Countryman B6 Omni Lavalier Mic For Line 6 Wireless Transmitters
- Product Code: eq76047
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The tan Countryman B6 Omni Lavalier Mic for Line 6 Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Line 6 Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.
This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a 1/4" connector for direct connection to Line 6 TBP06 wireless bodypack transmitters.
Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.
For Theater, Live Stage & Studio Use Detachable Connector Fits Line 6 Transmitters 1/4" (L3), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Theater Head Miking Includes Windscreen & Cable Clips Includes Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Line 6: TBP06 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Analog Output | 1x 1/4" TRS Male |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Line 6: TBP06 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Equivalent Noise Level | 29 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x 1/4" TRS Male |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Tan |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Low, head miking for theater.
Related Questions and Answers
Q: 1. Can you tell me which is the transmitters version that you sell on B&H?
A: These are the USA legal versions.
Q: 2. ABOUT SARAMONIC UWMIC9:I'm wondering if the combo made of one transmitter and one receiver can accommodate adding a second transmitter, purchased separately?Looking for a smart purchase but can't afford the (x1) RX and (x2) TX package at the moment.
A: Yes. You can buy a kit of 1 tx and 1 rx now and later on purchase a single tx.
Q: 3. Wht is the difference between this cable and ACH4-25MON-RA?
A: The Right - Angle connectors.
Q: 4. How is the echo on these microphones? I'm having an issue of shooting in a large space, and the boom mic I use picks up a lot of echo so I am trying to reduce that to get clearer audio.
A: By placing these mics on a person directly, they will pick up much more of the voice and less room noise than a shotgun in a large space.
Q: 5. Can anyone confirm if this system combines the two lav signals into a mono signal, or if you can output each lav to a discrete L or R channel?
A: When using one lav, if you set the receiver to mono, it will send the signal to both left and right channels. When using two lavs and set the receiver to stereo, it will send each mic to a discrete left and right channel.
Q: 6. Can the Saramonic UwMic9 work with the Sony Fx6?
A: Yes, you definitely can use the Saramonic UwMic9 Wireless Lavalier Microphone System with the Sony FX6 camera.
Q: 7. Just curious...will a Saramonic wireless transmitter (freq 530MHz for example) work with a Sennheiser receiver set to same freq.?
A: No, you typically can not mix different brands of wireless transmitters and receivers, so you would not be able to combine a Saramonic transmitter with a Sennheiser receiver, even if both are set to the same frequency.
Q: 8. Is the receiver compatible with the Sony UWP-D21 transmitter?
A: No, Saramonic UwMic9 wireless components are not compatible for use with Sony UWP wireless components. The Saramonic RX9 receiver can only be used with other Saramonc UwMic9 transmitters such as the TX9 bodypack transmitter that is included with the receiver, the UH9 handheld transmitter (B&H # SAHU9), and the TX-XLR9 plug-on transmitter (B&H # SATXXLR9). Likewise, Sony UWP wireless components can only be used with other compatible Sony wireless components.
Q: 9. Would this be able to hook line out of zoom H6 into mic input of another recorder (h1n or computer) for a back up recording of zoom h6? Or can you just use a regular 3.5mm aux cable? Thank you!
A: Yes, you can use the attenuator cable to connect the line out from the H6 into the mic input of another recorder. If the second recorder that is being used for the backup recording accepts line level input signal, then you can use a standard 3.5mm TRS to 3.5mm TRS aux cable. As an example, Zoom's H1n accepts mic and line level through its 3.5mm TRS input. Just check the specs for the audio inputs on your backup recorder to be sure of what type of signal it accepts.
Q: 10. Curious if people are actually using the included lav mics? My initials tests were quite disappointing compared with a better mic, but maybe others have better experience? It seems they need a lot of gain to get any audible signal at all.
A: You can upgrade the mics to higher quality mics if you choose. Look for locking 1/8" mics that are wired for Sennheiser. That said to upgrade to a mic that is a significant upgrade you are looking at mics that are over $200-350 each, two of those is the same price or more than this entire system.
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