Cooke 65Mm S7/I Full Frame Plus Lens T2.0 For Cinematography

Cooke 65mm S7/i Full Frame Plus Lens T2.0 For Cinematography

Product Code: eq61503
Availability: In Stock

$75,600.00 $92,232.00

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Description
Reviews (6)

The Cooke 65mm S7/I Full Frame Plus Lens T2.0 for Cinematographyfeatures focus scales marked in feet and covers full frame and larger sensors. The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics. A large focus scale with 270° of rotation provides for highly accurate focus pulls with easily read markings.

This 65mm prime lens' PL mount makes it compatible with most commonly used professional film and digital cinema cameras. The cam-type focus mechanism provides smooth focus pulls, and the linear iris consists of nine blades for round, natural-looking highlights. Color-matched to intercut with other Cooke lenses, this lens combines classic, hand-fitted construction and modern /i Technology for lens metadata capture.

Covers Full Frame and Larger Sensors T2.0 Maximum Aperture Color-Matches All Cooke Lenses /i Technology Cam-Type Focus Mechanism Linear 9-Blade Iris

Key Specs
Focal Length	65mm
Maximum Aperture	T2
Lens Mount	ARRI PL
Lens Format Coverage	Full Frame
Image Stabilization	No
Electronic Communication	Yes
Parameters
Maximum Aperture	T2
Minimum Aperture	T22
Lens Mount	ARRI PL
Interchangeable Mount	No
Lens Format Coverage	Full Frame
Image Circle	46.3 mm
Angle of View	Full Frame Diagonal: 37° Super 35 Diagonal: 27°
Focus Scales	Imperial
Minimum Focus Distance	From Unspecified Point in Lens: 19" / 48.3 cm
Diaphragm Blades	9
Image Stabilization	No
Gear Standard	0.8 MOD / 32 Pitch
Gear Rotation	Focus: 270° Iris: 90°
Electronic Communication	Yes
Diameter	Front: 4.3" / 110 mm
Length	7.44" / 18.9 cm
Weight	6.61 lb / 3 kg
Packaging Info
Package Weight	8.2 lb
Box Dimensions (LxWxH)	14.1 x 8.5 x 8.3"

The optics are designed to give maximum performance at full aperture with superior control of flare, distortion, and spherical aberration.

Contacts in the mount sync with /i compatible cameras and accessories, providing lens information on focusing distance, aperture and depth of field, hyperfocal distance, serial number, owner data, lens type, and focal length in both meters and feet.

All Cooke S7/i prime lenses are color balanced to the Cook 5/i, S4/i, Anamorphic/i, and PANCHRO/i Classic lenses.

Cooke S7/i primes have a true T2.0 aperture and cover 35/Super 35mm, full frame, and beyond.

Every index mark is labeled. More detailed markings allow for more detailed focus control.

Academy Award-winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth, positive, backlash-free movement.

Large, clear numerals on both sides of the focus barrel enable your focus puller to work from either side of the lens without remarking or flipping the lens upside down.

S7/i primes have a common fixed front diameter of 110mm, with a focus drive gear of 140T x 0.8 mod, and an iris drive gear of 134T x 0.8.

A scratch-resistant PTFE hard anodized finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditions.

A nine-blade linear module iris assembly is fitted into S7/i primes with an aperture range of T2.0 to T22.

Related Questions and Answers

Q: 1. Is there a version with lens data /I?

A: BLAZAR is actively looking into adding support for Cooke /i protocol.

Q: 2. On the X2d will face detect be operational with this 60mm?

A: Yes, as long as the camera is firmware updated, face detect works with the Hasselblad XCD 65mm f/2.8 Lens on the Hasselblad X2D 100C Medium Format Mirrorless Camera.

Q: 3. What would the angle of view of the 65mm be on a Sony A7S III or FX3?

A: The BLAZAR LENS Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare) would give a horizontal field of view of approximately 45 degrees when used with a camera such as the Sony FX3 Full-Frame Cinema Camera.

Q: 4. What focal length it will become when shouting in a crop mode, like 4k60 on S1?

A: In Super35 mode, the Viltrox 20mm will be more like a 30mm.

Q: 5. Is this new Meike 85mm f/1.8 STM lens with AF or an older model?

A: This is the most current version of the Meike 85mm f/1.8 Full Frame AF Lens for Sony E to date.

Q: 6. Will these lenses be mount swappable? (EF-PL)?

A: Yes, the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (Canon EF, Blue Flare) are mount swappable between EF and PL. You can find the optional mounts here: https://bhpho.to/42QGmf0

Q: 7. What’s the magnification factor on the macro?

A: Cooke says the magnification of the Cooke 85mm T2.8 Anamorphic/i 1.8x Full Frame SF Macro Prime Lens 1:4.

Q: 8. Where is this lens made?

A: Hasselblad XCD 65mm f/2.8 Lens BH #HA65XCD • MFR #CP.HB.00000252.01 is made in Japan

Q: 9. Just wonder if they will work properly with Canon r5 c using adapter?

A: Yes, the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (Canon EF, Amber Flare) works perfectly with the Canon Mount Adapter EF-EOS R.

Q: 10. Was referring to the camera, the X1D2 ?

A: Yes, the Hasselblad XCD 65mm f/2.8 Lens will fit on the Hasselblad X1D2.

Ryan	12/07/2024
[Yes] Bought these to use with various cameras to get an anamorphic feel. I really like the look. They aren’t super sharp but fairly well built for the price, have a nice character and actually give a cinematic look. Maybe not 2 x character but for the price I love them. 5

leonard	08/06/2024
[ARRI PL] I bought a set of Viltrox anamorphic lenses, which are amazing, but I wanted something smaller and lighter for my FX6/Ronin 4D. These Blazar lenses are a lot of fun. I only have the 65 so far, which I find wide enough for most situations without having the issues in the corners that the 45 had. Waiting to try out their new ones, I just need something slightly wider and another slightly tighter. Waiting to hear what they say about the new additions. 5

Dave	16/05/2024
[T2] I've only done tests on location with these before the shoot I've been planning next week... These lenses have a dreamy, droopy, anamorphic look wide open, but I wouldn't suggest using them wide open unless you need a dreamy look. Super soft wide open. At T2.8 it gets better but T4 is where it actually gets sharp. For more context, I'm shooting on a C70, and we know that camera is on the softer side... Aperture/Focus rings are smooth and a pleasure to use. Focus breathing is not great, but depending on the shot your going after, it could be ok. They do some funky things when panning or handheld. I plan to use these lenses mostly locked off, on a slider, dolly, etc for nice smooth controlled shots with an artistic look. Definitely recommend. 5

Dave	12/05/2024
[ARRI PL] When I saw the many video reviews and demos of the Remus Lenses and the price for a set, I knew that they were going to be my first venture into anamorphic lenses. Although it took almost 3 months to get the set, it was well worth the wait. I recommend this model, for it's budget and it's quality build. It's really amazing. 5

Jeffrey	11/04/2024
[65mm] I just received this lens set TODAY so please take this all with a grain of salt. This is also being done without shimming so there may be a little bit of blurriness that normally wouldn't be there. I added 2.39 bars to help see what an end image may look like. I really wanted to see the differences between the Great Joy Set and the Remus. I've uploaded some photos to help people choose. Overall I think I may go with the Remus as they seem to actually sharpen up closely to the Great Joy's when opened to 2.8T. they also seem to actually have a little more color constancy between each other (However, I did my test on a cloudy day so the sun may have played a factor). To play to the favor of the Great Joy set they are a little cleaner and I would say might be a better set of lenses for commercial style work where as the Remus set seem to lean into the Narrative a bit more. Hope this is a little helpful! Both sets of lenses are totally worth the money. 5

Adam	04/04/2024
[Full Frame] I’ve had many of the affordable anamorphics that are out. They were all disappointing with their pinstripe flares. Pincushion distortion, and otherwise forgettable image. These are not that! These have the character that one looks for in more expensive lenses like the Atlas Mercury’s. And in my experience with both, the Mercury’s and now owning the Remus’ I cannot imagine spending 10x the amount for the Atlas Mercury lenses when these exist. These were one of the best and most surprising purchases I’ve ever made. It’s clear that China is not messing around and are coming for blood, because these are killer! 5