[9 VDC, 1.5 A] First of all, it's a prophet 5 that you can take everywhere reliably! Immediate sounds, intuitive and simple interface and build quality is the best.

Sounds huge and beautiful without much effort, super fun to play with.

[9 VDC, 1.5 A] First of all, it's a prophet 5 that you can take everywhere reliably! Immediate sounds, intuitive and simple interface and build quality is the best.

Sounds huge and beautiful without much effort, super fun to play with.

[9 VDC, 1.5 A] First of all, it's a prophet 5 that you can take everywhere reliably! Immediate sounds, intuitive and simple interface and build quality is the best.

Sounds huge and beautiful without much effort, super fun to play with.

[9 VDC, 1.5 A] Dr. Bob Moog once said When a pianist sits down and does a virtuoso performance, he is, in a technical sense, transmitting more information to a machine than any other human activity involving machinery allows.

He later refined this to Musical instruments provide the most efficient and refined interface between human and machine of anything we know.

Given the nearly infinitely nature of the evolving relationship between artist and instrument, the achievement of Moog Music evident in the Moog One, in terms of interface design, is nothing short of remarkable.

Not only have the minds at Moog succeeded in realizing Dr. Moog's dream of a fully analog poly-synth, they have done so in a way that makes the myriad of possibilities intuitive to the point of being nearly second-nature.

If you're looking for the inimitable Moog sound, in a package you may never outgrow, this is the One.

I've been enamored with and exploring music for more than half a century. I now have in my grasp sounds I previously only dreamed of...

Thank you Moog Music.

[9 VDC, 1.5 A] Dr. Bob Moog once said When a pianist sits down and does a virtuoso performance, he is, in a technical sense, transmitting more information to a machine than any other human activity involving machinery allows.

He later refined this to Musical instruments provide the most efficient and refined interface between human and machine of anything we know.

Given the nearly infinitely nature of the evolving relationship between artist and instrument, the achievement of Moog Music evident in the Moog One, in terms of interface design, is nothing short of remarkable.

Not only have the minds at Moog succeeded in realizing Dr. Moog's dream of a fully analog poly-synth, they have done so in a way that makes the myriad of possibilities intuitive to the point of being nearly second-nature.

If you're looking for the inimitable Moog sound, in a package you may never outgrow, this is the One.

I've been enamored with and exploring music for more than half a century. I now have in my grasp sounds I previously only dreamed of...

Thank you Moog Music.

[9 VDC, 1.5 A] Dr. Bob Moog once said When a pianist sits down and does a virtuoso performance, he is, in a technical sense, transmitting more information to a machine than any other human activity involving machinery allows.

He later refined this to Musical instruments provide the most efficient and refined interface between human and machine of anything we know.

Given the nearly infinitely nature of the evolving relationship between artist and instrument, the achievement of Moog Music evident in the Moog One, in terms of interface design, is nothing short of remarkable.

Not only have the minds at Moog succeeded in realizing Dr. Moog's dream of a fully analog poly-synth, they have done so in a way that makes the myriad of possibilities intuitive to the point of being nearly second-nature.

If you're looking for the inimitable Moog sound, in a package you may never outgrow, this is the One.

I've been enamored with and exploring music for more than half a century. I now have in my grasp sounds I previously only dreamed of...

Thank you Moog Music.

[37 x 6 x 6"] The Korg Minilogue is a SUPER fun & intuitive analog synth for everyone from beginners to seasoned synthesits. I've been programming synths for 20 years and this was just as fun as the first synth I ever used. Its analog sound is wonderful and thick. Almost everything has a knob or switch for control and, for the patches I was making, I never went into the menus for further editing beyond naming patches and setting sequencer settings. The shape control of the oscillators gives a lot of variation to your standard waveforms and the sync/ring-mod, cross modulation, & pitch envelope of oscillator two really open up the sonic possibilities. I very much enjoy the dedicated switch for velocity modulation of the filter cutoff and I like that there are only two modulation depths beyond none. My favorite feature of the Minilogue is the envelope modulation of either the rate or the intensity of the LFO. This really gives a sense of motion to what is already a sense of motion from the LFO. My only complaint is that the LFO doesn't go fast enough for analog-FM style tones. It's not nearly as fast as the LFO on the Monologue but that's more of an observation that a full drawback. I really enjoyed the different voice modes of this synth, really finding mono, which introduces a variable level sub, and chord, which creates various fixed chords, to be the most useful beyond the standard poly mode. This is by far the best poly synth I have ever found for someone who is interested in learning analog synthesis. The knobs and switches along with the actual layout of them makes programming make sense and a joy to use. The Minilogue does have mini-keys but the mini keys Korg has been using for their new synths are really great. Much better than the microKORG. With the Minilogue, Korg really show us that there will always be room for one more analog synth.

[37 x 6 x 6"] The Korg Minilogue is a SUPER fun & intuitive analog synth for everyone from beginners to seasoned synthesits. I've been programming synths for 20 years and this was just as fun as the first synth I ever used. Its analog sound is wonderful and thick. Almost everything has a knob or switch for control and, for the patches I was making, I never went into the menus for further editing beyond naming patches and setting sequencer settings. The shape control of the oscillators gives a lot of variation to your standard waveforms and the sync/ring-mod, cross modulation, & pitch envelope of oscillator two really open up the sonic possibilities. I very much enjoy the dedicated switch for velocity modulation of the filter cutoff and I like that there are only two modulation depths beyond none. My favorite feature of the Minilogue is the envelope modulation of either the rate or the intensity of the LFO. This really gives a sense of motion to what is already a sense of motion from the LFO. My only complaint is that the LFO doesn't go fast enough for analog-FM style tones. It's not nearly as fast as the LFO on the Monologue but that's more of an observation that a full drawback. I really enjoyed the different voice modes of this synth, really finding mono, which introduces a variable level sub, and chord, which creates various fixed chords, to be the most useful beyond the standard poly mode. This is by far the best poly synth I have ever found for someone who is interested in learning analog synthesis. The knobs and switches along with the actual layout of them makes programming make sense and a joy to use. The Minilogue does have mini-keys but the mini keys Korg has been using for their new synths are really great. Much better than the microKORG. With the Minilogue, Korg really show us that there will always be room for one more analog synth.

[37 x 6 x 6"] The Korg Minilogue is a SUPER fun & intuitive analog synth for everyone from beginners to seasoned synthesits. I've been programming synths for 20 years and this was just as fun as the first synth I ever used. Its analog sound is wonderful and thick. Almost everything has a knob or switch for control and, for the patches I was making, I never went into the menus for further editing beyond naming patches and setting sequencer settings. The shape control of the oscillators gives a lot of variation to your standard waveforms and the sync/ring-mod, cross modulation, & pitch envelope of oscillator two really open up the sonic possibilities. I very much enjoy the dedicated switch for velocity modulation of the filter cutoff and I like that there are only two modulation depths beyond none. My favorite feature of the Minilogue is the envelope modulation of either the rate or the intensity of the LFO. This really gives a sense of motion to what is already a sense of motion from the LFO. My only complaint is that the LFO doesn't go fast enough for analog-FM style tones. It's not nearly as fast as the LFO on the Monologue but that's more of an observation that a full drawback. I really enjoyed the different voice modes of this synth, really finding mono, which introduces a variable level sub, and chord, which creates various fixed chords, to be the most useful beyond the standard poly mode. This is by far the best poly synth I have ever found for someone who is interested in learning analog synthesis. The knobs and switches along with the actual layout of them makes programming make sense and a joy to use. The Minilogue does have mini-keys but the mini keys Korg has been using for their new synths are really great. Much better than the microKORG. With the Minilogue, Korg really show us that there will always be room for one more analog synth.

[23.3 lb] Got this as a gift for my girlfriend who had not played a keyboard since high school. She is interested in electronic music, and she absolutely loves the wide range of presets that come with this. As well as how compact and lightweight it is for portability, and that you can run it off of a USB powerbank.