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Zoom F6 6-input 14-track Multitrack Field Recorder

Zoom F6 6-input 14-track Multitrack Field Recorder
  • Product Code: eq63825
  • Availability: In Stock

$2,249.97 $3,262.46

Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).

From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.

Location Recording & Production Sound    32-Bit Float Recording Avoids Clipping    6 x High-Gain, Low-Noise Mic Preamps    Records 6 Inputs & Stereo Mix    Ambisonics, WAV & MP3 Formats    Supports Control via App or FRC-8    Flexible Powering Options    SD Card / USB Interface Recording    AutoMix Software Reduces Mix Noise    Precision Timecode Reader/Generator

Portable Recorder
Form FactorField Recorder
Primary Use ApplicationsAudio-for-Video
Number of TracksWAV:
8 (6 Inputs + Stereo Mix)
Number of Input Channels6
Maximum Sampling Rate192 kHz / 32-Bit
MicrophoneNo
Number of Microphone Inputs6
Built-In SpeakerNo
DisplayColor LCD (Backlit)
Memory Card SupportSD, SDHC, SDXC (Up to 1 TB)
Internal StorageNo
Special FeaturesRemote Control Capable
Recording
Audio File FormatsBWF, iXML, MP3, WAV
Sample RatesWAV:
44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz
Bit Depth16 / 24 / 32-Bit
Bit Rates128 to 320 kb/s
Signal Processing & FXLimiter
Timecode SupportYes
Frame Rates Supported23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF
Clock Accuracy±0.2 ppm (Timecode)
Recording TimeWAV 48 kHz/24-Bit:
57.69 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14.41 Mins per GB (Stereo)
Connectivity
Analog I/O6x XLR 3-Pin Female Balanced Line/Mic Input (Lockable)
1x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/O1x 1/8" / 3.5 mm TRS Timecode In/Out
Phantom Power+24 / 48 V
Phantom Power Current≤ 10 mA per Channel
System Connection1x USB-C (I/O, 2.0)
Audio Interface CapabilityMulti-Track
WirelessBluetooth
*Via Optional Adapter
Mobile App CompatibleYes: iOS Only
App Name: Zoom F Control
Functionality: Access Stored Files, Remote Control
Gain/Trim RangeMic Inputs:
+12 to +75 dB
Line Inputs:
+8 dB to +55 dB
Max Input LevelMic Inputs:
+4 dBu
Line Inputs:
+24 dBu
Max Output LevelLine Outputs:
+10 dBV
Headphone Output Power100 mW per Channel into 32 Ohms
Dynamic RangeLine Outputs:
95 dB
Headphone Outputs:
108 dB
ImpedanceMic Inputs:
≥3 Kilohms
Line Inputs:
≥5 Kilohms
Line Outputs:
≤100 Ohms
Headphone Outputs:
≤15 Ohms
Timecode Input:
4.6 Kilohms
Timecode Output:
≤50 Ohms
Equivalent Input Noise (EIN)≤-127 dBu (A-Weighted)
Power
Power OptionsBattery or AC/DC Power Adapter
Battery Type4x AA (Not Included)
1x L Series (Not Included)
Approximate Battery LifeWAV 48 kHz/16-Bit:
7.5 Hours (Alkaline, 2 Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (NiMH, 2 Channels, Backlit Display, Phantom Off, with Headphones)
16.5 Hours (Lithium, 2 Channels, Backlit Display, Phantom Off, with Headphones)
WAV 48 kHz/24-Bit:
5 Hours (Alkaline, All Channels, Backlit Display, Phantom Off, with Headphones)
7 Hours (NiMH, All Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (Lithium, All Channels, Backlit Display, Phantom Off, with Headphones)
WAV 192 kHz/24-Bit:
0.5 Hours (Alkaline, All Channels, Backlit Display, Phantom On, with Headphones)
1.5 Hours (NiMH, All Channels, Backlit Display, Phantom On, with Headphones)
3.5 Hours (Lithium, All Channels, Backlit Display, Phantom On, with Headphones)
AC/DC Power Adapter5 VDC (Not Included)
Included AccessoriesStand Adapter
Dimensions3.9 x 2.5 x 4.7" / 100 x 62.9 x 119.8 mm
Weight1.2 lb / 530 g
Packaging Info
Package Weight2.5 lb
Box Dimensions (LxWxH)10 x 7.5 x 5"

The F6 is designed to handle the reality of real-world dynamics. Since source levels can change unexpectedly, you need a system that can capture everything from pin-drop quiet to roaring loud without compromise or clipping. With 32-bit float resolution and dual-path A/D converters, the F6 delivers immense dynamic range to cover the audible spectrum with ease. Digital clipping is a thing of the past.

The F6 boasts a slew of recording modes and resolutions to choose from—record all six inputs at a maximum resolution of 192 kHz in 24-bit linear or 32-bit float, or (thanks to Zoom's dual-path A/D converters) record them simultaneously in at up to 96 kHz in 24-bit and 32-bit float while printing a stereo mix.

Maximize portability by recording directly to an SD/SDHC/SDXC card (available separately) for up to 1TB of storage space. Select MP3 format if you're only recording the stereo mix and really need extended time and minimal file size. Using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility, you can run the F6 in 6-track mode (six inputs recorded in 24-bit or 32-bit float), or 14-track mode (six inputs recorded in 24-bit and 32-bit float, plus a stereo mix). Or select Ambisonics mode to capture four channels of Ambisonics-compatible audio and have two channels to spare for traditional mics.

Alternatively, use the F6 as a 6-in/4-out USB 2.0 audio interface at up to 24-bit / 96 kHz. Connect it to your computer, launch your preferred audio recording program, then enjoy the combination of the F6's premium mic preamps and A/D converters, plus the familiarity and features of your favorite software. For safe, redundant recording at up to 48 kHz, it is possible to operate the F6 as an audio interface while recording to an SD card.

The F6's Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture professional spatial audio for VR (Virtual Reality), AR (Augmented Reality), and more. Even while using the first four channels for Ambisonics recording, you can utilize channels 5-6 for other signals such as boom and lav mics. Download the free Zoom Ambisonics Player software to access user-friendly decoding and editing functions for your 360-audio.

The F6 can accommodate all manner of condenser microphones as well as balanced line-level signals via six locking Neutrik 3-pin XLR inputs. Six studio-quality microphone preamps boasting massive gain (up to 75 dB) and ultra-low noise (-127 dBu EIN) ensure that your sound sources will be amplified with sonic accuracy. Select mic/line-level per input, apply 24 or 48 VDC phantom power per input, adjust each input via a dedicated level knob, and handle hot signal levels (up to +4 dBu in mic mode, or up to +24 dBu in line mode).

In 24-bit recording mode, the F6 utilizes advanced look-ahead hybrid limiters to provide reliable protection against overloading the A/D converters. By adding a small delay of just one millisecond, the limiters are able to look-ahead at the input signal and anticipate clipping before it's recorded.

To use the F6 as a field mixer, simply connect its 3.5mm stereo line output into your camera, DSLR, mixer, or secondary recorder. Your audio mix will be fed through the unbalanced line, ready to be recorded.


With a transparent and high-output 100mW headphone amplifier tied to a 3.5mm stereo output, the F6 provides clean, efficient monitoring of pre- or post-fader levels and alerts for battery and recording status.

Whether you keep the F6 powered on all day, or shut it down during breaks, rock-solid sync with video cameras, master timecode clocks, or additional audio recorders will be maintained. Accurate synchronization is made possible with the F6's high-end timecode features. A 3.5mm TRS mini jack is dedicated for timecode I/O, and a Temperature Compensated Crystal Oscillator (TCXO) boasts super stable timecode accuracy to ±0.2 ppm. You can even jam sync the F6 when constant external timecode isn't present.

If you need extensive external control, Zoom has you covered. For fast and fluid hands-on remote control, the Zoom F-Control (available separately) is ideal. It features smooth 60mm faders, plus tactile controls for trim, pan, arming tracks, transport operations, and more.


For convenient wireless remote control from an iOS mobile device, connect a Zoom BTA-1 Bluetooth adapter (available separately), then use the free F-Control app to quickly monitor and tweak levels, operate transport controls, add metadata, and more.

To keep up with the pace of on-location production, the F6 offers several methods of powering. Operate it via four AA batteries or a Sony L-Series type battery (available separately), power it through a USB Type-C connection, or plug it into a wall outlet with the Zoom AD-17 AC adapter (available separately). With up to 16.5 hours of battery life (AA lithium batteries, 16-bit / 48 kHz, 2-channel recording to SD card), you can rely on the F6 hour after hour.

A USB Type-C port on the F6 serves several functions. Use it to hook up a power source, or connect a computer for file backup or live audio streaming.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 1.54" full-color backlit LCD, which also offers a monochromatic mode. Transport controls and navigation buttons are presented nearby for sound bag-friendly, hassle-free operations.

Let Zoom's AutoMix function simplify your job. This smart software automatically adjusts the levels of your mix to reduce the amount of ambient sound, so you can focus on capturing a well-balanced mix. Since you turn AutoMix on/off for each channel, you have complete control over where you want AutoMix to work.

The rugged build quality and compact size make the F6 an excellent choice for location recording on set and in the field. It's equally well suited for placement in an audio bag or a camera-mounted configuration. A camera-mount adapter is included.

Add metadata such as notes and track/scene names in BWF and iXML formats to easily catalog your files in preparation for loading them into your video or audio editing workstation. Make it a habit to make organization and collaboration in post-production easy.

Related Questions and Answers

Q: 1. What is the highest capacity sdxc supported?

A: Up to 512 GB

Q: 2. Does the F6 have to be continually plugged into camera for Timecode sync?

A: No, you can jamsync the F6.

Q: 3. Does Zoom F6 needs an additional power source when used as an audio interface connected to a computer via USB C? in other words can it be powered solely by USB while connected to a PC?

A: Yes, even my old laptop powers it fine. Add some AA batteries just in case.

Q: 4. So to run a Mix out from the F6 to say the BMPCC4k I would need a 3-Pin Mini XLR Male to 3.5mm TRS Stereo Balanced cable? Does B&H carry one?

A: Blackmagic Design Set of 2 Mini XLR to XLR Audio Cables for Video Assist 4K (19.5") B&H # BLAXLRMINI2: https://bhpho.to/2Oj2n3s

Q: 5. I would like to know whether I can use Rode Stereo Videomic which has 3.5 output with this recorded? If yes what kind of adapters would I need in order to get Stereo signal into a recorded? Thanks!

A: As Zachary mentioned, you can use the ALZO 3.5mm Female to Dual XLR Male Stereo Microphone Adapter Cord for Pro Camcorders (B&H # AL130) to connect the Rode Stereo VideoMic to the Zoom F6 and maintain stereo signal.

Q: 6. is this unit xlr only ? ie no mic jacks ???

A: The XLR inputs on the F6 are the mic inputs.

Q: 7. Can this product be used as computer interface (like the MixPre-3)?

A: The Zoom F6 can be used as a 6-in/4-out USB 2.0 audio interface at up to 24-bit / 96 kHz. Also, it is possible to operate the Zoom F6 as an audio interface while recording to an SD card.

Q: 8. Can you pause while recording? Most Zoom recorders don't allow this.

A: Definitely. I've accidentally paused recording when I thought I stopped the recording several times.

Q: 9. Is the timecode output a 3.5mm jack and will most 3.5mm to BNC cables work for jam-syncing to cameras?

A: Yes it is a 3.5mm jack. While most 3.5mm to BNC should work, below are a few that are designed for timecode jam-syncing: Item# TEC06 Item# TEC08 Item# RECATC18BNC

Q: 10. Can it be powered by a USB connected portable power pack/bank? (like those made by Mophie and Anker)

A: Yes.

16/09/2024

[Yes] I just can't imagine using recorders without 32but float anymore! Makes the workflow so much easier! This is definitely the future of audio!

5
05/09/2024

[Multi-Track] Like all of Zoom's products it is very simple to use. I have used two of Sennheiser's AVX-MKE2 wireless mics and a Rode NTG3 shotgun mic all connected at the same time and the F6 works great!! If I need to use more than these three mics I'll have to get some XLR adapters to take my receivers out away from the F6 otherwise they won't fit. A bit cramped as is.

The reason to get the F6 is for the 32 bit floating audio recording. I recently did a shoot with the above setup. I had one sound guy to help me out on the shoot. We set the recording level about where we thought would work well. The files were set to record separate tracks. Not all mixed together. My sound guy had to run boom so it would have been impossible to run boom and mix audio at the same time. We'll with 32-bit floating we didn't have to worry about it.

When I got back to the studio and did my edits there were a few sections of the audio recordings that had peaked when people were laughing or talked really loud. No problem. I just dropped the gain down on that section of the waveform and the audio sounds great. No distortion.

Love this device! It is a real game changer!

5
03/09/2024

[Yes] Great preamps, solid build, easy UI. I jam this with my tentacle syncs and it works great. I got the bag and it fits two lavs perfectly. For the price, it is more than worth it. No regrets!

5
26/06/2024

[6] For starters, I'm an audio person by necessity. I tend to fly solo or work with small crews so 32-bit Float recording is an absolute life saver. HOWEVER, it is not as fire and forget as some may say. Mic placement is absolutely vital; if your placement is garbage then you are just amplifying or bringing down garbage.


Construction is solid! Everything is metal and buttons and knobs are recessed and won't be damaged tossing into a bag or dropping. Controls are super intuitive and easy to use. Three power options is super helpful. Batteries can be hot swapped if another source is hot.


I went from an H4N or borrowing other to using this so I can't speak much on buying this if you already have an H6 or similar.

5
23/06/2024

[Stand Adapter] I'm using this recorder as part of a single-shooter video rig shooting gymnastics events for a YouTube channel called Grips. Chalk. Flip.


This recorder works well with my setup, which includes a Nikon Z6 connected via HDMI to a BlackMagic Video Assist 12g shooting in 10-bit N-Log in ProRes HQ. I'm using 5-6 of the inputs on the Zoom, feeding the mix to the Z6 via one stereo channel and a free run clock timecode from the Zoom F6 to the other stereo channel. Both audio channels are then fed to the BMVA via HDMI. Feeding through the camera rather than direct to the BMVA helps with the HDMI latency from the Z6 by keeping the audio and video in sync. I sync my dailies using Tentacle Sync Studio, which is quick and exports easily into Final Cut Pro X.


The 32-bit float is great, too, because in this setup, I can't pay much attention to the audio levels apart from what I hear in the mix, so I don't have to worry about clipping as I can fix it later.

5
23/06/2024

[Stand Adapter] I'm using this recorder as part of a single-shooter video rig shooting gymnastics events for a YouTube channel called Grips. Chalk. Flip.


This recorder works well with my setup, which includes a Nikon Z6 connected via HDMI to a BlackMagic Video Assist 12g shooting in 10-bit N-Log in ProRes HQ. I'm using 5-6 of the inputs on the Zoom, feeding the mix to the Z6 via one stereo channel and a free run clock timecode from the Zoom F6 to the other stereo channel. Both audio channels are then fed to the BMVA via HDMI. Feeding through the camera rather than direct to the BMVA helps with the HDMI latency from the Z6 by keeping the audio and video in sync. I sync my dailies using Tentacle Sync Studio, which is quick and exports easily into Final Cut Pro X.


The 32-bit float is great, too, because in this setup, I can't pay much attention to the audio levels apart from what I hear in the mix, so I don't have to worry about clipping as I can fix it later.

5
06/06/2024

[Yes] I already use a Zoom F8n for location shoots where AC power is unavailable, but there have been occasions when I've needed more than 8 channels, but I didn't want to add a 2nd F8n, external battery pack, etc. The F6 gives me just what I need and in a small package with minimum additional weight. The menu/setup is very similar to the F8n, so there was no real learning curve. I get the same audio quality as the F8n because it's a Zoom. I never head for a location shoot without it

5
03/06/2024

[2.5 lb] I had the Mixpre 3 and really liked the sound quality, but found the interface so awkward. Some like it, I just never could get the hang of it. The Zoom F6 interface, IMO, is very logical and easy to work work thru. Tested the 32bit and 24bit with an AKG 414 and was really, really happy with the sound quality. It seemed so good! Native Sony FP is simple and convenient for longer recordings.

5
27/05/2024

[6] It was time to step up to a 32 bit float field recorder. Despite its small size, the F6 is packed with many robust XLR inputs and useful features. Some of the helpful features include a built-in battery slot, full size high capacity SD card compatibility, line and headphone outs, headphone volume control, bright color display, intuitive navigation controls and channel pots. Multiple recording quality and format options are easily configurable. Metadata capabilities keep your files well organized, speeding up data wrangling and ingestion. I highly recommend the Bluetooth module and the F6 iPad app. Somewhat tedious to set up initially, the included Orca bag comes in clutch for boom operation once the F6 is secured inside.

5
25/05/2024

[Multi-Track] I love the option to use Sony batteries NPF

5

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