The beige, 90mm DPA d:fine Core 4266 Omnidirectional Miniature Mic Boomfrom DPA d:fine Core 4266 Omnidirectional Miniature Mic Boomis a replacement microphone boom for the d:fine headset (sold separately). Designed for theater and broadcast applications, the Core 4266 amplifier technology delivers a 14 dB increase in both THD (total harmonic distortion) and dynamic range than the Legacy 4266 model. This miniature mic boom requires an optional cable and headset.

Replacement Mic Boom for d:fine Headsets    Omnidirectional Polar Pattern    For Stage and Television    Core Amplifier Increases Performance    14 dB Increase in THD and Dynamic Range    20 Hz to 20 kHz Frequency Range    Requires Cable and Headset

Pristine audio quality

Lightweight and flexible

Minimal visual impact

Resistant to humidity

Flexible adapter system fits most professional wireless systems

Related Questions and Answers

Q: 1. If you had to do it again, would you still buy this over the cos-11d?

A: The Sony ECM-77 Miniature Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector and Sanken COS-11D Lavalier Microphone are both high-quality, professional microphone choices. Selection between the two is mostly a matter of personal preference but can also be influenced by application, continuity, and compatibility.

Q: 2. Do I need an adaptor to attach a Shure MV7 microphone to this mic stand?

A: No. You just unscrew the included mic clip and screw on the MV7.

Q: 3. I have a question about that "included threaded stud to connect to the microphone's holder"...is that included with the mic or with the OC White Acculite? I have both of these items and the mic does not fit perfectly (flush) on the OC White...which has a 5/8 standard thread. The PodMic has a 3/8 thread with a PARTIAL 5/8 thread...so when you attach it to the OC White it only goes about halfway on...it's firmly on, but it's only half way...not "flush" as in the pictures.

A: The Rode Podmic has a removable 3/8-inch adapter, and can be connected flush on to any studio arm with a 5/8- inch threaded stud.

Q: 4. Would this work with the hyper x quadcast s mic? I mean as far as being able to hold it good enough as it is a very heavy microphone

A: Yes, the O.C. White Podcast Pro Mic Boom Package by Accu-Lite is compatible for use with the HyperX QuadCast S USB Condenser Microphone. The boom arm can support a loud of 1.4 to 2.5 pounds and the microphone weighs 1.6 pounds.

Q: 5. Is the 4-pin Hirose connector the same as a Sony 4-pin connector, for example on the DWT-B01 transmitter?

A: Yes, this mic is compatible with that Sony transmitter. It's pretty decent, too!

Q: 6. What is this boom arm's max weight capacity? The mic I want to use is roughly 3-3.5 lbs with the shock mount.

A: The manufacturer has not specified a maximum weight capacity, but the Auray MS-GIGBOOM is intended for use with lighter weight mics, like a traditional handheld style vocal mic. You may want to consider using something with better counterweight like the Ultimate Support Ulti-Boom Pro Telescoping Microphone Boom (B&H # ULTSMB) which has a 0.65 lb counterweight, or the Atlas Sound B2237 Platinum Design Series 37" Microphone Stand Boom (B&H # ATB2237) which has a 0.5 lb counterweight, or the Atlas Sound PB15EB Fixed-Length 34" Microphone Boom (B&H # ATPB15E) which has a 2 lb counterweight.

Q: 7. Can this attach to a standard light stand? Or do I need an attachment?

A: This is designed to fit a standard microphone stand.

Q: 8. With the boom mic attached to the headphones with headphones attached to my Zoom H5, does that mean the Zoom will record me?

A: The RODE NTH-Mic Detachable Boom Microphone for NTH-100 Headphones BH #RONTHMIC is made for the RODE NTH-100 Professional Closed-Back Over-Ear Headphones (Black) BH #RONTH100.

Q: 9. Does the boom arm unscrew from the clamp?

A: Yes, the Auray Telescoping Boom Arm Mic Stand with Table Clamp Mount can be unscrewed from the stem that attaches to the clamp and then used with a standard microphone stand. The stem can also be removed from the clamp by loosening the tension screw on the top of the clamp.

Q: 10. I have a wireless lavalier mic system. The microphone is model sony emc77BMP and the receiver is sony wrt 805.It is not working well, since it catches a lot of interference when recording on longer distances that 30cm, and especially in the city, and as such the wireless part of the system is practically useless for me, but the lavalier mic is very good, and I want to connect it directly to my field-recorder a Tascam DR-40. The input in the recorder is XLR, while the lavalier has a jack (male). I need an adaptor from jack to XLR, and I am wondering about 2 things:1) The adaptor should be a jack (female) to a XLR (male), but is anything else needed, like a converter of electric tension between the lavalier and the field-recorder, or does the lavalier connect directly to the field-recorder?2) The field-recorder offers different settings for recording. One option is to record directly, and one option is to record using phantom-power. Which option should I use when connecting the lavalier directly to the field-recorder via an adaptor (omitting the wireless receiver and emitter system)?

A: The lav can plug directly into the DR 40. All you will need is a 3.5mm to XLR adapter and phantom power from the recorder. Then you can plug the lav directly into the XLR mic input on bottom of the DR 40. B&H # QUQAD2 see below.