The 120mm, black DPA Microphones d:fine Core 4188 Miniature Mic Boom 120mm Blackfrom DPA Microphones d:fine Core 4188 Miniature Mic Boom 120mm Blackis a replacement microphone boom for the d:fine headset (sold separately). Designed for theater and broadcast applications, the Core 4188 amplifier technology delivers a 14 dB increase in both THD (total harmonic distortion) and dynamic range than the Legacy 4188 model. This miniature mic boom requires an optional cable and headset.

Replacement Mic Boom for d:fine Headsets    Cardioid Polar Pattern    For Stage and Television    Core Amplifier Increases Performance    14 dB Increase in THD and Dynamic Range    20 Hz to 20 kHz Frequency Range    Requires Cable and Headset

Pristine audio quality

Lightweight and flexible

Easy mounting

Minimal visual impact

Resistant to humidity

Flexible adapter system fits most professional wireless systems

Related Questions and Answers

Q: 1. Can this mic be rigged on-camera?

A: Any shotgun can be rigged on camera: Here are a few things to keep in mind: 1) You will need XLR input with phantom poer. If your camera only sports a mini input, you will need some sort of an XLR adapter device such as a beachtek adapter "with phantom power) to allow the use of this mic. 2) If this is going onto a smaller form factor camera and especially if you are using a wider angle lens, this mic may be in the frame, so this may not be your best choice then and you may want to opt for a shorter microphone. 3) Shotgun mics are very sensitive to handling noise, so make sure you get a shockmount to go with this mic in order to minimize handling noise.

Q: 2. Are these good to capture wildlife and nature sounds when paired with a Sony PCM-D10?

A: Yes the Microphone Madness MCSM-4 would be ideal for that kind of application.

Q: 3. Does it work with AT2020USB+?

A: Yes, fully compatible.

Q: 4. Will this work with plug-in power from these devices: Sony PCM-M10, Zoom H1N, EOS-M3, Canon 5D3 ?

A: The MCSM-4 can operate on 1.5 to 10 volts and will be compatible with most devices that provide plug in power.

Q: 5. Any meaningful differences of the Diety S-Mic 2 and the Rode NTG-1 shotguns for crowd miking?

A: The S-Mic 2 may be a better choice because it has a slightly wider pickup range which is better to capture audio from multiple people than a mic with a very narrow pickup range, which is better for picking up one person. The S-Mic 2 is easy to use because it has no onboard switches or controls to adjust and it is also moisture resistant. Its frequency response range is 50 Hz to 20 kHz, it handles loud sounds up to 130 dB SPL, and has very low noise. The NTG1 has a frequency response range or 20 Hz to 20 kHz and handles loud sounds up to 138 dB SPL, and also has low noise. It also has an onboard low-cut filter which is useful to reduce low rumbling background noise. Both the S-Mic 2 and NTG1 are very good mics, but for miking a crowd, the S-Mic 2 may be the better option since it has a wider pickup range and not as focused as the NTG1. The noise level rating for the S-Mic 2 is slightly lower than the NTG1 (12 dBA vs 18 dBA). The moisture resistance is also a good feature for outdoor use.

Q: 6. Can you flip one of the screws so that one screws "up" and the other screws "down" or are they both locked in that position?

A: Yes, the threaded bushings on the bottom of the Gator Frameworks Mic Mount Bar can be removed with a flathead screwdriver so you can position the screws as needed.

Q: 7. does this work with shure sm7b?

A: Yes it will accomodate a SHURE SM7B microhpne, but just barely, when factoring in the included Shure Swivel (Yoke Mount) Stand Adapter This studio boom arm holds up to 2.4 lbs (1.1 kg) Consider this one: Auray BAI-2N Two-Section Broadcast Arm with Internal Springs B&H # AUBAI2N: https://bhpho.to/35JbOyW The Auray BAI-2N is a two-section broadcast arm with internal springs . This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts. The BAI-2N broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2N allows for precise microphone placement.

Q: 8. Can you use the lavalier mode and connect it to an iPhone so you can use a lavalier to record audio on the iPhone?

A: Yes, the Tula Mic by Tula Microphones can be used in LAV mode with a separate lavalier microphone to record audio on an iPhone.

Q: 9. I am looking for a boom mic stand that will fit a Rode NTG-1 condenser shotgun microphone. I plan to use this mic to do sit-down interviews for a documentary film. Will this product fit a Rode NTG-1 condenser shotgun microphone? If not can you suggest ones that will?

A: The On-Stage MS9701TB+ features a 5/8 threading that is compatible with most standard mic clips ( not included ). The Rode NTG-1 does ship with a stand clip that is compatible with this stand.

Q: 10. Will it work with rode nt-usb mini?

A: Yes. This arm witll hold the NT-USB Mini.