The cocoa Countryman B6 Omni Lavalier Mic for Beyerdynamic Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Beyerdynamic Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a LEMO 4-pin connector for direct connection to Beyerdynamic TS 316, TS 400, and TS 600 wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Hardwired Connector    Fits Beyerdynamic Transmitters    LEMO 4-Pin (BT), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Theater Head Miking    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Low, head miking for theater.

Related Questions and Answers

Q: 1. will this work with iphone 10 and newer?

A: This will work on iPhone 10 or later, you may need to update your operating system though.

Q: 2. Is there a portable pa speaker that you recommend for this microphone?

A: We have many portable PA systems and speakers. A good staring point for a battery powered PA speaker that has very good quality sound is the Bose S1. https://www.bhphotovideo.com/c/product/1405056-REG/bose_787930_1120_s1_pro_multi_position_pa.html You may want to give us a call at 800-606-6969 so that you can discuss options with a Pro Audio associate.

Q: 3. To upgrade to different lav mic set-up vs. one that came with kit, what is recommended to fit Comica WM-100?

A: The Comica transmitter uses a 3.5mm locking connector, which is the same connector that Sennheiser, uses for their wireless transmitters, so the same lavalier microphones will be compatible. For example, you could upgrade to a Countryman B3 Omni Lavalier Mic with 3.5mm Locking Connector for Sennheiser Wireless Transmitters (B&H # COB3W4BSR). Please feel free to contact us for assistance in selecting a mic that will be best suited for use with your system and specific application, as well as in your budget.

Q: 4. How does the receiver attach to a canon rp?

A: The receiver slides right into the shoe mount on top of the camera. If you have the shoe mount in use, you can always get a multi-shoe mount to mount multiple accessories, or because the Blink 500 receiver is so light, you can even clip it to the camera strap.

Q: 5. Does it work with iPhone camera?

A: This wireless system can be used as an external microphone when shooting video with your iPhone's camera, by connecting the included cable from the receiver to following adapters: Rode SC4 3.5mm TRS Female to 3.5mm Right-Angle TRRS Male Adapter Cable for Smartphones, BH #ROSC4 and the Apple Lightning to 3.5mm Headphone Jack Adapter, BH #APLAADAP.

Q: 6. I have this item, is there any way to use this wired? That is, to avoid the need to use batteries for non-moving, studio usage, drawing power from a mixing table for example?

A: If you were to purchase BH #SEMZA900P, this preamp would allow you to connect the lapel mic included with the wireless system to it, and wire it directly to a mixer via an XLR connection.

Q: 7. Kind of 2 questions: Whats the difference between the frequency models? It shows A, A1, & G with different frequency ranges. Which is best?

A: The frequencies have nothing to do with range. The range on all these is about 300'.It really doesn't matter you can pick whatever frequency block you want. You can run as many as 4 or more units in the same frequency block. When you reach a maximum of let's say 4 units in the same block. Then the next unit you would need to change blocks. So 4 A's then switch to A1 for the next 4. So it only matters when you are running several units at the same time.

Q: 8. Will it work with DSLR cameras (specifically a Canon 7D)?

A: Yes. You need to run the receiver into the camera via a 3.5 mm jack.

Q: 9. Can I buy the Saramonic UWMIC9 RX9 + TX9 and later on buy and add a TX9? I don't see and option to buy just the TX9.

A: I purchased them all together because it was very an expensive, it may cost you more in the long run but I don't see why not

Q: 10. Hi, just bought two of these. When I plug them into the separate XLR channels on my Sony fs7, there is a noticeable hiss being recorded. When I only plug in one, the hiss goes away. Any suggestions? Thanks. Each is set to a different frequency.

A: Try each channel individually to see if there is a noise floor isolated to one channel. I would also recommend double checking that the level from each system is as close to the same as possible.