The Audix OM2 Handheld Dynamic Microphoneis a handheld hypercardioid dynamic microphone designed to deliver highly directional capture of vocals and instruments in recording sessions and live stage applications. It boasts low handling noise and a hypercardioid polar pattern, which not only minimizes feedback caused by nearby monitors and speakers, but also reduces the pickup of stage bleed and room ambience. The dynamic element's low-mass diaphragm responds quickly to transients and handles sound pressure levels up to 140 dB.

It produces a frequency response of 50 Hz to 16 kHz with a mild rise centered at approximately 150 Hz along with a moderate presence boost above 2 kHz. The gold-plated XLR 3-pin output ensures compatibility with most microphone preamps and mixer inputs, and the zinc alloy body with a dent-resistant steel mesh grille provides road-ready protection and durability. The OM2 was designed, assembled, and tested in the USA, and ships with a microphone clip and carrying pouch.

Hypercardioid Polar Pattern    Dynamic Microphone Element    50 Hz to 16 kHz Frequency Response    High Maximum SPL    Enhanced Feedback Rejection    Durable Zinc Alloy Body    Dent-Resistant Steel Mesh Grille    Gold-Plated XLR Connector    Designed, Tested & Assembled in the USA

VLM Type-B capsule delivers quick transient response and a warm, full sound with gentle bass proximity

Hypercardioid polar pattern provides off-axis rejection of over 25 dB and high gain before feedback

Slight rise peaking at 150 Hz and approximately 5 dB of boost from 3 to 6 kHz

Can be used for a wide variety of instruments and vocals

Maximum SPL of 140 dB allows audio capture of loud sources without distortion

Low handling noise

Provides excellent vocal isolation on stage

Durable zinc alloy housing with dent-resistant steel mesh grille

Designed, assembled, and tested in the USA

Related Questions and Answers

Q: 1. Will this work with a Zoom H1 with a mini plug adapter? How is it powered?

A: This microphone has a dynamic element so it does not require a power source to operate, however you would need to ensure your adapter includes a low-to-high impedance-matching transformer. This will convert the mic's low impedance output to the high-impedance input required by the handheld recorder.

Q: 2. For a Canon 70d I know I need a xlr to 3.5mm cable so the mic connects to my camera, But I was wondering which cable would I need to do that? There's so many options. Which xlr to 3.5mm cable should I get from this site. Thanks

A: The recommended cable adapter for DSLR connection is the Kopul LMT-100. This is an 18 cable adapter. To run the length from the mic to adapter would require a standard XLR mic cable. Available in lengths from 1 to 100 feet.

Q: 3. How long is the cable?

A: 16.5 inches

Q: 4. does this mic have an on/off switch?

A: No.

Q: 5. Will this microphone work with a Canon Rebel eos T7i, or would I need an adaptor?

A: You may purchase an XLR adapter such as the Marantz Professional PMD-602A 2-Channel DSLR Audio Interface, B&H # MAPMD602A, along with the Kopul CMX-RC30 Right-Angle Coiled Stereo Mini Cable (Black, 8 to 24"), B&H # KOCMXRC30B, or you may purchase an XLR to 1/8" (3.5mm) miniphone cable such as the Kopul XRSM 3-Pin XLR Female to 3.5mm RA Stereo Mini-Plug Cable (10'), B&H # KOXRSM10B, for your usage needs. The Kopul cable would be a simple cable and the more economical option, whereas the Marantz PMD-602A would allow you to use a standard XLR cable and allow you to control the level of the microphone, along with allowing you to use two (2) microphones simultaneously and monitor the audio using headphones.

Q: 6. Is E835 mic compatible with Sennheiser XSW-D wireless system? (Iwanna replace with XS1 mic).

A: Hi Tevfik - Yes! The XSW-D Vocal Set is compatible with any dynamic microphone (or battery powered microphone) - enjoy the upgrade to the e 835!

Q: 7. IS the mic clip for the stand included with the stage kit?

A: Yes, the mic clip is included and will be found in the box with the microphone. Very often manufacturers will ship the mic clip with a little insert that allows use with boom poles. If it is inserted in the threading of the mic clip, use a dime as a tool to back out and remove the insert and you'll be all set.

Q: 8. The specs state that the "Circuitry" is "solid state" but if it is a dynamic microphone without transistors or ICs then there are no solid state devices, just wires. What exactly does the "circuitry" consist of?

A: There are no active electronics in this microphone. Just a magnet and a voice coil.

Q: 9. How does this mic compare to the Shure SM58?

A: The audio specs for the frequency response range and sensitivity of f50S and SM58 are fairly close. Both mics can handle very loud sounds but the SM58 will retain more clarity at the very highest sound pressure levels. In terms of construction, both mics are made of metal and are very durable. Both mics include a pouch and mic clip. There is a difference in the length of the manufacturer's warranty. The f50S has a 3-year warranty and the SM58 has a 2-year warranty. The f50S has an on/off switch and there is a SM58S model (B&H # SHSM58S) that includes an on/off switch. There is also a difference in price between the Audix and Shure mics which may also be a consideration. Please feel free to contact us by phone or through live chat on the website if you have additional questions or if you would like further assistance.

Q: 10. what type of amp is best for this mic and harmonica?

A: Many harmonica players like to use a microphone through a small combo amplifier designed for guitar to achieve a tone with a little more grit and dirtier tone than a standard PA speaker. Perhaps something like the Blackstar Debut 15E Stereo 15W Practice Guitar Amplifier (B&H # BLDEBUT15EBG) or the Roland CUBE-10GX Guitar Amplifier (B&H # ROCUBE10GX), or the VOX Valvetronix VT20X Hybrid Modeling 1x8 Combo Guitar Amplifier (B&H # VOVT20X).