The 20' Mogami Gold 3.5mm TRS to Dual RCA Cable 20ftis a professional-quality stereo cable for DJs and musicians who want to reproduce the highest quality sound from their portable music player. It features a spiral bare copper shield that keeps your audio free from radio interference, even in unpredictable electrical environments.

The cable's 3.5mm TRS connector plugs into the headphone jack of a phone/tablet or the 3.5mm output of an audio device. The two RCA L/R connectors plug into the stereo input of a mixer or PA system. The connectors are gold-plated to insure signal integrity over repeated use.

For Portable Music Player    2 Conductors Preserve Quality of Audio    Rugged and Flexible Construction    Spiral Bare Copper Shield for Low Noise    Gold-Plated Connectors

• Low-noise 3.5mm TRS to dual RCA stereo accessory cable
• Individually twisted shielded pair of conductors
• XLPE (Cross Linked Polyethylene) insulation preserves audio clarity
• Drain wire and spiral bare copper shield eliminate radio interference
• Rugged and flexible PVC jacket provide good resistance to rough handling and abrasion
• Gold-plated connectors

Related Questions and Answers

Q: 1. Is this a balanced cable

A: The Mogami Gold 3.5mm TRS Male to Dual XLR Female Y-Cable (10') is not a balanced cable. 3.5mm stereo TRS is not a balanced connection, so even though the input connectors are XLR the signal going through the cable cannot be balanced.

Q: 2. Can I use this cable with a Deity V-Mic D3 Pro to split the outgoing signal to use the XLR inputs on a Tascam DR40? Or do you recommend another option?

A: The Mogami Gold 3.5mm TRS Male to Dual XLR Female Y-Cable is not going to work to connect the Deity V-Mic D3 Pro because you need the XLR connectors to be male in order to connect to the inputs on the Tascam DR40 Recorder. The Mogami Gold 3.5mm TRS Male to Dual XLR Male Y-Cable - 10' (B&H # MOG352XLRM10) is the version that you need.

Q: 3. It seem obvious give TRS and 2xRCA plugs, but I would like to confirm that is two channel (stereo) out to the camera?

A: The Sescom SES-43DB-MZ2P Attenuating Line to Mic Level Cable is used to send line level audio from RCA left and right outputs to a camera's 3.5mm TRS microphone input. The cable has a built-in attenuator to pad the signal by 43 dB which will prevent any clipping or distortion.

Q: 4. Can I use this cable with a RODE 3.5mm TRS Female to XLR Male Adapter to send audio from a Zoom F4(sub out) to a camera's XLR?

A: The Mogami Gold 3.5mm TRS Male to 3.5mm TRS Male Stereo Audio Cable (15') could be used to connect a line output to a mic input, but you will need to switch your camera's input to line level or attenuate the input gain to avoid overloading the preamp.

Q: 5. It fits the Rode VideoMic Pro + microphone And on the other hand the H4N PRO zoom external recorder?

A: Yes BH #MOG353515 can be connected to both the Rode Videomic Pro+ and the Zoom H4N Pro.

Q: 6. Will this cable also work with other microphones like the deity v-mic d3?

A: Yes. The Rode SC8 can be used for any audio application that requires a cable with standard 3.5mm TRS to 3.5mm TRS connectors.

Q: 7. What is the length from the split location to the end of the XLR cable?

A: The length from the split location to the end of the Mogami Gold 3.5mm TRS Male to Dual XLR Male Y-Cable (6') is 18".

Q: 8. can i run an SC8 from camera to zoom h1n then another SC8 from zoom h1n to rode videomicro?

A: Hello Phillip, this would depend on which inputs and outputs you are using. As long as you use a proper 1/8" TRS input and 1/8" TRS output you should be fine.

Q: 9. Will this cable work with the Rode VideoMic NTG?

A: Yes the Rode SC8 cable is directly compatible with the Rode Videomic NTG microphone.

Q: 10. Can I use this cable to send an audio feed(3.5mm/sub out) from a Zoom F4 Recorder into a cameral's XLR input, such as Sony FS7?

A: The Mogami Gold 3.5mm TRS Male to Dual XLR Male Y-Cable could be used to connect a line output to a camera's XLR inputs, but you should be sure to set the input level to line level to avoid overloading the camera's preamps.