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Comica Cvm-wm100 Plus Wireless Lavalier Microphone System

Comica Cvm-wm100 Plus Wireless Lavalier Microphone System
  • Product Code: eq63922
  • Availability: In Stock

$717.00 $1,075.50

Designed for mobile journalists, videographers, and vloggers, the Comica CVM-WM100 PLUS Wireless Lavalier Microphone Systemtwo-person, camera-mount wireless lavalier microphone system is a complete solution for recording dialogue, interviews, and speech to your video rig. Record mic- or line-level sources from up to 328' away, and run audio to your camera, DSLR, or camcorder while monitoring through headphones in real time.

With two omnidirectional lavalier microphones, two bodypack transmitters, a two-channel receiver, and a host of accessories, the CVM-WM100 PLUS has everything you need for seamless audio integration into your video production setup. Its 48 channels allow interference-free signal quality and easy expansion into multi-system configurations. Whether you power the CVM-WM100 PLUS with AA batteries or USB battery packs, you're assured plenty of operating time for shoots that span across the day.

For Mobile Journalism, Video & Vlogs    2 x Omnidirectional Lavalier Microphones    2 x Bodypack Transmitters    2-Channel Camera-Mount Receiver    48 Selectable Channels, Auto IR Sync    Locking 3.5mm Mic and Line Inputs    Locking 3.5mm Line and Headphone Outputs    Cables, Belt Clips, Camera Mount & Case    6-Hr AA Batteries + USB Power    5 Simultaneous Systems Max / 328' Range

Key Specs
Wireless TechnologyAnalog UHF
Included Transmitters2x Bodypack with Microphone
DiversityNon-Diversity
Max Operating Range328.1' / 100 m (Line of Sight)
196.9' / 60 m (with Obstruction)
Receiver TypeCamera-Mount
Microphone TypeLavalier
Polar PatternOmnidirectional
System
Wireless TechnologyAnalog UHF
Number of RF Channel Frequencies48
Included Transmitters2x Bodypack with Microphone
DiversityNon-Diversity
RF Frequency BandA: 568.125 to 579.875 MHz
B: 580.125 to 591.875 MHz
RF BandwidthUp to 23.5 MHz
Max Operating Range328.1' / 100 m (Line of Sight)
196.9' / 60 m (with Obstruction)
Max Transmitters per Band5
Latency< 40 ms
EncryptionNo
ModulationFM
Receiver
Receiver TypeCamera-Mount
Mounting OptionsBelt Clip, Shoe-Mount (with Included Hardware)
Antenna2x 1/4 Wave External, Fixed (Top-Mount)
Number of Audio Channels2
Audio I/O1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output (Locking)
1x 1/8" / 3.5 mm TRS Female Unbalanced Line Output (Locking)
Frequency Response20 Hz to 18 kHz
USB/Lightning Connectivity1x Micro-USB (Bus Power, Charging)
Power RequirementsBattery or Bus Power (USB)
Battery Type2x AA (Not Included)
Approx. Battery Life6 Hours
AC/DC Power Adapter5 VDC at 1 A (Not Included)
Display & Indicators1x Backlit LCD (Battery Status, Channel, Group, Menu Navigation, Power, RF Level, Sync, Transmitter Battery Status)
2x LED (RF Level, Sync)
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 140°F / -20 to 60°C
Dimensions2.6 x 4.2 x 1" / 66 x 107 x 26.1 mm (without Antennas)
Transmitter
Transmitter TypeBodypack with Microphone
RF Output PowerNot Specified by Manufacturer
Audio I/O2x 1/8" / 3.5 mm TRS Female Unbalanced Input (Locking)
PadNo
MutingOff/On Switch
Signal ProcessingHigh-Pass Filter:
Sync MethodIR
Antenna1x 1/4 Wave External, Fixed
Power RequirementsBattery or Bus Power (USB)
Battery Type2x AA (Not Included)
Approx. Battery Life6 Hours
USB/Lightning I/O1x Micro-USB (Bus Power, Charging)
Display & Indicators1x Backlit LCD (Audio Level, Battery Status, Channel, Group, Mute, Signal Strength)
1x LED (Sync)
1x LED (Signal Strength)
Operating Temperature32 to 122°F / 0 to 50°C
Storage Temperature-4 to 140°F / -20 to 60°C
Dimensions2.6 x 4.2 x 1" / 66 x 107 x 26.1 mm (without Antennas)
Microphone
Microphone TypeLavalier
Sound FieldMono
Operating PrinciplePressure Operated
CapsuleElectret Condenser
Polar PatternOmnidirectional
Frequency Range30 Hz to 20 kHz
SNR65 dB
Maximum SPL100 dB SPL
Sensitivity-35 dB
Output Connector1x 1/8" / 3.5 mm TRS Male Unbalanced (Locking)
Cable Length3.94' / 1.2 m
Packaging Info
Package Weight2.11 lb
Box Dimensions (LxWxH)11.7 x 10.2 x 3"

  • The CVM-WM100 PLUS features a two-channel receiver with dual antennas and multiple mounting options, allowing you to save space on your shooting rig by using a single receiver to simultaneously accept signals from two transmitters. Affix the receiver directly to a tripod, attach it to your subject via its belt clip, or use the supplied shoe-mount accessory to mount it on your camera, DSLR, or camcorder.
  • The high-resolution backlit LCD screen shows vital information such as battery status, audio level, channel selection, and more for both transmitters, so you can see how they're configured and performing at a glance.
  • The CVM-WM100 PLUS includes two audio cables—one 3.5mm and one 3.5mm to XLR—for connecting the receiver's volume-adjustable 3.5mm line output to the input of your camera, DSLR, or camcorder. A separate 3.5mm port is provided for real-time monitoring through headphones.

  • The CVM-WM100 PLUS includes two bodypack transmitters and two lavalier microphones for miking two subjects at the same time. The microphones' locking 3.5mm plugs screw into place to prevent accidental disconnection.
  • By utilizing omnidirectional polar patterns, the lav mics offer 360° sound pickup, which is more forgiving to your subjects' head movements. Fit the supplied windbusters on the lav mics to significantly reduce noise from wind and rustling of clothes.
  • Each transmitter also has a dedicated 3.5mm line input should you need to do a camera hop; route the output of a mixer or field recorder into the transmitter's line input to wireless stream the audio mix to the receiver.

  • Power each transmitter and the receiver via two AA batteries (available separately) for up to six hours; use alkaline or rechargeable batteries depending on availability and preference. Alternatively, power the components with external USB battery packs or recharge your compatible batteries via USB. With such versatility, you can keep working on long shoots.

  • Operating range up to 328' line-of-sight or up to 196' with obstruction 
  • 48 channels allow up to five simultaneous systems (additional systems available separately)
  • Utilizes the UHF FM band in two groups—Group A for 568.125 to 579.875 MHz and Group B for 580.125 to 591.875 MHz
  • 16 levels of gain adjustment
  • Integrated low-cut filter to reduce rumble and low-frequency buildup
  • Automatically match channels via IR or set them manually
  • Switchable stereo/mono audio output on receiver
  • Seletable high/low RF signal strength
  • Transmitter power buttons double as mute switches (long press for power, short press for mute)
  • Compatible with recording to mobile devices using a 3.5mm TRS to 3.5mm TRRS cable (available separately)

Related Questions and Answers

Q: 1. Not clear from the two different answers given so far. Is it possible to have the two mics output separately as L and R audio channels?

A: Yes it is possible as It is switchable, so you can have one in each channel (mono) or stereo.

Q: 2. Do the two channels into the receiver come out of the receiver as separate channels?

A: It is switchable, so you can have one in each channel (mono) or stereo.

Q: 3. My video cam has 2 xlr inputs. Can I feed the two mics to separate channels with a mini-2xlr splitter?

A: You can use the Saramonic SR-UM10-CC1 3.5mm TRS to Two XLR Male Output Y-Cable for Wireless Mic Systems (B&H# SASRUM10CC1) to send the receiver's output signal to both XLR inputs on your video camera. The receiver sends a single signal with the combined output of both mics so you will have the same combined signal with the audio from both mics going to both input channels on the camera. The receiver only provides a combined output and does not separate the signals of the individual mics.

Q: 4. The manual refers to using a third party app when using a cell phone. Do you have a recommendation for the app or what the app might be called? It also says "it doe snot support the partial original recording of android systems" What does this mean?

A: For smartphone shooting, customers must separately purchase a TRS-TRRS audio converting cable,and pay attention to set the mobile phone mode to 'Flight Mode' to avoid incoming call interference(It does not support the partial original recording of android systems, the third-party APP is recommended to be used in this case. Comica Audio: Email support@comica-audio.com

Q: 5. Is there a replacement cable for the 3.5mm Male to XLR Male Output Cable that comes with this package?

A: BH #SE700062 can be used as an output cable for the Comica Audio CVM-WM100 Camera-Mount Wireless Omni Lavalier Microphone System.

Q: 6. Is it work for Samsung s 20 altra phone

A: This wireless handheld systems will work with a Samsung Galaxy S20 Ultra smartphone, but would require an adapter, such as the iLuv USB Type-C to Stereo 3.5mm TRRS Headphone Adapter with DAC, BH #ILI115ADBK.

Q: 7. Can I get a replacement mic for this unit?

A: The Comica Audio CVM-M-O1 Omnidirectional Lavalier Microphone for Comica and Sennheiser Wireless Transmitters, BH #COCVMMO1 is the replacement lavalier mic for this wireless system.

Q: 8. Can I use more than 1 hand help mic at the same time. If so, how many?

A: The CVM-WM100 PLUS Wireless System that the Comica Audio CVM-WM100 PLUS-HTX Wireless Cardioid Handheld Transmitter operates within specifies up to five wireless microphone transmitters in use is the same location at one time. Each transmitter requires its own receiver channel. The standard receiver in this system is a dual-channel receiver, so no less than three receivers would be required for five operational microphones.

Q: 9. Hoes does the 2 channel receiver record out put the 2 channels, left/right or mixed?

A: The output of the transmitters going to the receiver. Will result in a mixed signal of both mic's out of the receiver.

Q: 10. HOW DO I MONITOR THE AUDIO RECORDING?

A: Via the 1/8" / 3.5 mm TRS Headphone output port

11/09/2024

[Non-Diversity] Easy to set up and use.

5
09/09/2024

[30 Hz to 20 kHz] I bought this at the same time I bought the Tascam DR-60DmkII. I wish I could remember the name of the salesperson who helped me because he did a terrific job in guiding me towards these two products.
I come from a professional television background, Im a retired Director of Photography/Director. While I didnt do audio I knew the mics we used cost at least $600 dollars each, some touching 2K. This wireless lav cost me $189! I wasnt expecting too much and was more than pleasantly surprised on my first test playback. The sound is excellent. $600 dollar excellent? No - but close enough. Sound is smooth and clear and with 48 channels to choose from I doubt interference will ever be an issue. This is an excellent value and you get more that you have a right to expect in this price range. Highly recommended. Thanks, B&H!

5
08/09/2024

[2.11 lb] We had a few internal marketing videos to shoot. We used the CVM-WM100 with no issues. Everything worked great.

5
25/08/2024

[Non-Diversity] The Comica CVM -WM 100 Plus 2 is great value for money. Highly impressed with the audio quality, yes the build quality is light weight but works perfectly even after pushing the system to 80 meters for a 2 presenter set up. The added advantage is the ability to accept a line input from an external audio mixer. I got to record a number of programmes with same set of batteries, What a life saver. I would easily recommend this system to fellow producers. The wide range of channels to choose from are advantageous especially when other broadcasters were also on location. The great price, surprisingly good audio quality, super easy set up and the carrying case wins it for me over more expensive mic sets.

5
11/08/2024

[Analog UHF ] I do a fair amount of video shoots. Last year I produced 70 videos, but I will admit that I have only been doing video work part time for a few years before going gangbusters last year, so keep that in mind. With that being said, I have used products from various manufacturers like Sony, Rhode, Sennheiser, etc. and the sound out of these has been great and the price was right. I usually use my boom mic for sets but when I need to get client testimonials I use this set along with a single light and I have never had a problem. The video game is expensive. Over the last few years I have spent around $40k but these were a great find.

5
02/08/2024

[Non-Diversity] very good sound quality...easy to use

5
02/07/2024

[Up to 23.5 MHz] I bought this as an upgrade from a dual transmitter Azden that I had used for many years. The microphones sound great and I use them in very noisy places and it cuts out the background noise very well. I also like the autoscan and syncing feature that allows me to find the best channels for the location I am shooting at and quickly sync the two receivers to the transmitter. I am considering buying a second one and replacing the Azden altogether.

5
02/07/2024

[Up to 23.5 MHz] I bought this as an upgrade from a dual transmitter Azden that I had used for many years. The microphones sound great and I use them in very noisy places and it cuts out the background noise very well. I also like the autoscan and syncing feature that allows me to find the best channels for the location I am shooting at and quickly sync the two receivers to the transmitter. I am considering buying a second one and replacing the Azden altogether.

5
27/06/2024

[100 dB SPL] We purchased this system for a series of video interviews and it worked flawlessly. The signal is clean and strong even when the subject moves around, no clipping whatsoever. Would definitely recommend.

5
27/06/2024

[100 dB SPL] We purchased this system for a series of video interviews and it worked flawlessly. The signal is clean and strong even when the subject moves around, no clipping whatsoever. Would definitely recommend.

5

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