The cocoa Countryman E6i Omnidirectional Earset Mic for Line 6 Wirelessis a vocal microphone with a soft, flexible boom that facilitates its adjustment for different users. It's built with a larger silicone rubber earpiece making it better suited for situations when multiple users share the same mic.

The E6i earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6i earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6i earset's cable terminates to a TA4F connector for direct connection to Line 6 TBP12 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for General Speaking    Detachable 1mm Diameter Cable    Soft, Flexible Boom    Larger, Silicone Rubber Earpiece    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6i is soft and highly flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is durable and the flexibility makes it easy to adjust for different users.

The E6i's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6i earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6i earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. As far as I can tell, there is no master volume for the headphone output. There are only individual controls for mic, instrument/line, and monitor/mix inputs. Is that correct?

A: That is correct - the ART MyMonitorII Personal Monitoring Solution Mic/Line Mixer does not have a single, dedicated master volume control for its headphone output. Instead, the MyMonitorII offers four dedicated level adjustments (Mic, Inst/Line, Stereo Monitor Left, Stereo Monitor Right) which allow the user to create a custom blend of the inputs used on the mixer and which all contribute to the headphone output level, which can achieve a maximum output of +12dBu.

Q: 2. Will the Sescom LN@MIC-TASDR100 work with a Panasonic gh4?

A: Yes, the Sescom LN2MIC-TASDR100 Line Out to Camera Mic Level In Cable will work to adapt a line level output device signal into the microphone input on the Panasonic Lumix GH4 Mirrorless Camera.

Q: 3. Would this be able to hook line out of zoom H6 into mic input of another recorder (h1n or computer) for a back up recording of zoom h6? Or can you just use a regular 3.5mm aux cable? Thank you!

A: Yes, you can use the attenuator cable to connect the line out from the H6 into the mic input of another recorder. If the second recorder that is being used for the backup recording accepts line level input signal, then you can use a standard 3.5mm TRS to 3.5mm TRS aux cable. As an example, Zoom's H1n accepts mic and line level through its 3.5mm TRS input. Just check the specs for the audio inputs on your backup recorder to be sure of what type of signal it accepts.

Q: 4. It seem obvious give TRS and 2xRCA plugs, but I would like to confirm that is two channel (stereo) out to the camera?

A: The Sescom SES-43DB-MZ2P Attenuating Line to Mic Level Cable is used to send line level audio from RCA left and right outputs to a camera's 3.5mm TRS microphone input. The cable has a built-in attenuator to pad the signal by 43 dB which will prevent any clipping or distortion.

Q: 5. Can I use this to add a headphone jack to my Panasonic G7 to monitor audio?

A: Yes you can. That is a cable to go from line level to mic level. Used so you can plug the output of a line level recorder out. Into a camera at mic level in. With a headphone jack.

Q: 6. Does this cable work for Panasonic Lumix S1R and Zoom H6? Thank you!

A: Hi Edward. For the Zoom H6 recorder, we recommend the LN2MIC-ZOOMH6 or LN2MIC-ZMH6-MON assembly. Thank you!

Q: 7. Wht is the difference between this cable and ACH4-25MON-RA?

A: The Right - Angle connectors.

Q: 8. Is this cable compatible with the Blackmagic Micro Cinema Camera?

A: This splitter cable is compatible with the Black Magic Micro Cinema Camera, if you do require a female headphone tap as well as an output from a digital recorder. But be aware that the camera can accept a line level signal into the 3.5mm input, so the attentuation to mic level is not necessary.

Q: 9. what is the width of the flexible cable (not the plug which is 3.5mm)?

A: I am not sure I completely understand your question. If you could rephrase that it would be extremely helpful. Specs for the EAC64CL - (Clear 3.5mm cable that is included) The cable it's self is 64 inch long. The part of the cable that loops around your ear is 3 inches long. The diameter is 1/8 of an inch wide.

Q: 10. Is there the same type cable as this but longer than 9"? I need it for a GH5 on a gimbal.

A: I would say 12 to 14 inches.