[1.35 lb] lost the one that came with my keno so this was just a replacement... it was exactly what i needed.

[60°] This is a great kit. Packaged really well, and really good light quality. I compared the light settings with a Sekonic C-800 color meter, and it was right on.

[1.35 lb] Works great and as intended. No complaints here.

[60°] Spent quite a bit of time looking at Kino Flo lights and other lights in the class. Hands down this is the best lighting available. Spot on with color accuracy. Color does not shift or vary when the amount of power is reduced. Attention to detail is incredible. This is a 'no joke' light and is intended for the serious film or content creator.

[1.35 lb] I was considering purchasing 1x1 LED lights from another manufacturer, but after months of comparisons, I decided to pay a little more for the LED Diva. I received the light a day earlier than promised from B&H. The build is sturdy, very similar to the original fluorescent Divas. My old Floziers work perfectly, although I may never need them. This light looks very bright yet soft. The menu is easy to navigate, and dialing in the color temperature and brightness level is quick and simple. Love the many built-in gels to match any look that you are used to. You can dial in any RGB color, although I am not sure I will ever use that feature. I can't wait to use this light on an interview shoot, which is mostly what I need it for. My colleague has 2 Kino-Flo Celebs, but he said he likes this light better, and plans to buy a couple for himself. The soft case is basic but well made and suited for local use. I plan to buy another light soon, along with the hard 2-light case for air travel. As long as I get years of worry free use like I did with other Kino-Flo lights, I think they are well worth the price. I have some older fluorescent studio Kinos for sale if anyone needs them :-)

[1.35 lb] I usually rent a large G&E truck package for all my shoots as a DP. However I bought this light because it's so useful and I was requesting it on every job anyway. Need a last minute eyelight? Here you go. Want to arm out a top-light or kicker? This is your guy. It pulls out of the case and is up and running in seconds, and is easy to battery-power for remote shoots. The egg crate is solid and provides focused soft light, or you can remove it for more intensity and spread. With wireless DMX built-in, it's just an all around low-weight useful light that's full RGB with handy FX options. And Kino's color science is among the best. Very happy with it.

[1.35 lb] Solved a common problem on my divas which have a new life with LED lamps.

[60°] I needed the flexibility of tubes for the style of content I create. I went down the rabbit hole of tubes. And for the quality, reputation, and price I landed on the t44 led dmx 2 light kit. The reflectors mostly serve the purpose of protection for my tubes in storage because I always use the tubes freestyle.But this kit came with them and for the price I'm stoked to have them. I shoot huge industrial scale process equipment and having these tubes is paramount. My next purchase will be 8 of the 25ft extensions for the individual tubes so I can get into bigger equipment.

[1.35 lb] Ive played around with a few different LED options and this is by far my favorite. Ive always loved kino for the softness of the light and the low power consumption. The Diva-Lite 30 really sells you the moment you turn it on. I do a lot of one man band shooting in hospitals and other corporate offices. the ability to completely control the light to the temperature I need is amazing. and who hasnt had fun with the built in effects?

[1.35 lb] I prefer these on all my kinos now. They are sturdier and far less awkward than the longer lollipops.