Countryman E6x Omnidirectional Earset Mic For Line 6 Wireless
- Product Code: eq72940
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The black Countryman E6X Omnidirectional Earset Mic for Line 6 Wirelessis a versatile blend of the E6 and the E6i earset that features a springy, thin earpiece and a flexible boom and is suitable for use when a few people will be using the same mic.
The E6X earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.
The low-profile, omnidirectional E6X earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6X earset's cable terminates to a TA4F connector for direct connection to Line 6 TBP12 wireless bodypack transmitters.
For Stage, Theater, and Broadcast TV Fits Line 6 Transmitters Headroom for General Speaking Detachable 1mm Diameter Cable Versatile, Flexible Boom Includes Windscreen 3 x Protective Caps Black and White Single Tie Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Line 6: TBP12 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB (A-Weighted) |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Microphone | |
Compatible Transmitters | Line 6: TBP12 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | W5/5/High Gain for General Speaking (H6, E6, EM6, EM2) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.039" / 1 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Black |
Environmental Resistance | Water-Resistant with Included Housing (Unrated) |
Weight | 0.07 oz / 2 g |
The Countryman earsets are very small, lightweight, and the least visible headworn microphones.
The E6 Flex or E6X offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is secure on the ear and fast to fit without compromising true invisibility and sound.
The E6X's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.
The E6X earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)
Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6X earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.
The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.
Related Questions and Answers
Q: 1. Can I use this to add a headphone jack to my Panasonic G7 to monitor audio?
A: Yes you can. That is a cable to go from line level to mic level. Used so you can plug the output of a line level recorder out. Into a camera at mic level in. With a headphone jack.
Q: 2. Is the item compatible with the Canon 6D?
A: DSLR Compatibility: The ACH4-25MON is compatible with DSLR cameras that feature a 1/8 unbalanced mic level input including: Canon: EOS Rebel T2i(550D)/T3i(600D)/T4i(650D)/T5i(700D)/SL1(100D) EOS 60D/70D/7D/6D EOS 5D MK ll/MK lll EOS 1DX/1DC/1D MK lV
Q: 3. As far as I can tell, there is no master volume for the headphone output. There are only individual controls for mic, instrument/line, and monitor/mix inputs. Is that correct?
A: That is correct - the ART MyMonitorII Personal Monitoring Solution Mic/Line Mixer does not have a single, dedicated master volume control for its headphone output. Instead, the MyMonitorII offers four dedicated level adjustments (Mic, Inst/Line, Stereo Monitor Left, Stereo Monitor Right) which allow the user to create a custom blend of the inputs used on the mixer and which all contribute to the headphone output level, which can achieve a maximum output of +12dBu.
Q: 4. Is the item compatible with the Sony A7s?
A: Yes it is. The Sony A7s has a 1/8 inch mic level input. The Kopul attenuator would be used coming out of a line level source.
Q: 5. There are Kopul ACH4-25MON and Kopul ACDR-35. One has 25dB of Attenuation and the other one has 35dB of Attenuation. Please clarify: When to choose the first one and when the second one?
A: Both cables will provide sufficient attenuation for use padding a line level output signal from a device such as a portable audio recorder in order to match the mic level input on a camera or device with a 3.5mm mic input. -25 dB is typically enough, but -35 dB will provide even more attenuation. A higher level of attenuation would be needed if the -25 dB attenuation level is still overloading the mic input or if more headroom is desired.
Q: 6. Does Klark Teknik CM 1 pass phantom power to mic? Does it employ Ground Lift to prevent phantom power reaching mic?
A: When using the Klark Teknik Mic Booster CM-1 In-Line Microphone Preamplifier, phantom power would not be passed to a connected mic. Regarding a ground lift, Klark Teknik doesn't specify if one is used inside this booster.
Q: 7. Is the headphones female port trs or trrs and will this work with my Canon M50
A: The Kopul ACH4-25MON Line-to-Mic Attenuator Cable uses a standard 1/8" TRS connection for headphone monitoring and is compatible for use with the 1/8" / 3.5 mm TRS stereo microphone input on the Canon EOS M50 Mark II Mirrorless Camera.
Q: 8. Hello, on the rear panel of the device is mentioned that power supply is 120V AC 50/60Hz but in Europe supply is 220V AC 60Hz.Can we connect this device on European power supply? Usually product that comes from USA have both 110/220V AC power supply.Thank you
A: this device has not have a switch to 220V, so i do not recomend that you connect it to a 220V.
Q: 9. With a requirement of 4 xlr-m and 4xlr-f, what breakout harness do you suggest for analog audio?
A: At this time, we don't carry the compatible breakout cable you'd need for four (4) XLR male and four (4) XLR female analog audio connections on the Digigram ALP442e-MIC Multichannel PCIe Sound Card with 4 Mic/Line Inputs. For your reference, the SKU/part # for the breakout cable is DIG-SC2422A0301.
Q: 10. what is the warranty period on this earbuds?
A: This product has a two year, limited manufacturer's warranty.
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