Kodak VISION Color Intermediate Film 3242 16mm 2000' Rollis used for the preparation of color master positives from color negative originals for release printing, for mastering video cassette, DVD, and digital cinema releases, and for color duplicate negatives from the master positive films. It can also be used for the preparation of color duplicate negatives from black-and-white silver separation positives or as a recording film on laser recorders and CRT film recorders. This specialized film has a long tonal scale with excellent image structure and contrast, fine grain, and high sharpness. This #3242 film features a polyester ESTAR base without a rem-jet layer that enables easier processing and printing with fewer spots. The ESTAR base also incorporates an anti-static layer for easier handling.

This item is one 2000' roll of 16mm color intermediate movie film for process in ECN-2 chemistry. It is perforated on both edges (2R-2994) and wound on a Type Z core.

Color Intermediate Film    High Sharpness for Digital Output    ESTAR Base with No Rem-Jet Layer    Integrated Anti-Static Layer    Process in ECN-2 Chemistry    Type Z Core, Double-Edge Perf

Related Questions and Answers

Q: 1. Is there ONE 2000' on-core roll in the film can?

A: The Kodak VISION Color Print Film 3383 (16mm, 2000' Roll) is 2000' of 16mm on one core.

Q: 2. Can this be used for super 16mm?

A: Yes, all Kodak 16mm stocks that are 'perforated one edge (winding B)' have sprocket holes on only one side, and so are made for the super 16 format. Also, on a Kodak film canister, look for part of the code number of the film that says '1R', meaning one row of perforations, or super 16. Only older stocks or special order stocks for standard 16mm are '2R', meaning two rows of perforations and you can only use 2R stocks in a standard 16mm camera. Good luck!

Q: 3. I just bought a Krasnogorsk-3, will this film work for it or do I need double perforated?

A: That camera is listed as using both Single and Double sprocket film. So the Kodak Vision3 250D should be fine.

Q: 4. What is the length of one reel?

A: 2000 ft.

Q: 5. Is this single or double perf?

A: This is single perf.

Q: 6. So this is 250 ISO?

A: This film has an ISO/ASA of 250 when shooting in daylight conditions but an ISO/ASA of 64 when shooting in tungsten lighting conditions along with an 80A filter.

Q: 7. Is this perforated?

A: The Kodak 2383 VISION Color Print Film Roll (70mm, 2500') has sprocket holes.

Q: 8. Can i load this film under light? and what about the others (500T,50D,200T)!?

A: Absolutely not, in the dark only.

Q: 9. What is the process for this film in order to develope it?

A: Please click on the following link to view your options; https://www.kodak.com/US/en/motion/support/laboratories_directory/index.htm?blitz=off

Q: 10. Is this film stock standard 16mm Is or super 16mm?

A: Super 16 is an image size, not a film size. This film is single perf, sprocket holes on one side. Super 16 widened the image by using the area used for the optical soundtrack. So this one film does both. Super 16 won't be full image in a 16mm projector, the side will be clipped off. Most Super 16 cameras are older modified 16mm cameras. The film gate has been widened...this is why it won't be full image in a projector. Super 16 isn't projected...it is used for a certain look and then duped on to 35mm, 70mm, or straight to digital. Sooo.....this film itself works in both cameras. If you want to see a film that is Super 16, check out the movie 'Carol', with Cate Blanchett and Rooney Mara.... Oh, the Vision 250D is 250 ISO Daylight film....if you use it for interiors you'll need some filters. Nyms