Countryman B6 Omni Lavalier Mic For Hme Wireless Transmitters
- Product Code: eq77800
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The cocoa Countryman B6 Omni Lavalier Mic for HME Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for HME Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.
This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a TA4F connector for direct connection to HME TX550 and TX822 wireless bodypack transmitters.
Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.
For Theater, Live Stage & Studio Use Detachable Connector Fits HME Transmitters TA4F (HS), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Theater Head Miking Includes Windscreen & Cable Clips Includes Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | HME: TX550, TX822 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | HME: TX550, TX822 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 7.0 mV/Pa |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Equivalent Noise Level | 29 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x TA4F/Mini-XLR 4-Pin Female |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Cocoa |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Low, head miking for theater.
Related Questions and Answers
Q: 1. What is antenna diversity? I'm looking for what I call "true" diversity - multiple receive antennas.
A: "If you glance at the Sennheiser EK 100 receiver, you only see one antenna. However, if you write it off as a non-diversity system, you are mistaken. The EK 100 features a technology called “adaptive diversity,” which utilizes the connected output cable as the second antenna, making it a diversity receiver. By using the ground connection of its output as the link to a second antenna, it provides improved reception and reliability" Taken from "Understanding the Basics of Sennheiser G3 Camera-Mount Wireless Systems" https://www.bhphotovideo.com/explora/pro-audio/hands-on-review/understanding-the-basics-of-sennheiser-g3-camera-mount-wireless-systems.
Q: 2. Is there any downside to getting two systems that are in different bands (e.g. A and G)?
A: There is not.
Q: 3. Does it work with iPhone camera?
A: This wireless system can be used as an external microphone when shooting video with your iPhone's camera, by connecting the included cable from the receiver to following adapters: Rode SC4 3.5mm TRS Female to 3.5mm Right-Angle TRRS Male Adapter Cable for Smartphones, BH #ROSC4 and the Apple Lightning to 3.5mm Headphone Jack Adapter, BH #APLAADAP.
Q: 4. What kind of cable do I need to plug the receiver into a Canon C70 video camera? I understand the Canon C70 has mini XLR ports.
A: Blackmagic Design Set of 2 Mini XLR to XLR Audio Cables for Video Assist 4K (19.5") B&H # BLAXLRMINI2: https://bhpho.to/3r70SF5 OR: Kondor Blue Mini-XLR Male to XLR Female Audio Cable for Canon C70 & BMPCC 6K/4K (Black, 16") B&H # KOMXLR16BK: https://bhpho.to/3xEC35U
Q: 5. Are these legal in the us? Here's what the FCC says about frequency ranges. Unlicensed wireless microphone use is permitted on the 902-928 MHz band, the 1920-1930 MHz, and on portions of the 2.4 GHz and 5 GHz bands under specified power levels and rules for operation for each of those bands.
A: Yes all frequencies between 470-608MHz are legal in the US
Q: 6. does this work with the FujiFilm Xt3?
A: Yes, it would work great with the FujiFilm XT3.
Q: 7. Would this work well for live sound plugging the receiver into an active speaker with built in mixer and two mic channels?
A: The Saramonic UwMic9 2-Person Camera-Mount Wireless Omni Lavalier Microphone System Kit that you asked about can work for live sound, feeding into XLR mic inputs on a mixer or speaker. If you don't strictly need battery power though, a stationary wireless system will usually be more reliable. I would recommend considering this Sennheiser XSW1 dual system: https://bhpho.to/2TyfIGm or, on a more limited budget, this Samson Concert 288 system: https://bhpho.to/3PfE6bE
Q: 8. Can this pair with the previous UwMic9 model?
A: No, components from the Saramonic UwMic9S KIT2 2-Person Camera-Mount Wireless Omni Lavalier Microphone System cannot be used together with components from the original UwMic9 series. The UwMic9S series is not backwards. However, the two separate systems can be used simultaneously.
Q: 9. Can the system be used with a zoom recorder?
A: Yes. Absolutely. I recommend using the XLR output connector to go into the Zoom .
Q: 10. The Ew500 G4 uses Lan conection though a switch to a computer but can it be used as a Dante connection. What I would like to do is record each chanel to a DAW on the computer?
A: Hi Mark - the Evolution Wireless series (including the EW 500 G4) in not Dante™ enabled; there are third party options that could enable you to take the analog output signal from the system to convert to a Dante™ connection or you could consider looking into the Digital 6000 series.
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