The cocoa Countryman E6i Omnidirectional Earset Mic for Line 6 Wirelessis a vocal microphone with a soft, flexible boom that facilitates its adjustment for different users. It's built with a larger silicone rubber earpiece making it better suited for situations when multiple users share the same mic.

The E6i earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6i earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers the highest gain for general speaking such as presentations or sermons. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6i earset's cable terminates to a 1/4" connector for direct connection to Line 6 TBP06 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for General Speaking    Detachable 2mm Diameter Cable    Soft, Flexible Boom    Larger, Silicone Rubber Earpiece    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The E6i is soft and highly flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is durable and the flexibility makes it easy to adjust for different users.

The E6i's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6i earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6i earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Will the Sescom LN@MIC-TASDR100 work with a Panasonic gh4?

A: Yes, the Sescom LN2MIC-TASDR100 Line Out to Camera Mic Level In Cable will work to adapt a line level output device signal into the microphone input on the Panasonic Lumix GH4 Mirrorless Camera.

Q: 2. Is this cable compatible with the Blackmagic Micro Cinema Camera?

A: This splitter cable is compatible with the Black Magic Micro Cinema Camera, if you do require a female headphone tap as well as an output from a digital recorder. But be aware that the camera can accept a line level signal into the 3.5mm input, so the attentuation to mic level is not necessary.

Q: 3. How many channels of audio does the cable send?

A: This, Sescom LN2MIC-TASDR100 Line Out to Camera Mic Level In Cable, is intended to pass stereo (L/R) signals.

Q: 4. Is there the same type cable as this but longer than 9"? I need it for a GH5 on a gimbal.

A: I would say 12 to 14 inches.

Q: 5. is this used to get rid of hum?

A: Yes, this device typically will remove the 60Hz AC hum generated by connecting two devices that are not sharing the same AC ground.

Q: 6. Does this cable work for zoom f6 too??

A: Hi Ching. This cable attenuates the signal 35dB, so it might attenuate the signal a bit more than desired. We have a couple of cables specifically for the Zoom H6, the LN2MIC-ZOOMH6 and LN2MIC-ZMH6-MON. These Zoom H6-specific cables attenuate 25dB rather than 35dB. The LN2MIC-TASDR100 cable will work, but you might have to raise the audio level up on your camera if the audio level is a bit low. Thank you!

Q: 7. Can I use this cable to connect my H4N Zoom directly into my Panasonic GH4 and have the audio sync with video? Also will the headphone connection monitor the audio of the zoom or the camera? Thanks!

A: That's pretty much what it is designed to do. It takes the headphone level output from the headphone jack of your H4N and splits it into two ends, one mic-level output (male 3.5mm) that you can plug into your camera and one headphone-level output (female 3.5mm) that you can plug in headphones to monitor. BTW, my next suggestion is not what you asked about or how the product was designed, but I prefer to have a separate sound operator who records the sound on my Zoom H4N and transmits the mic level signal over a wireless pack to my camera. In this scenario, my sound operator uses this cable to monitor on headphones from the Zoom H4N while also plugged into a lav mic transmitter.

Q: 8. Does the mixer come with the 5 pin Euroblock connector?

A: Yes, the Cloud USA MX155 7-Channel Mic/Line Pre-Amp Mixer does include the 5-pin Euroblock connector on the back panel. You can see a photo of the back panel here: https://www.cloud.co.uk/storage/image/products/7ce71702ca1db27bfcc935753f8fc959.jpg

Q: 9. This attenuator cable is -25 dB. Other cables are -35dB. What cable is more suitable for Tascam DR40, DR40X ?

A: If using this to connect a DR40 into a camera, the -25db cable would be fine to ensure a strong enough level into the preamp of the camera while not overloading it.

Q: 10. How are these compared to the SHURE SE846, the difference is too big?

A: I found the difference big, although not sure price difference is completely justified. But, 846's have more bass, can play much louder and still get full, clear sound. Having bought both ,(they fit my ears better than other brands) I would not go back to the 535's; the 846's are much more involving. Hope that helps.