Countryman B2d Lavalier Mic For Sony Wireless Transmitters
- Product Code: eq79742
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The light beige Countryman B2D Lavalier Mic for Sony Wireless Transmittersfrom Countryman B2D Lavalier Mic for Sony Wireless Transmittersfeatures a lightweight 0.18-ounce body that was designed to be discreetly mounted and can be used for miking news anchors, actors in a film or theater setting, lecturers in a school or house of worship type environment.
The B2D's tight hypercardioid pattern gives the mic an extra 6-10 dB of headroom compared to an omnidirectional lavalier mic, which means less problems with feedback, ambient noise, room rumble, and phase cancellations when using multiple microphones.
This version offers medium gain for very loud speaking, such as in theater performances and most vocals. In addition, the B2D lavalier is equipped with a detachable cable that terminates to a 3.5mm locking connector for direct connection to Sony UTX-B03, UTX-B1, UTX-B2, and WRT-805A wireless bodypack transmitters.
Hypercardioid Pattern Fits Sony Transmitters Headroom for Loud Vocals Frequency Response Tuned for Speech Discreet Design for Minimal Visibility Includes Foam Windscreen Single Isolation Clip Protective Cap Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Sony: UTX-B03, UTX-B1, UTX-B2, WRT-805A |
Polar Pattern | Hypercardioid |
Frequency Response | 50 Hz to 18 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Analog Output | 1x 1/8" / 3.5 mm TRS Male |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Sony: UTX-B03, UTX-B1, UTX-B2, WRT-805A |
Polar Pattern | Hypercardioid |
Included Tone/Pattern Caps | No |
Performance | |
Frequency Response | 50 Hz to 18 kHz |
Maximum SPL | 130 dB (A-Weighted) |
Sensitivity | 2 mV/Pa |
Sensitivity | 5 for Low/Head Placement for Theater (B6, B3, B2D) |
Equivalent Noise Level | 39 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x 1/8" / 3.5 mm TRS Male |
Cable Length | 5' / 1.52 m |
Cable Diameter | 0.039" / 1 mm |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Light Beige |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
With its small size and sensitivity options, the B2D can easily hide behind a shirt button. This makes it invisible for film work, theater, live shows, or any other application.
Natural vocal reproduction and a tight polar pattern make the B2D ideal for broadcast and is a dependable workhorse you can count on to perform night after night.
The isolation clips minimize clothing and vibration noise while allowing 360° of rotation for easy positioning of the microphone.
This microphone is tuned to a frequency response that is natural and intelligible at a wide range of distances from the mouth. It delivers wonderful sound quality on the chest (8-10" from the mouth) or towards the collar (3-4").
Medium (red band, -10 dB re W4) for Loud vocals
Related Questions and Answers
Q: 1. What would be your frequency recommendation for someone who is traveling a lot in the U.S. (mostly in the midwest but occasionally the coasts)?
A: Any of these frequency bands will work just fine anywhere in North America under current FCC regulations. Part of the reason there are different bands is so that you can use many systems at the same time and within the same space so that they do not interfere with each other. Another reason is if you are going to be using the system in a place where there are already many other wireless systems, you can choose the one that resides outside of the frequency band that those systems run in, to avoid interference with those systems. If you are not going to be in a space where there is already a lot of wireless traffic, then any of these will work just fine, up to 300 feet line of sight between the transmitters and the receiver.
Q: 2. What would be your frequency recommendation for using it in a project in Spain?
A: You can use wireless microphones that operate within the range of 470 to 695 MHz in Spain, so the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System for the UC14: 470 to 542 MHz and the UC25: 536 to 608 MHz frequency bands should both work.
Q: 3. Can I use the Sony UWP-D27 to wirelessly feed a Sony A7s from my mixer’s two channel output?
A: Yes, the UWP-D27 2-Person Camera-Mount Wireless System can be used to send a line signal from the left and right outputs of your mixer to your Sony a7s Mirrorless Camera. The 2 x UTX-B40 Wireless Bodypack Transmitters can send the independent left and right outputs of your mixer to the URX-P41D Dual-Channel Camera-Mount Wireless Receiver. The left and right outputs of the URX-P41D Receiver can then send a stereo line signal to your Sony a7s Mirrorless Camera by utilizing the XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit (sold separately).
Q: 4. What frequency would you recommend for Washington DC?
A: Radio activity varies by day, but for crowded metropolitan areas the UC90 band of the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System is usually safest.
Q: 5. Does it work with GoPro hero 7 black?
A: Yes, the ZGCINE Atom 1V1 Lite Wireless Microphone System with Lavalier Mic for Cameras & Smartphones will work with the GoPro HERO7 Action Camera.
Q: 6. I'm in Denver and I cannot decide which frequency block to get. If anyone can help me decide, and explain why, that would be lovely!
A: The UC14: 470 to 542 MHz and UC25: 536 to 608 MHz frequency bands for the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System are both very good options for use in Denver, Colorado. Each band has 2,772 auto-scan frequencies so there are plenty of individual frequencies within the band to be able to find clear frequencies to use for transmitting audio and avoiding strong broadcast signal from local radio and TV stations.
Q: 7. What frequency recommendation for Hawaii and is there a website that can best help us find out what frequency is free while traveling for work?
A: All three of Sony's UWP-D frequency bands are compatible for use in Hawaii. The UC14 frequency band (470 to 542 MHz) is the best option and the UC25 band (536 to 608 MHz) is nearly as good. The UC90 band (941 to 960 MHz) will also work. Each band has 2,772 auto-scan frequencies so chances are very good that you will be able to find a clear frequency to use anywhere in the US, Canada, or Mexico.
Q: 8. Hi. Will the range UC25 (536 to 608) work in Europe as well? Thank you.
A: The Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System for UC25: 536 to 608 MHz may work in Europe. The frequency bands for wireless microphone systems differ in every country, so you will need to check the FCC regulations for the country where you will be to make sure that this frequency band can be used for unlicensed or licensed wireless microphones.
Q: 9. Does the receiver have enough audio output to power a line level signal?
A: Yes, the Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver in the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System has an output level adjustment in its Menu options. You can set the level in 3 dB increments from –12 dB to +12 dB (full line level).
Q: 10. Are there any advantages or disadvantages of using the UC90 version? Is it true that a license is required to use this band.
A: No license is required to use any version of the Sony UWP-D27 within the USA. There is no objective benefit to any frequency block over another, as the frequencies used has no direct effect on audio quality. The only case in which you would prefer one frequency block over another would be if 1. there is radio activity/interference within one band in your area, or 2. if you need to ensure compatibility between this and another Sony wireless device.
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