Countryman B6 Omni Lavalier Mic For Fender Wireless Transmitters
- Product Code: eq75591
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The light beige Countryman B6 Omni Lavalier Mic for Fender Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Fender Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.
This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a 4-pin female proprietary connector for direct connection to Fender Passport wireless bodypack transmitters.
Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.
For Theater, Live Stage & Studio Use Hardwired Connector Fits Fender Transmitters 4-Pin Female Proprietary (FN), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Theater Head Miking Includes Windscreen & Cable Clips Includes Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Fender: Passport |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Analog Output | 1x Fender Proprietary 4-Pin Female |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Fender: Passport |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Equivalent Noise Level | 29 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Fender Proprietary 4-Pin Female |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Light Beige |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Low, head miking for theater.
Related Questions and Answers
Q: 1. Dose the Sanken Cos-11D lav work with the Saraminic UWMIC9 TX9 transmitter ?
A: Yes, you can use a Sanken COS-11D lavalier with the Saramonic UWMIC9 TX9 transmitter, but only if it has a 3.5mm locking connector and a compatible internal wiring configuration. B&H item # SAC11WNSOTRB is a COS-11D with a 3.5mm locking connector that is wired for use with Sony UWP transmitters, and it will also work with a Saramonic UWMIC9 TX9 because the internal wiring configuration and the connector are the same for both Saramonic and Sony.
Q: 2. Do these work with XLR inputs on the Sony HXR-NX100?
A: Yes
Q: 3. How is the echo on these microphones? I'm having an issue of shooting in a large space, and the boom mic I use picks up a lot of echo so I am trying to reduce that to get clearer audio.
A: By placing these mics on a person directly, they will pick up much more of the voice and less room noise than a shotgun in a large space.
Q: 4. Hi, there. I wanted to use this mic kit as comms are they stereo out?
A: The output would a dual mono.
Q: 5. What microphone is the equivalent for this set? I have two mics from this kit that I need to replace.
A: The Saramonic SR-UM10-M1 Omnidirectional Lavalier Microphone with Locking 3.5mm Plug (B&H # SASRUM10M1) is a replacement for the original microphone that is included with the Saramonic UwMic9 2-Person Camera-Mount Wireless Omni Lavalier Microphone System. You can also use the Rode RODELink Lav Omnidirectional Lavalier Microphone for RODELink Systems (B&H # ROLINKLAV), the Senal OLM-2 Lavalier Microphone with 3.5mm Locking Connector for Sennheiser EW & Senal AWS-2000 Series (B&H # SEOLM2), or the Sennheiser ME 2-II Omnidirectional Lavalier Microphone with Locking 3.5mm Connector (B&H # SEME2II). Any of the lavalier microphones with a locking 3.5mm TRS male connector that are wired for compatibility with Sennheiser transmitters can also be used with the Saramonic TX9 Digital UHF Wireless Bodypack Transmitter.
Q: 6. I have the Sony FD AX100 camcorder and am looking to run 2 wireless lapel microphones. I have just one input jack. Will this system allow me to do this?
A: Works great!
Q: 7. can you lock out the mute function on the transmitters?
A: Yes, you can lock the transmitter so the device can not be turned off or muted.
Q: 8. So if I plug this receiver into a zoom f8 will it come up as a stereo track with the left and right mixed or independent? And if i activated the stereo link function on my zoom f8 would one mic then be on channel 1 and one on channel 2 (for example) on my zoom f8?
A: There are two options on the receiver. Either set the output signal to stereo or mono. If you have two mics coming it it will put them out as separated LR. If youre only using one transmitter than you might want it set to mono mix, but dont mess that up!
Q: 9. Looking to film my kid playing sports mic'd up. I am a photographer and I noticed my son talking a lot and I thought it would be fun/funny to get the audio as he never admits to actually talking. I would like to use my Samsung S7 (Phone) as my camera has I have a gimbal for it, but I do have a few other cameras like the Canon 5D4, 6d, 7DII, and 60D.....what is best recommended to get the results I think I'm looking for?
A: This would work for you if you have a place on the gimbal to mount the receiver. You will also need a cable to interface with your phone. The Saramonic SR-PMC1 for TRRS headphone port will work great with that phone.
Q: 10. Does anyone know what the transmitter mic wiring is? I tried using an ECM77 from my Sony wireless pack and it didn't work - so I'm assuming it's not the same. Has anyone tried a mic wired for Sennheiser? It's a great product but the included mics are huge! I ailed Saramonic but they said I'd have to try it myself to see if it would work.
A: The Rode Lav with the Micon connection works great with these for anyone looking. Price is good and they sound fantastic.
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