least 60 dB of gain, which means that a lot of USB audio interfaces won't cut it. I'll gladly spring for the mic, but don't want to spend a fortune just to be able to use it.

A: Dont use this mic to record to a computer. Buy a portable Digital Recorder such as the Tascam DR-100MK II and then after recording import the file into your Mac or PC.

Q: 7. If I buy the broadcast kit do all of the parts come in their original boxes or is it all repackaged together?

A: All of the parts come in their original boxes.

Q: 8. Where is it made?

A: The Earthworks Icon Pro Cardioid Condenser XLR Microphone (Stainless Steel) is made in the USA.

Q: 9. I have this microphone (Shure SM7B) - connected via an XLR cable/connector to a 28s pream/processor, then - from there via an xlr/cable connector into the XLR receptical (Mic1) into a Focusrite Scarlett 2i4 - USB Audio Interface box - then into the PC via a USB connector from the Focusrite (which I use just for the interface to the PC). I can't seem to get enough power out of the microphone for the levels to be at a normal (-12db) level in my recording software (Audition, and/or Captivate 8). I leave all of the processing in the 286 off... and just use the preamp phantom power feed to the microphone of 48v, with a 3/4 of total gain, then I also added gain at the Scarlite USB interface redbox. Still not enough to hear the microphone clearly. Any coaching tips? (Novice here). I've also tried adding gain -

A: As this is a dynamic microphone, no additional pre-amp or phantom power is requires. make sure phantom power on your interface is switched OFF . Recheck your cables for continuity as well.

Q: 10. Would you be able to recommend how to set up the Behringer ULTRAGAIN PRO MIC2200 2-Channel Tube Microphone Preamplifier/Line Driver/DI Box with a Shure SM7B Cardioid Dynamic Broadcast Microphone to a computer? I have the mic and preamp but need a new computer to interface with. Any suggestions for this combo? Thanks!!!

A: For best results, this preamp should be connected to a computer using a USB audio interface. The Focusrite 2i2 is a solid choice that is compatible with both Mac and PC. The unit features front panel line inputs that can accept the outputs of both of the Behringer preamp outputs and will be compatible with virtually any recording software.

Matthew	21/08/2024
[1 User] I swapped out the Shure SM7B for this because it took too much to drive it (I used a Cloudlifter) and the results were inconsistent and just okay, at best. I had read about this mic being similar in build, but a supercardioid condenser mic instead of dynamic. The sound was warm and clear like a dynamic, and no additional switches to fool around with. Just plug in your XLR cable and get to work. I re-recorded all of the podcast episodes (they're short-form) I originally used the SM7B for (none of which sounded the same), and finally got the pro-grade sound and consistency I wanted! I'm absolutely in love with it - you get what you pay for! 5

Benjamin	01/07/2024
[Download] This is a broadcast-style microphone (front address), but it is NOT a dynamic mic. It is actually a small-diaphragm condenser microphone with a BIG sound. You get the absolute clarity and detail you'd expect from a small-diaphragm, but if you run it through a tube-based preamp (UA-610B for example), you also get a warm and full sound. To my ears, the clarity and detail are far superior to the SM7B or the RE20, and depending on your preamp, you can obtain that darker, rich sound of the SM7B (great for podcasting) or you can achieve sonic clarity (great for voiceovers). I personally run mine through a Cranborne EC1 preamp into the PreSonus Quantum 2626 interface and into the Studio One 5 Professional DAW. The EC1 can provide total sonic clarity or add a bit of mojo depending on your taste and needs. The only downside of this mic is that if you're looking for background noise rejection, you'd be better off with a dynamic mic (SM7B, RE20, etc.). This is a condenser mic and it shows in its sensitivity. If you have decent acoustic control over your space, I highly recommend the ETHOS for broadcast, podcasts, streaming, and voiceovers. 5

Loui	27/06/2024
[Download] I bought this product as another microphone for singing/podcast recording purposes. I've used Shure SM7B, which is legendary for many great reasons, but this microphone is my new favorite! I would highly recommend this mic to anyone who does voiceover, singing, and podcast work. It is pricey, but it definitely pays off! 5

George	03/06/2024
[Download] At the new price point, this is one of the best broadcast/vo mics in my arsenal, hands down. Crisp, focused, and more portable than an SM7B (or another new favorite of mine, the BP40), the Ethos is a fantastic mic. Avoid the Icon, hoard the Ethos. 5

Evgeny	03/05/2024
[Download] This one is an interesting and good-sounding microphone. It feels like a broadcast microphone with decent noise rejection, but it sounds like a condenser with a little bit of mid-forwarding sound. 5

Summer	06/04/2024
[Download] I've used the SM7B and the Electrovoice RE20 for voice and broadcast work. Those microphones have a strong characteristic rendition of voices -- coloration, if you will -- and, as dynamic microphones, good ambient noise rejection. The Ethos goes above and beyond the capabilities of both of those classic microphones for my use. Though it is a condenser mic, noise rejection is good enough that I can record interviews directly into a Zoom H6 in a reasonably quiet room -- similar to what I can do with a classic dynamic mic, but without the need for additional power. (If you have significant ambient noise, like a loud air conditioner, neither type of microphone will save your audio capture.) Sound quality is where this microphone really sets itself apart. It's like having a good studio condenser mic -- the type used to record delicate, complicated tones like acoustic guitar -- in a general-use context. Overtones are present, and there is no aggressive roll-off in any part of the tonal spectrum (unlike the SM7B, which rolls off high wavelengths to the point of distortion in my opinion). The result is a natural tone that is not highly colored. This helps me not only produce natural-sounding voice content; it also gives me excellent flexibility, because this mic could also be used for instrument recording and other general-purpose capture. Overall, I'm still a fan of the RE20 if a classic broadcast tone is what I want. However, I would be happy to use the Ethos for all my voice and general-purpose audio work. The fact that it does not need much power makes it practical for recording field interviews, which means this mic gets used a lot more than the RE20. Bonus points for the excellent ball-head mount included with the mic. As far as I'm concerned, the Ethos is the best voice and general-purpose microphone in its price range. 5