Irix 11mm T4.3 Cine Lens Pl Mount Meters
- Product Code: eq76469
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Designed for up to 8K cine-style image capture and covering up to full-frame size sensors, the PL-mount IRIX 11mm T4.3 Cine Lens PL Mount Metersfrom IRIX incorporates multiple internal and external design features. This 11mm lens will produce a classic wide-angle look or up to a 123° viewing angle in the 2.39:1 widescreen format, depending on your camera's sensor. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in meters, and a detachable 1/4"-20 support foot.
Internally, nine blades produce smooth, rounded bokeh and four seals protect against inclement weather and dust. To help eliminate aberrations and distortion, the IRIX 11mm T4.3 Cine Lens is constructed with 16 optical elements in 10 groups, including four HR (high refractive index) and two ED (extra-low dispersion) elements. A Multi-Start Thread focusing mechanism delivers quiet, precise focusing even in wet or humid conditions or in extreme temperatures. This lens has 180° of focus and 75° of iris rotation, an 86mm front filter thread, and includes front and rear caps.
Covers Full-Frame Sensor Size 43.3mm Image Circle, PL Mount Aperture Range: T4.3 to T22 Luminous Focus Marks in Meters 95mm Front Diameter Rounded, 9-Blade Aperture 180° Focus / 75° Iris Rotation 4 x Seals for Weather Resistance
Key Specs | |
---|---|
Focal Length | 11mm |
Maximum Aperture | T4.3 |
Lens Mount | ARRI PL |
Lens Format Coverage | Full Frame |
Image Stabilization | No |
Electronic Communication | No |
Parameters | |
Maximum Aperture | T4.3 |
Minimum Aperture | T22 |
Lens Mount | ARRI PL |
Interchangeable Mount | No |
Lens Format Coverage | Full Frame |
Image Circle | 43.3 mm |
Angle of View | APS-C (1.5x) Horizontal: 93.8° APS-C (1.6x) Horizontal: 90.6° MFT Horizontal: 78.6° Super 35 Horizontal: 99.3° |
Focus Scales | Metric |
Optical Design | 16 Elements in 10 Groups |
Minimum Focus Distance | From Camera Sensor: 0.89' / 0.27 m |
Maximum Magnification Ratio | Not Specified by Manufacturer |
Diaphragm Blades | 9 |
Image Stabilization | No |
Lens Mounting | 1x 1/4"-20 (via Included Support Foot) |
Gear Standard | 0.8 MOD / 32 Pitch |
Gear Rotation | Focus: 180° Iris: 75° |
Electronic Communication | No |
Diameter | Front: 3.7" / 95 mm |
Length | 4.09" / 104 mm |
Packaging Info | |
Package Weight | 3.6 lb |
Box Dimensions (LxWxH) | 8.4 x 5.2 x 5.2" |
The IRIX Cine 11mm is a wide 43.3mm full-frame lens that uses 16 optical elements, including four high refractive index (HRI) and two extra low-dispersion glass (ED) elements, to create crisp cinematic shots in resolutions up to 8K while keeping the focus breathing at a minimum. This lens features a relatively fast T4.3 maximum aperture and can be stopped down to T22.
Related Questions and Answers
Q: 1. Is there an 150mm filter holder for this lens
A: Not that I know of that we sell, there may be some coming soon from Nisi, Lee, Fotodiox, etc..
Q: 2. Can someone please explain or help me to understand how to read the hyperfocal scale on this lens? I have never had a problem using hyperfocal scales on any of my other lenses, but this one is quite perplexing to me, there are so many values on it.
A: If you are old school and know how to use the hyperfocal scale on manual lenses, then work as you have before. If you wish, you can also use the innovative hyperfocal indication line but really it is meant for others. That is because, ever since auto focus lenses came into use, they have mostly come without manual aperture scales since they had no place for the scales to be applied. Therefore a generation of photographers has grown up not knowing what they are for or how to use them. With Irix's hyperfocal line, the new user determines what aperture they are using, moves the focus ring to line up the aperture number on the Irix hyperfocal line with the lens focus mark. Then they look to the aperture numbers on the traditional scale to see the hyperfocal distance or the area that is in acceptable focus. To old users it is not necessary, to new users it is very helpful.
Q: 3. Is this compatible with an RF adapter on a Canon RF body? I read somewhere that it requires a firmware update installed by IRIX.
A: The IRIX 11mm f/4 Firefly Lens for Canon EF can be adapted to a Canon R-series mirrorless camera, but the operation would be fully manual, and there would be no EXIF data. No firmware update is needed since it is entirely manual.
Q: 4. Can it be use with the Canon EF 2x extenders to expand the focal range on a Canon C100 Mark ll camera?
A: Unfortunately this lens is not compatible with Canon extenders.
Q: 5. Is this wide angle cine lens a Rectilinear lens or a Fish Eye lens? Mount Nikon Z, Focus Scale Metric, 11mm
A: The IRIX 11mm T4.3 Cine Lens (Z-Mount, Meters) is an Ultra-wide angle lens.
Q: 6. Is this lens weather sealed?
A: There are four seals protecting against inclement weather and dust.
Q: 7. Why no Nikon F mount then it could be adapted to more than one camera!?
A: I am sorry to say we are not aware of the reason why IRIX does not make this lens with a Nikon F mount.
Q: 8. Would I be able to put a clip on mattbox on this lens to use a polarizer or would that vignette?
A: The diameter of the front of the IRIX 11mm T4.3 Cine Lens (Canon EF, Feet) (B&H# IRC11EFI) -- not to be confused with the filter size -- is 95mm which is a very common size to which to attach a matte box. Yes, it would be possible to do so. Given the ultra wide nature of the field of view, however, there will of course be at least some amount of vignetting regardless of the size of the filter, but that is unavoidable.
Q: 9. How much lens breathing occurs with this lens?
A: The lens breathing on this product should be almost imperceptible, as it has been designed with the specific "cine" lens characteristics that keep lens breathing to a minimum, if not entirely absent.
Q: 10. Anyone using this with a c100 mkii? If so, thoughts?
A: The IRIX 11mm f/4 Blackstone Lens for Canon EF is an excellent choice for someone interested in a super wide angle rectilinear lens for the C100 Mk II Digital Cinema Camera. The rectilinear design limits image distortion and the lens uses a positive lock mechanism that will make it easier to pull focus consistently and accurately.
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