Spl Gemini M/s Processor Mastering Applications Red
- Product Code: eq65218
-
Styled in red, the SPL Gemini M/S Processor Mastering Applications Redis an M/S processor meant for mastering applciations. The unit is both an M/S encoder and a decoder, allowing you to monitor the mids and sides in solo.
More mastering processing processes are available to you with the Gemini. For instance, you can use the Trim and Stereo Width controls to change the relationship between the center and side signals in an extremely precise way. With the Balance control, you can even pan the center channel within the stereo field however you see fit. An elliptical filter is also provided so you can cut low-frequency information in the side signal; this is quite useful when preparing masters for vinyl, or for creating louder masters by minimizing non-essential low-end information.
You can switch these operations in and out of the chain thanks to push-button switches. This is essential for A/B comparisons, to make sure what you're doing is in fact the correct mastering move.
As with all SPL Mastering series gear, the Gemini utilizes 120V Rail technology for ensuring a large amount of headroom and preserving a wide dynamic range. In other words, this unit can handle both incredibly loud and incredibly quiet material without distortion. An IEC power cord is included.
M/S Mastering Processing Adjust Stereo Width Pan Center Signal in Stereo Field Side Signal Elliptical Filter 120V Rail Technology for High Headroom Switchable Controls for Instant A/B Includes Power Cord
Parameters | |
---|---|
Input Level | 32.5 dBu, Max |
Input Impedance | 20 Kilohms, Balanced |
Output Level | 32.5 dBu, Max |
Output Impedance | ‹ 100 Ohms, Balanced |
Noise | -98.2 dBu (A-Weighted, Insert, Balance and Trim, Filter and Width = Active) |
THD & Noise | › -110 dB at +20 dBu |
Common Mode Rejection | -79 dB at 0 dBu |
Frequency Range | 10 Hz to 150 kHz |
Power Consumption | 0.11 A, 230 V / 50 Hz, 24 W, 32 VA 0.22 A, 115 V / 60 Hz, 24 W, 32 VA |
Fuses | 230 V / 50 Hz: 0.5 A 115 V / 60 Hz: 1 A |
Dimensions | 19 x 1.7 x 11.8" / 482 x 44 x 300 mm (Excluding Front Panel) |
Weight | 11 lb / 5 kg |
Related Questions and Answers
Q: 1. does this work being plugged into an ipad or ipad pro?
A: Yes, the Z CAM IPMAN Gemini Pro dual HDMI UVC capture dongle will support the iPad Pro with USB-C connectors. Please note the Gemini requires iOS version 17 or above.
Q: 2. Does it support touch to focus on the newer Sony cameras?
A: Z CAM IPMAN Gemini will support camera control with the Sony Alpha cameras.
Q: 3. Is the WD 2TB SN700 PCle 3.0 Is the WD 2TB Red SN700 PCle 3.0 M.2 Internal NAS SSD compatibile with the Mac Mini M2?
A: No, the WD 2TB Red SN700 PCIe 3.0 M.2 Internal NAS SSD Is not compatible with the Mac Mini M2.
Q: 4. The USB-C input of the computer MUST have Alt-Mode capability?
A: This product functions like a normal USB capture device but allows you to capture 2 streams instead of one. when used with a software like Wirecast, OBS, or VMix you will have the option of choosing one or both of the inputs to use. It will work with most USB-C based computers however it may limit the resolution if your computer does not have enough processing power.
Q: 5. Will this device charge android phone at same time?
A: When using the Z CAM IPMAN Gemini you could add a USB-PD battery to charge the phone while in use.
Q: 6. Can 2 Frontliners be connected for stereo operation of the processing modules?
A: Unfortunately the Frontliner is designed as a single channel unit with no linking features for dual or stereo operation.
Q: 7. Will Facebook Live running on a connected Android phone use the IPMAN Gemini as its video source?
A: The Z CAM IPMAN Gemini does not list that capability of streaming to a second app in the connected Android device.
Q: 8. Is this compatible with iphone 6?
A: Yes! It is!
Q: 9. Does OBS see the Gemini Pro as one single video input device or as two separate video devices?
A: OBS will see the Gemini as 2 separate USB devices
Q: 10. If I was looking to mix 5.1 audio for post production, would this be a good solution as the interface between my 5 speakers + sub and my computer (running Adobe Premiere and Audition CC)? Would I need any additional hardware? I'm confused over whether something like this, or something like the Focusrite 18i20 is better for my purposes. Or something else? Again, I'm NOT using this to record audio, but only to mix audio for video post production. While 80% of my mixes will be for stereo output only, a small portion will be for 5.1 surround. Please advise.
A: The 18i20 will work much better.
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