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Countryman E6 Omnidirectional Earset Mic For Line 6 Wireless

Countryman E6 Omnidirectional Earset Mic For Line 6 Wireless
  • Product Code: eq76965
  • Availability: In Stock

$1,694.85 $2,067.72

The light beige Countryman E6 Omnidirectional Earset Mic for Line 6 Wirelessis a vocal microphone with an adjustable boom that weighs less than one tenth of an ounce and is designed to be used by only one person. Once adjusted, it will continually hold this shape.

The E6 earset can be used on either ear for capturing audio and rejecting unwanted sound, feedback, or surrounding noise from stage monitors or nearby speakers in houses of worship, theater, and outdoor vocal and speech applications.

The low-profile, omnidirectional E6 earset virtually disappears against the skin, so performers will forget they're wearing a mic. This version offers medium gain for very loud speaking, such as in theater performances and most vocals. In addition, the earset comes with three protective caps with different high-frequency response characteristics that control the amount of crispness or sibilance (response at 15 kHz). This omnidirectional E6 earset's cable terminates to a 1/4" connector for direct connection to Line 6 TBP06 wireless bodypack transmitters.

For Stage, Theater, and Broadcast TV    Fits Line 6 Transmitters    Headroom for Speaking and Vocals    Detachable 2mm Diameter Cable    Stiff, Steel Boom    Includes Windscreen    3 x Protective Caps    Black and White Single Tie Cable Clips    Carrying Case

Key Specs
Compatible TransmittersLine 6: TBP06
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
SensitivityW6/6/Mid Gain for Speaking and Vocals (H6, E6, EM6, EM2)
Analog Output1x 1/4" TRS Male
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Microphone
Compatible TransmittersLine 6: TBP06
Polar PatternOmnidirectional
Included Tone/Pattern Caps+4 dB Bright, +0 dB Flat, +8 dB Very Bright
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity2 mV/Pa
SensitivityW6/6/Mid Gain for Speaking and Vocals (H6, E6, EM6, EM2)
Equivalent Noise Level29 dB (A-Weighted)
Connectivity
Analog Output1x 1/4" TRS Male
Cable Length5' / 1.52 m
Cable Diameter0.079" / 2 mm
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorLight Beige
Environmental ResistanceWater-Resistant with Included Housing (Unrated)
Weight0.07 oz / 2 g

The Countryman earsets are very small, lightweight, and the least visible headworn microphones.

The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, it can be adjusted to fit, then stored away and quickly reworn.

The E6's stainless steel boom is tough and can be bent and re-bent to fit different performers. It is highly resistant to makeup, sweat, and moisture when used with the supplied protective caps. The earset should always have a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone.

The E6 earset's flexible boom is easily shaped right on the performer's face. Changeable protective caps let you shape the frequency response for different situations or to match other microphones. This omnidirectional version includes three protective caps—+4 dB (bright), +8 dB (very bright) and +0 dB (flat)—that controls the amount of crispness or sibilance (response at 15 kHz.)

Easy adjustment keeps the mic in a comfortable position for rejecting unwanted sounds. The omnidirectional E6 earset provides more isolation and is suitable for situations where there are loud monitors, extreme feedback, or environmental noise.

The included removable, quick-swap cable detaches from the actual earset, making it completely replaceable in the event of a short or break. The replaceable cable design makes upgrading wireless microphone systems easy as they are available in a wide selection of connections to accommodate most wireless transmitters.

Related Questions and Answers

Q: 1. Can this be used with a 3.5mm or 1/8 in extension? If so, I'd want that on the line level side right?

A: I don't think it matters which side, there is an attenuator in hot wire in the circuit, personally I would put the side being attenuated (camera side) directly into equipment and have the full power side with the extension. Standard cable length issues apply for the extension.

Q: 2. is it compatible with Tascam DR-40?

A: Yes, this Sescom cable is compatible for use with the Tascam DR-40 recorder.

Q: 3. Does this work with the zoom H1?

A: This is the cable for the Zoom H1. B&H # SEL2MZMH4MON

Q: 4. Does this work with a Panasonic GH3?

A: The LN2MIC-ZMGH-MON from Sescom is compatible with the GH3 and most other DSLR cameras that feature a 3.5mm mic input jack.

Q: 5. I would like to connect the audio output of the headphone jack of my JVC HM750 video camera into my GoPro camera. Is this the proper Headphone Tap Cable to do so or would you recommend another type of Headphone Tap Cable sold by B&H?

A: This cable will allow you to connect from the headphone output of your JVC to the input of camera, Go Pro included.

Q: 6. Is this the most universal headset for Motorola 2 way radios? I work music events so the two way radios I use vary between jobs and I would like to have my own personal headset.

A: Motorola has different connection types many of which are 2-pin configuration. This specific headset will work on :CLS, CP, DTR, RDU, RDV, RMM, RMU, RMV, and DLR radios.

Q: 7. Can this be use on the Nikon D-810?

A: Yes, it works with Nikon 810 fine with no trouble.

Q: 8. Compatible with Canon 70D and Canon T3i?

A: This cable will work with both cameras.

Q: 9. does it work with Nikon d850?

A: Yes it is compatible with the D850 as well. It works with any Nikon camera that has the 10 pin remote connection.

Q: 10. Do we really need it with the Zoom H6 as I have read that you can bring down the Levels in H6 upto -35db? I will be using the H6 with Canon 5D Mark 4

A: The H6 may have that feature, but I would still recommend this cable for your setup, as lowering the sensitivity that much would raise the noise floor on the recording.

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