The light beige Countryman E6 Omnidirectional Earset Mic for Vega Transmittersis a vocal microphone with an adjustable boom that weighs less than one tenth of an ounce and is designed to be used by only one person. Once adjusted, it will continually hold this shape.

The E6 earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6 earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the lowest gain for the most powerful vocals that require the highest overload. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6 earset's cable terminates to a LEMO 4-pin connector for direct connection to Vega 77 and 677 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Vega Transmitters    Headroom for Strong Vocals    Detachable 2mm Diameter Cable    Stiff, Steel Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, it can be adjusted to fit, then stored away and quickly reworn.

The E6's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6 earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6 earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Would the 44-b use the XLR-Line or the XLR-Mic audio setting on the camera?

A: The ECM-44B is a microphone, so it outputs mic-level voltage. You would want to use the mic level setting on your camera or recording device.

Q: 2. is there a difference between the ECM-44 or the ECM-44b?

A: The Sony ECM 44 is a series of microphones supplied with different connectors depending on application. The ECM44-B is supplied with a AA battery power supply with an XLR connector permanently attached.

Q: 3. Could this be used with a Rode VXLR+ 3.5mm TRS female to XLR male adapter with phantom power converter to use it as a wired mic?

A: Yes, the Polsen ESM-1-35H Single-Sided Earset Microphone for Sennheiser Transmitters (B&H # POESM135H) can be used with the RODE VXLR+ 3.5mm TRS Female to XLR Male Adapter with Phantom Power Converter (B&H # ROVXLRP) in order to connect it to a wired XLR microphone input. As another option, you could use the similar Polsen ESM-1-MN Single-Sided Earset Microphone for Recorders and Wireless Transmitters (B&H # POESM1MN) for connection to a standard 3.5mm TRS mic input with plug-in power. Either version of the earset mic can be used with the VXLR+ adapter for connection to an XLR mic input. The difference between the two models is that the version for Sennheiser transmitters has a locking 3.5mm connector and the version for recorders has a standard non-locking 3.5mm connector.

Q: 4. Dumb question, would this work if I plugged this into an average aux port?

A: Whether you are referencing an Aux In port or an Aux Out port it will not work because mic signal is much lowerl than line level signal like from a headphone output for example. Because of that, the ESM-1-MN would only be compatible with a microphone input.

Q: 5. what V-Mount battery operate this Vaga 30C????

A: The Z CAM ZOLAR Vega 30C RGBAW LED Light Panel has many options for batteries. It needs to use two V mount. Best not to use batteries that are less than 150wh. This is an example, https://bhpho.to/3LaBDfe

Q: 6. I need a mike to match with an old ECM-50PS. Would this have similar sonic, gain characteristics?

A: It's close for our purposes but we just do talking heads. We are on a limited budget and purchased them. I would suggest 55B if you want to match 50PS

Q: 7. Does this work with Sennheiser lavs?

A: Yes, the Rode Lavalier II Omnidirectional Lavalier Microphone (Black) has a "Sennheiser" type 3.5mm wiring configuration and will work with Sennheiser wireless transmitters with 3.5mm input connections.

Q: 8. Can you remove the locking ring?

A: The locking mechanism on the Rode Lavalier II Omnidirectional Lavalier Microphone (Black) is not standardly removable.

Q: 9. Does it come with a clamp to clamp the power supply to the stand?

A: There is no clamp for attaching the power supply to the light included with the ZOLAR Vega 30C RGBAW LED Light Panel.

Q: 10. Can this be used with Rode wireless Go system?

A: Yes, the Rode Lavalier II Omnidirectional Lavalier Microphone is compatible with the Rode Wireless GO II system.