[108 dB] I was tired of listening to myself singing with the Audio Technica AtT2010 for 2 years, proximity effect was awful on that mic. With the Audix vx5 everything is better, no more proximity effect!!! Voice is warm, clarity is high, I love it. Thanks to B&H also, I got the price match and received the microphone in 3 days, I live in California, what a great company to deal with.

[108 dB] I was tired of listening to myself singing with the Audio Technica AtT2010 for 2 years, proximity effect was awful on that mic. With the Audix vx5 everything is better, no more proximity effect!!! Voice is warm, clarity is high, I love it. Thanks to B&H also, I got the price match and received the microphone in 3 days, I live in California, what a great company to deal with.

[0.905 lb] I watched many microphone reviews and shootouts, many drummers and engineers recommended it. I had the opportunity to purchase less expensive mics new and used but I purchased the Audix D6 and I am SUPER PLEASED at the sound. Not muddy but has great low end and has that punch! U need this in your life!

[0.905 lb] This is a great addition to an existing Dante system. Installation is easy, just need a 2 hole in the ceiling tile and connect CAT6 cable with RJ45. The unit is smaller than anticipated, but the microphone is super sensitive and picks up the entire board room with clarity. The plug-and-play capability of the Dante system and interface is also nice, as it provides power to up to 4 connected devices. A single ceiling mic and interface connected to our existing network has replaced the need to set up table-top mics and a multi-channel mizer and removed the worry about users accidentally muting their mics during a meeting. With some additional Dante interface devices, users can easily connect over our network to ceiling mics with ease. A point of advice for those new to Dante, be sure you are comfortable with the environment requirements, they might seem overwhelming at first, but they are easy to build out and work with existing network infrastructure.

[108 dB] I have been a sound engineer for about 30 years. I have used all the kickdrum mikes in the marked that is worth to mention.When I first discovered the D6 a couple of years ago I knew this is it. This is the mike I have been looking for all these years. Its no longer needed to use two mikes for the kick as I used to, one for the deep and one for the click.This mike got both. I use it both in the studio and live.Its a hit.

[≥130 dB] I have used the D6 on 3 shows with many more to come. It does just what it was designed to do. 6 to 8 inches away from the beater head in line with the beaters. It has made a great difference in our sound and has surprised a few sound guys who are fans of other mikes. I have no complaints. It is easy to use as you have very little adjustments on the mixing board

[RJ45] Sturdy as advertised, low profile, quick and easy to mount, move and take off. Mine came with a heavy plastic mic clip unlike the thinner kind (which can break easy) as pictured. The only problem with these clips is once you have everything in place and wired it is difficult to adjust the height of the mic. It's easiest to un-patch the XLR then readjust the height. Otherwise, a really great mount for your D series mics.

[Condenser] The D-6 is such a good Mic for the Kick drum and is very easy to make sound good with very little Eqing. Hard to beat for the money

[60 Hz to 10 kHz] Well, it doesn't look that great in the pictures, does it ? Indeed, I doubt it would have occurred to me to BUY one, until TWO of them arrived over a year ago as part of my superb Audix SCX25A matched pair piano miking kit. From that moment on, I found myself constantly reaching for them (rather than my vast inventory of other clamps) whenever the need arose to mount all sorts of things in all sorts of less conventional places. That they're fabulous for mics is a given, but these clamps are ALSO unmatched, in my long experience, for the secure clamping of more exotic things, such as mini cams and wireless mic antennae. Perhaps the best testimony I can give in terms of just HOW useful they've been (and what good value for money they represent) is me telling you that I now own a total of six.

[60 Hz to 10 kHz] Well, it doesn't look that great in the pictures, does it ? Indeed, I doubt it would have occurred to me to BUY one, until TWO of them arrived over a year ago as part of my superb Audix SCX25A matched pair piano miking kit. From that moment on, I found myself constantly reaching for them (rather than my vast inventory of other clamps) whenever the need arose to mount all sorts of things in all sorts of less conventional places. That they're fabulous for mics is a given, but these clamps are ALSO unmatched, in my long experience, for the secure clamping of more exotic things, such as mini cams and wireless mic antennae. Perhaps the best testimony I can give in terms of just HOW useful they've been (and what good value for money they represent) is me telling you that I now own a total of six.