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Countryman B6 Omni Lavalier Mic For Hme Wireless Transmitters

Countryman B6 Omni Lavalier Mic For Hme Wireless Transmitters
  • Product Code: eq76046
  • Availability: In Stock

$1,214.85 $1,457.82

The tan Countryman B6 Omni Lavalier Mic for HME Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for HME Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a TA4F connector for direct connection to HME TX550 and TX822 wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Detachable Connector    Fits HME Transmitters    TA4F (HS), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Theater Head Miking    Includes Windscreen & Cable Clips    Includes Carrying Case

Key Specs
Compatible TransmittersHME: TX550, TX822
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity5 for Low/Head Placement for Theater (B6, B3, B2D)
Analog Output1x TA4F/Mini-XLR 4-Pin Female
Environmental ResistanceWater-Resistant (Unrated)
Microphone
Compatible TransmittersHME: TX550, TX822
Polar PatternOmnidirectional
Included Tone/Pattern Caps+4 dB Bright, +0 dB Flat, +8 dB Very Bright
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity7.0 mV/Pa
Sensitivity5 for Low/Head Placement for Theater (B6, B3, B2D)
Equivalent Noise Level29 dB (A-Weighted)
Connectivity
Analog Output1x TA4F/Mini-XLR 4-Pin Female
Cable Length5' / 1.52 m
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorTan
Environmental ResistanceWater-Resistant (Unrated)
Weight0.07 oz / 2 g

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Low, head miking for theater.

Related Questions and Answers

Q: 1. So if I plug this receiver into a zoom f8 will it come up as a stereo track with the left and right mixed or independent? And if i activated the stereo link function on my zoom f8 would one mic then be on channel 1 and one on channel 2 (for example) on my zoom f8?

A: There are two options on the receiver. Either set the output signal to stereo or mono. If you have two mics coming it it will put them out as separated LR. If youre only using one transmitter than you might want it set to mono mix, but dont mess that up!

Q: 2. Can anyone confirm if this system combines the two lav signals into a mono signal, or if you can output each lav to a discrete L or R channel?

A: When using one lav, if you set the receiver to mono, it will send the signal to both left and right channels. When using two lavs and set the receiver to stereo, it will send each mic to a discrete left and right channel.

Q: 3. Does anyone know what the transmitter mic wiring is? I tried using an ECM77 from my Sony wireless pack and it didn't work - so I'm assuming it's not the same. Has anyone tried a mic wired for Sennheiser? It's a great product but the included mics are huge! I ailed Saramonic but they said I'd have to try it myself to see if it would work.

A: The Rode Lav with the Micon connection works great with these for anyone looking. Price is good and they sound fantastic.

Q: 4. Can the Saramonic UwMic9 work with the Sony Fx6?

A: Yes, you definitely can use the Saramonic UwMic9 Wireless Lavalier Microphone System with the Sony FX6 camera.

Q: 5. Which version have this mic? Maybe V2.7 Rel. 795101A? or lower/higher?

A: Omnidirectional Lavalier Mic

Q: 6. Does the receiver keep both lav mics on separate channels (so that one can easily pull and edit one mic audio on its own channel) or does it mix them up together?

A: The output mode of this wireless system can be selected to mono or stereo. When the output mode is mono, the audio from left and right channel will be mixed. When it is stereo, the left and right audio channel output will be separated. The system default is mono.

Q: 7. Does the receiver needs to be plugged in with both XLR to the camera or you can simply use one if you are using only one transmitter ? I'm shooting with an FS7 and I would love to be able to leave my shotgun mic plugged in when only interviewing 1 person.

A: You will need to plug the 2 XLR connectors to the camera.

Q: 8. Can I run a total of 4 transmitters with 2 receivers into a camcorder that has 2 mic inputs, since the receivers are designed to work with 2 transmitters each?

A: Yes, you can use two Saramonic UwMic9 dual-mic wireless systems at the same time with your camcorder by connecting the output of each dual-channel receiver to a separate mic input on the camera. This will allow you to use four transmitters simultaneously.

Q: 9. Just curious...will a Saramonic wireless transmitter (freq 530MHz for example) work with a Sennheiser receiver set to same freq.?

A: No, you typically can not mix different brands of wireless transmitters and receivers, so you would not be able to combine a Saramonic transmitter with a Sennheiser receiver, even if both are set to the same frequency.

Q: 10. Looking to film my kid playing sports mic'd up. I am a photographer and I noticed my son talking a lot and I thought it would be fun/funny to get the audio as he never admits to actually talking. I would like to use my Samsung S7 (Phone) as my camera has I have a gimbal for it, but I do have a few other cameras like the Canon 5D4, 6d, 7DII, and 60D.....what is best recommended to get the results I think I'm looking for?

A: This would work for you if you have a place on the gimbal to mount the receiver. You will also need a cable to interface with your phone. The Saramonic SR-PMC1 for TRRS headphone port will work great with that phone.

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