[2" / 50 mm] Anytime you're outside your shotgun really needs protection from wind noise. The Rycote Softie provides excellent protection for a nice clean signal. For the money, you just can't beat it. Highly recommended.

[Faux Fur] Works great, looks great.

[Faux Fur] Very simple, the shotgun mic just slides in. I haven't tried it in strong wind yet, but on a normal day it worked perfectly.

[0.38 lb] use it with a AT875R mounted in a shock mount on a JVC GY-HM100u to record nats, excellent wind noise reducer.

[0.38 lb] Fit Perfect

[Faux Fur] Used this product in a park for latest movie shoot. worked great! Cuts down on all that bad noise. Easy to put on and take off.

[5 x 3.1 x 3"] I use this on outdoor shoots and it does everything it should. However, on extremely windy days you will still hear wind noise, its going to happen. But for days with mild to moderate wind, this is your best protection.

[0.38 lb] We love this windscreen. It fits snug around the mic and does a nice job blocking the wind.

[5 x 3.1 x 3"] You're probably wondering why you need this expensive microphone accessory. If you shoot outdoors you really must have one of these to limit wind noise hitting your mic. I avoided buying one for 3 years but gave in when I realized the wind noise was cheapening my videos. It looks silly but it accomplishes an important mission. Comes with a nifty comb!

[Faux Fur] Although I bought this from B&H years ago for my Sennheiser ME66, I am just now submitting a review. Since then, I've been experimenting with less bulky alternatives. There are none. Foam obviously doesn't work, and putting layers of fuzz around a mic is also ineffective. The Softie is bigger than the camcorder!Where I live the wind is constant year-round, 10-40mph at all times. I surmise that there needs to be space between the impact of the wind and the mic diaphragm. The Rycote has about 1.5 of effective material within that space. After 30mph, I need to stick the Softie inside a blimp covered with shag.In addition to the Rycote Softie, I also have to engage the bass roll-off on the mic, and the Softie does cut some of the high-end. So I'm trimming both low and high frequencies. Ultimately, however, I end up with usable sound. When I'm in the field with journalists and other shooters, if they don't have a Softie, I know they're not getting usable sound. I see/hear they're stuff on the internet, and it's painful.