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Olympus Om-d E-m5 Mark Iii 12-45mm Lens Silver

Olympus Om-d E-m5 Mark Iii 12-45mm Lens Silver
  • Product Code: eq72442
  • Availability: In Stock

$3,747.00 $5,358.21

Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III 12-45mm Lens Silveris a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

Despite all of its performance-oriented attributes, the E-M5 Mark III manages to retain a sleek design, which is also weather-sealed for use in trying weather conditions. A high-resolution 2.36m-dot 0.67x-magnification OLED viewfinder is featured along with a 3.0" 1.04m-dot touchscreen LCD, which sports a vari-angle design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless transferring and remote camera control from linked mobile devices.

Open Box Products Have a Limited 1-Year Manufacturer Warranty    20.4MP Live MOS Micro Four Thirds Sensor    TruePic VIII Image Processor    2.36m-Dot 0.67x-Magnification OLED EVF    3.0" 1.04m-Dot Vari-Angle Touchscreen    DCI 4K/24p & UHD 4K/30p Video Recording    5-Axis Sensor-Shift Image Stabilization    10 fps Shooting, ISO 200-25600    121-Point All Cross-Type Phase-Detect AF    Weather-Sealed Construction    M.Zuiko Digital ED 12-45mm f/4 PRO Lens

Key Specs
Lens MountMicro Four Thirds
Sensor ResolutionActual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor17.4 x 13 mm (Four Thirds) MOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity Range200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Continuous ShootingUp to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Internal Recording ModesH.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Media/Memory Card SlotSingle Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x Micro-HDMI Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1x Micro-USB Input/Output
Other I/O1x Micro-USB (USB 2.0) Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Display TypeArticulating Touchscreen LCD
Battery Type1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Imaging
Lens MountMicro Four Thirds
Sensor ResolutionActual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor17.4 x 13 mm (Four Thirds) MOS
Crop Factor2x
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 3 Hours in Bulb Mode
Electronic Front Curtain Shutter
1/320 to 60 Seconds
Electronic Shutter
1/32000 to 60 Seconds
Bulb/Time ModeBulb Mode, Time Mode
ISO Sensitivity Range200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Metering MethodCenter-Weighted Average, Multi-Zone, Spot
Exposure ModesAperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2, 1 EV Steps)
Metering Range-2 to 20 EV
White BalancePresets: Auto, Color Temperature
Continuous ShootingUp to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Interval RecordingYes
Self-Timer2/12-Second Delay
Still Image Capture
Image Sizes4:3 Raw
5184 x 3888
4:3 JPEG
5188 x 3888
3200 x 2400
1920 x 1440
1280 x 960
1024 x 768
Aspect Ratio4:3
Image File FormatJPEG, Raw
Bit Depth12-Bit
Video Capture
Internal Recording ModesH.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Recording LimitUp to 30 Minutes
Broadcast OutputNTSC/PAL
IP StreamingNo
Built-In MicrophoneStereo
Audio Recording2-Channel LPCM Audio
Interface
Media/Memory Card SlotSingle Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x Micro-HDMI Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1x Micro-USB Input/Output
Other I/O1x Micro-USB (USB 2.0) Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)No
Monitor
Display Size3.0"
Resolution1,040,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution2,360,000 Dot
Eye Point27 mm
Coverage100%
MagnificationApprox. 0.67x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 121 (121 Cross-Type)
Contrast Detection: 121
Flash
Built-In Flash/LightNo
Flash ModesFill Flash, Off, Red-Eye Reduction, Second-Curtain Sync, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3, 1/2, 1 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionShoe Mount
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Storage Temperature-4 to 140°F / -20 to 60°C
Operating Humidity30 to 90%
Storage Humidity10 to 90%
General
Battery Type1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
Accessory Mounting Thread1x
Dimensions (W x H x D)4.93 x 3.35 x 1.96" / 125.3 x 85.2 x 49.7 mm
Weight14.6 oz / 414 g (With Battery, Recording Media)
Packaging Info
Package Weight2.86 lb
Box Dimensions (LxWxH)7.6 x 7.3 x 5.6"

A high-resolution 20.4MP Live MOS sensor works in conjunction with a TruePic VIII image processor to promote fast shooting performance, a sensitivity range from ISO 200-25600, and versatile 4K video recording capabilities. Ideal for photographing moving subjects, the sensor and processor combination also avails a full-resolution continuous shooting rate of 10 fps for up to 150 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 30 fps with single-shot AF for up to 23 consecutive raw frames or 10 fps shooting with continuous AF for up to 152 consecutive raw frames. If recording JPEGs, unlimited sequential shooting is possible until the memory card is full.

The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 29.97p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and an external mic jack is available for improved audio recording quality. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.

Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.

An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance.

In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 6.5 stops is possible.

  • High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers a 0.67x maximum magnification for clear, distortion-free viewing.
  • Rear 3.0" 1.04m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, a Live View Boost mode can be used to optimize the screen's brightness and prioritize the frame rate when working in dark locations.
  • Included BLS-50 rechargeable lithium-ion battery is used to provide approximately 310 shots per charge .
  • In-camera battery charging is supported via the micro-USB port.
  • Single SD memory card slot is UHS-II compatible for fast read/write speeds.
  • Wide accessory compatibility provided with the incorporation of a microphone port, a top hot shoe, micro-USB and micro-HDMI ports, and a 2.5mm port for optional remotes.
  • Rugged splashproof, dustproof, and freezeproof construction incorporates extensive sealing throughout the body design to accommodate working in harsh weather conditions and trying environments.
  • Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
  • Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.

  • High Res Shot mode offers the equivalent output of a 50MP JPEG image or 80MP raw image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. TruePic VIII processing aids this shooting function by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
  • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
  • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
  • Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
  • Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
  • Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, and 12-100mm f/4 IS PRO lenses.
  • Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.

Related Questions and Answers

Q: 1. So the lens in the kit doesn't support focus stacking right?

A: That is correct the 14-150 supplied in the Kit does not support Focus Stacking.

Q: 2. Does the viewfinder have an in built diopter?

A: Yes Olympus OM-D E-M5 Mark III Mirrorless Camera built in viewfinder has a diopter.

Q: 3. Does the E-M5 mark 3 have a headphone port?

A: You have to buy the HLD8 grip which has a headphone port

Q: 4. I lost the OM-E-M5 Mark 2 Camera body. Can the HLD-8 Power Battery Holder for this camera fit on the OM- D-E-M5 Mark 3?

A: Based on documentation provided by Olympus, the HLD-8 is only compatible with the OM-D E-M5 Mk II.

Q: 5. Why 4k, 60 FPS recording is not present?

A: The Olympus OM-D E-M5 Mark III os a prosumer camera that is designed more for stills than video. Olympus did add some video features but not as many as their pro cameras.

Q: 6. Is there a shortcut buttoner way to do multiple exposures without going into the menus?

A: Unfortunately there is no Shortcut button that can assigned to get to the Multiple Exposure shooting Mode. You need to go in the Menu to Shooting Menu 2 to get to the Multiple Exposure shooting Mode.

Q: 7. How is this for macro

A: The OM-D E-M5 Mark II would be excellent for macro photography when pairing it with the Olympus M.Zuiko Digital ED 60mm f/2.8 Macro Lens, BH # OL6028. https://bhpho.to/3KLHwxI

Q: 8. Will I get fast AF when I use sn adapter to mount legacy 4/3 lens on it since it has PDAF points?

A: The autofocus is quite fast, indeed, as it features both phase and contrast sensing capabilities. The speed of the autofocus depends on the speed of the focusing in your lens, too. As such, I would expect good results. However, at some point some lenses can be the limiting factor. Fortunately, micro four thirds lenses aren't more than about a decade old anyway, at most.

Q: 9. I am looking for a RRS-type of plate for the tripod mount but I cannot tell which ones have a lip that will effectively prevent rotation of the plate. For example, will the Really Right Stuff B6 Bi-Directional Plate work? -- i.e., will the anti-rotation lip meet the camera body properly (I currently have the RRS plate for my old Panasonic G1 camera and the Olympus camera body is too narrow for this plate)

A: I would recommend this RRS L Bracket plate: https://bhpho.to/3rqlKr1

Q: 10. can i use the same charger for a omd em5 mkii and mkiii? i know the batteries are different.

A: NO It is not possible to use the Charger supplied with the E-M5MkII to charge the batteries E-M5MkIII

26/09/2024

[4:3] I enjoy this camera. I previously had the OM-D EM10 Mark I. This is a wonderful upgrade. Much more powerful, much better picture quality and autofocus etc. I was immediately able to use most its functions as it's pretty similat to the EM10.

5
26/09/2024

[4:3] I enjoy this camera. I previously had the OM-D EM10 Mark I. This is a wonderful upgrade. Much more powerful, much better picture quality and autofocus etc. I was immediately able to use most its functions as it's pretty similat to the EM10.

5
14/09/2024

[Stills & Video] Very stable platform fits well in the hand
Well worth it

5
14/09/2024

[Stills & Video] Very stable platform fits well in the hand
Well worth it

5
14/09/2024

[Stills & Video] Very stable platform fits well in the hand
Well worth it

5
06/08/2024

[1x ] There is no perfect camera, but this one sure comes close. An adequate review is beyond the scope of this space. I can say that I did a lot of research before purchasing the OM-D E-M5 Mark III and all the respected camera reviewers who deep-dive in their reviews are spot on. I also own a Nikon D300s and an Olympus Pen-F and I wouldn't trade any of them.

5
06/08/2024

[1x ] There is no perfect camera, but this one sure comes close. An adequate review is beyond the scope of this space. I can say that I did a lot of research before purchasing the OM-D E-M5 Mark III and all the respected camera reviewers who deep-dive in their reviews are spot on. I also own a Nikon D300s and an Olympus Pen-F and I wouldn't trade any of them.

5
06/08/2024

[1x ] There is no perfect camera, but this one sure comes close. An adequate review is beyond the scope of this space. I can say that I did a lot of research before purchasing the OM-D E-M5 Mark III and all the respected camera reviewers who deep-dive in their reviews are spot on. I also own a Nikon D300s and an Olympus Pen-F and I wouldn't trade any of them.

5
05/08/2024

[100%] This is a great body and lens combination for my style of photography. I shoot landscapes and nature photos in a tropical environment, where rain and sand are often tough on cameras. Sometimes my shooting locations require a hike as well. This means I need equipment that is weather sealed and lightweight. Most Olympus options fit the bill, with this particular setup at the top.

If I want to shoot under the jungle canopy without a tripod, the excellent image stabilization helps a lot. When I do take a tripod along, I like the flexibility of high-res mode and in-camera focus stacking.

Low-light shooting hasn't been a problem for me on the smaller sensor. High ISO images have been remarkably clean. I have no complaints.

The camera's controls are customizable, but the menu system is complex. Beginners will want to spend some time in the manual or on YouTube. Once you set things up the way you like, shooting can be intuitive and fun. I'm having a blast with mine!

The Micro 4/3 lens selection is great too. There are a lot of options at good prices. I already bought a third-party telephoto and am debating over macro options. All of which fit my rugged, lightweight criteria.

Image quality is also very good. Having used several other brands in my professional work, I would say these RAW files hold up quite well. Most people are going to be very happy with them.

5
05/08/2024

[100%] This is a great body and lens combination for my style of photography. I shoot landscapes and nature photos in a tropical environment, where rain and sand are often tough on cameras. Sometimes my shooting locations require a hike as well. This means I need equipment that is weather sealed and lightweight. Most Olympus options fit the bill, with this particular setup at the top.

If I want to shoot under the jungle canopy without a tripod, the excellent image stabilization helps a lot. When I do take a tripod along, I like the flexibility of high-res mode and in-camera focus stacking.

Low-light shooting hasn't been a problem for me on the smaller sensor. High ISO images have been remarkably clean. I have no complaints.

The camera's controls are customizable, but the menu system is complex. Beginners will want to spend some time in the manual or on YouTube. Once you set things up the way you like, shooting can be intuitive and fun. I'm having a blast with mine!

The Micro 4/3 lens selection is great too. There are a lot of options at good prices. I already bought a third-party telephoto and am debating over macro options. All of which fit my rugged, lightweight criteria.

Image quality is also very good. Having used several other brands in my professional work, I would say these RAW files hold up quite well. Most people are going to be very happy with them.

5

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