Prism Sound Ada-8Xr 8-Channel Audio Interface For Pro Tools Hdx

Prism Sound Ada-8xr 8-channel Audio Interface For Pro Tools Hdx

Product Code: eq60821
Availability: In Stock

$31,197.00 $49,603.23

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Description
Reviews (3)

The Prism Sound ADA-8XR 8-Channel Audio Interface for Pro Tools HDXis a rack-mountable 2 RU audio interface chassis designed to deliver versatile clocking and configurability for producers, musicians, and audio engineers in home, project, and commercial studios. Its modular design yields flexible I/O arrangements thanks to four I/O module slots—two analog and two digital. A variety of modules (available separately) can be installed for access to multichannel analog/digital inputs and outputs as well as Pro Tools or FireWire workstation connectivity.

The ADA-8XR Frame supports resolutions up to 24-bit/192 kHz, and can clock internally or to external AES3, AES11, word clock, or Pro Tools Loop Sync. The built-in Utility Module provides stereo analog RCA and digital BNC audio outputs, BNC word clock and XLR AES11 sync I/O, and a DB9 serial communications port. Additionally, the front panel has a 1/4" stereo headphone output along with assignable 8-channel bargraph meters. An onboard display and comprehensive controls enable efficient adjustment of parameters, which can be quickly stored and recalled via factory and user presets. The ADA-8XR Frame comes with no I/O modules, ready for custom configurations.

Modular Design for Flexible I/O Setups Up to 24-Bit / 192 kHz Resolution 8-Channel Balanced Analog I/O via XLR DigiLink Mini Ports for Pro Tools HDX 1/4" Stereo Headphone Output Versatile Clocking & Routing Options Low Distortion & Noise Selectable Input Limiters Onboard Display & Comprehensive Controls

Key Specs
Maximum Sampling Rate	192 kHz / 24-Bit
Analog Audio I/O	1x Stereo RCA Balanced Output 1x 1/4" TRS Headphone Output
Digital Audio I/O	1x BNC Coaxial AES-3id / S/PDIF Output
Parameters
Maximum Sampling Rate	192 kHz / 24-Bit
Number of Microphone Preamps	No
Expansion Slots	2x Analog I/O Slot 2x Digital I/O Slot 1x Utility Slot 1x Internal DSP Slot
Connectivity
Analog Audio I/O	1x Stereo RCA Balanced Output 1x 1/4" TRS Headphone Output
Digital Audio I/O	1x BNC Coaxial AES-3id / S/PDIF Output
Sync I/O	1x BNC Video Sync/Word Clock Input 1x BNC Word Clock Output 1x XLR 3-Pin AES11 Input 1x XLR 3-Pin AES11 Output
MIDI I/O	No
Other I/O	1x DE-9/DB-9 RS-232/RS-485 In/Out
Performance
Impedance	RCA Outputs: 50 Ohms 1/4" Outputs: 115 Ohms XLR Outputs: 110 Ohms XLR Mic Inputs: 110 Ohms BNC Sync Inputs: 75 Ohms BNC Sync Outputs: 75 Ohms
Dynamic Range	RCA Outputs: 105 dB (-60 dBFS, 1 kHz)
THD+N	RCA Outputs: -101 dB / 0.0009% (1 kHz, at -1 dBFS)
Digital Audio
dBFS Reference Level	+15 / +18 / +21 / +24 dBu = 0 dBFS (Selectable)
Sample Rates	Up to 192 kHz
Bit Depths	Up to 24-Bit
Clocking	Accuracy: ±25 ppm Jitter Suppression: > 60 dB (above 700 Hz)
Power
AC Input Power	90 to 125 VAC, 50 / 60 Hz 180 to 250 VAC, 50 / 60 Hz
Power Consumption	60 W
Physical
Rackmount Size	2 RU
Dimensions	19 x 15.4 x 3.5" / 483 x 390 x 88 mm
Weight	16.5 lb / 7.5 kg

Modular architecture accommodates special configurations and provides future-proofing with individually upgradeable A/D conversion, D/A conversion, DSP, digital interfacing, and utility hardware

Supports sample rates up to 192 kHz

2-channel monitor section follows channel pairs or a mix of all channels

8-channel assignable bargraph meter array with over-detection

Renowned Prism Sound jitter-rejecting PLL technology and low-jitter master clock

Flexible synchronization options including sync to AES11, word clock, or video sync

Flexible routing allows creation of digital-to-digital processing paths for processing or format conversion

SNS noise-shapers preserves dynamic quality during 16-/20-bit transfers

MR-X bit-splitting allows extended bit depths and sample rates on 16-bit media

DRE (Dynamic Range Enhancement) enables 24-bit performance on 16-bit stereo media without sacrificing tracks

Optional DSP expansion facility for extended processing features including synchronous

sample-rate conversion

Comprehensive store system for fast-access factory and user presets

Unique "Access button" layout combines the flexibility of menus with the speed of dedicated

controls

Internet-upgradeable software loads from your computer into flash memory inside the ADA-8XR

Rack-mountable enclosure occupies 2 RU of rack space

Related Questions and Answers

Q: 1. Can I buy a ADA kit for one? I live alone.

A: I have only seen it for two.

Q: 2. When connected via USB, is this mixer selectable as an audio source in video software like OBS, Vmix, or Wirecast?

A: When connected to a computer via USB, this device would be selectable as an audio source into OBS.

Q: 3. Does the USB interface provide the option for simultaneous input/output, or is it just one or the other at any time?

A: The USB interface sends and receives audio simultaneously.

Q: 4. Is this definitely compatible with the M1/M1 Max/M1 Ultra Macs?

A: The compatibility between the Avid Pro Tools | HDX Thunderbolt 3 Desktop Chassis is more about the software than Avid's hardware. The latest information regarding Pro Tools compatibility with Apple chips and software can be found here: https://sforce.co/3OHqMus

Q: 5. what are the optimum settings for clean sound and volume? I get confused between GAIN and LEVEL. Also should MASTER GAIN slides be set to upper levels?

A: The Pyle Pro PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface is versatile and easy to use, and features a clearly labeled set of controls. The Gain controls on Channels 1, 2, and 3 are used to adjust the input gain level for individual devices connected to these channels. Likewise, the individual Level controls for these channels adjust the output level for that corresponding input channel. The Main level fader is a master control for the overall mix. The optimum settings for a clean sound will vary depending on the particular devices that are connected to the input channels. Each individual channel has its own red Peak LED indicator light next to the channel's Level control knob to show when the level for that channel is very high. Additionally, the 5-stage LED Level indicator panel provide a more detailed view with green, yellow, and red LEDs. For cleaner sounds, you will want to keep the levels within the green and yellow indicators and avoid peaking, where the indicators becoming red.

Q: 6. Is the Windows version out yet?

A: i am not certain if Pro Tools will release a WIndows -based version of this audio interface. because Carbon uses AVB for connection via ethernet, which is built into a macOS.

Q: 7. Does the USB interface have any sort of latency for input/output?

A: There are a lot of variables to consider when measuring overall latency in a DAW setup. All USB interfaces contribute to this latency as well. Unfortunately, the manufacturer does not list a specification to know exactly how much. The processing power of computer is a big determining factor, along with the software being used to record as well. Depending on the software, users may adjust the buffer settings to help with the latency. You may expect around 10-20ms overall latency before making any adjustments to the buffer.

Q: 8. Is it possible to connect a USB microphone to this unit?

A: The Pyle Pro PAD10MXU is not compatible with USB connection microphones. It is compatible with XLR connection microphones and 1/4'' connection microphones.

Q: 9. Does the bluetooth input play out of the aux 1 & 2 outputs?

A: No, Bluetooth functionality is not able to be routed to the Pyle Pro PMX648's aux outputs.

Q: 10. Which slots in the new Apple Mac Pro 2019 will three Avid HDX PCIe cards work? Is the power cord cord pin arrangement compatible with slots 1, 2 and 3?

A: The card easily installs into your existing Mac or Windows tower/desktop computer. To get a full 64 channels of I/O, the Pro Tools | HDX PCIe card allows you to connect up to four, 16-channel Pro Tools | HD audio interfaces. Two of the interfaces connect directly to DigiLink Mini ports 1 and 2, and the other two interfaces connect to the expansion ports on the Pro Tools | HD audio interfaces. In the Box: Avid Pro Tools | HDX PCIe Card HDX TDM Cable HDX PCIe Power Cable for Mac HDX PCIe Power Cable for Windows 12' DigiLink Mini Cable Limited 1-Year Warranty

anyonymous	07/05/2024
[2 RU] I use this cable to connect our show audio computer to the sound board. Great sound quality and takes the abuse of plugging and un-plugging constantly moving from the tech table to the booth. 5

Felipe	24/04/2024
[2 RU] My workflow has changed a lot since I started using Antelope's interface and plugin. The sound is just amazing, and very easy to use. Definitely best acquisition for my studio. 5

Maria	08/04/2024
[60 W] Probably the best interface in the market, hands down, I was debating between Metric Halo ULN series and Prism, and this babe came out as the absolute winner. Preamps are superb and stackable, converters are fabulous with so much headroom, with M/S options for tracking, in fact I liked it so much the studio I work for purchased another 3 of them. At home I'm using as an USB and in the studio we use the Dante Option, Drivers are rock solid, if you're serious about music, this is it if you don't mind spending the extra dollars, you'll be mesmerized... 5