The light beige Countryman E6 Omnidirectional Earset Mic for Line 6 Wirelessis a vocal microphone with an adjustable boom that weighs less than one tenth of an ounce and is designed to be used by only one person. Once adjusted, it will continually hold this shape.

The E6 earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6 earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers medium gain for very loud speaking, such as in theater performances and most vocals. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6 earset's cable terminates to a TA4F connector for direct connection to Line 6 TBP12 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for Speaking and Vocals    Detachable 1mm Diameter Cable    Stiff, Steel Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, it can be adjusted to fit, then stored away and quickly reworn.

The E6's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6 earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6 earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Is this the most universal headset for Motorola 2 way radios? I work music events so the two way radios I use vary between jobs and I would like to have my own personal headset.

A: Motorola has different connection types many of which are 2-pin configuration. This specific headset will work on :CLS, CP, DTR, RDU, RDV, RMM, RMU, RMV, and DLR radios.

Q: 2. what is the width of the flexible cable (not the plug which is 3.5mm)?

A: I am not sure I completely understand your question. If you could rephrase that it would be extremely helpful. Specs for the EAC64CL - (Clear 3.5mm cable that is included) The cable it's self is 64 inch long. The part of the cable that loops around your ear is 3 inches long. The diameter is 1/8 of an inch wide.

Q: 3. does it work with Nikon d850?

A: Yes it is compatible with the D850 as well. It works with any Nikon camera that has the 10 pin remote connection.

Q: 4. how do the se535 compare to the se215 earphones?

A: To me the se535 is the best sounding earbud I have ever used. I listen to my music at no less than 44k and up to 192k. I get the fullness and quality of sound better than I ever have. Unfortunately everyone is different. Some people claim to not hear the difference between an MP3 and HD music. So if that's the case you probably wouldn't notice the difference in the earbuds either. For me though I highly recommend the se535. Good luck.

Q: 5. Will the Sescom LN@MIC-TASDR100 work with a Panasonic gh4?

A: Yes, the Sescom LN2MIC-TASDR100 Line Out to Camera Mic Level In Cable will work to adapt a line level output device signal into the microphone input on the Panasonic Lumix GH4 Mirrorless Camera.

Q: 6. Does this work with and it is essential if I want to connect my TASCAM DR-05 to my Canon 7D?

A: In order to connect the output of Your Tascam recorder to the mic input of a DSLR, you will need an attenuator cable such as this Sescom cable. It will allow the camera to receive a safe audio level, and retain headphone monitoring.

Q: 7. Which end goes to which? There are no example pictures.

A: The side of the cable that is labeled 'Line-Level' on the Sescom 3.5 mm Line to Mic -25 dB Audio Cable for Zoom H6 (9") would connect to the line-level output on the recorder. The other side is the 'Mic-Level' connector, which would connect to the microphone input on your DSLR camera or camcorder.

Q: 8. Does this work with the zoom H1?

A: This is the cable for the Zoom H1. B&H # SEL2MZMH4MON

Q: 9. How are these compared to the SHURE SE846, the difference is too big?

A: I found the difference big, although not sure price difference is completely justified. But, 846's have more bass, can play much louder and still get full, clear sound. Having bought both ,(they fit my ears better than other brands) I would not go back to the 535's; the 846's are much more involving. Hope that helps.

Q: 10. Do we really need it with the Zoom H6 as I have read that you can bring down the Levels in H6 upto -35db? I will be using the H6 with Canon 5D Mark 4

A: The H6 may have that feature, but I would still recommend this cable for your setup, as lowering the sensitivity that much would raise the noise floor on the recording.