[RGB] After being tasked with setting up a small in-house video studio, the FreeStyle Air Max was recommended to me. We are now doing a lot of product demo videos and the Air Max was the perfect compliment to the few LED lights that I had. The Freestyle controller is easy to use and the light quality, versatility, and coverage of this light panel is AMAZING. I am using a snap-box diffuser which makes set up quick and painless. This light is awesome.

[CRI 95] There is a reason to spend this much on a light, it does what other lights fail to do well. �Precise color temperature, magenta/green hue adjustment, RGB colors. �Also, there is little to no change in output while making color adjustments. �I find it provides plenty of well-diffused output, and it's great at matching with other lights or lighting situations.

[CRI 95] I really like this light panel. In fact within a week of receiving it, I ordered a second one. The menu is very intuitive, really no directions needed and Kino Flo has a complete listing of all the filters and numbers available on their website. The light output is very uniform to my eye. Color temperature is pretty much spot on. I've tried other light panels and this one in my opinion is the best value out there right now. Very satisfied!

[2500 to 9900K] I have a 4 bank, ballast, c-stand, extra bulbs, cable, and extras all within one shoulder bag.

[3] I was considering purchasing 1x1 LED lights from another manufacturer, but after months of comparisons, I decided to pay a little more for the LED Diva. I received the light a day earlier than promised from B&H. The build is sturdy, very similar to the original fluorescent Divas. My old Floziers work perfectly, although I may never need them. This light looks very bright yet soft. The menu is easy to navigate, and dialing in the color temperature and brightness level is quick and simple. Love the many built-in gels to match any look that you are used to. You can dial in any RGB color, although I am not sure I will ever use that feature. I can't wait to use this light on an interview shoot, which is mostly what I need it for. My colleague has 2 Kino-Flo Celebs, but he said he likes this light better, and plans to buy a couple for himself. The soft case is basic but well made and suited for local use. I plan to buy another light soon, along with the hard 2-light case for air travel. As long as I get years of worry free use like I did with other Kino-Flo lights, I think they are well worth the price. I have some older fluorescent studio Kinos for sale if anyone needs them :-)

[15.75 lb] Easily sticks into a gobo head that can be put on any clamp or anything. Wouldn't use this on a 4x4' but on anything less works fine.

[Wireless DMX] Perfect addition to our Kinos! Easy to quickly attach/ detach and comes with a sturdy bag for travel.

[Wireless DMX] The bag easily fits the light, ballast, and cables, and has room for a stand on top. If you want to put in 2 lights, ballasts and cables, that configuration fits as well. It's a little heavy with 2 lights and ballasts, but it works, and is much lighter than using the Gaffer Kit hard case.

[3] Spent quite a bit of time looking at Kino Flo lights and other lights in the class. Hands down this is the best lighting available. Spot on with color accuracy. Color does not shift or vary when the amount of power is reduced. Attention to detail is incredible. This is a 'no joke' light and is intended for the serious film or content creator.

[1x Grid/Louver] Just works as you would expect, no jamming, easy locking and easy rotations.