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Countryman B6 Omni Lavalier Mic For Toa Wireless Transmitters

Countryman B6 Omni Lavalier Mic For Toa Wireless Transmitters
  • Product Code: eq79788
  • Availability: In Stock

$1,214.85 $1,749.38

The black Countryman B6 Omni Lavalier Mic for Toa Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Toa Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a TA4F connector for direct connection to Toa WM-4300 wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Detachable Connector    Fits Toa Transmitters    TA4F (TA), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Theater Head Miking    Includes Windscreen & Cable Clips    Includes Carrying Case

Key Specs
Compatible TransmittersToa: WM-4300
Polar PatternOmnidirectional
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity5 for Low/Head Placement for Theater (B6, B3, B2D)
Analog Output1x TA4F/Mini-XLR 4-Pin Female
Environmental ResistanceWater-Resistant (Unrated)
Microphone
Compatible TransmittersToa: WM-4300
Polar PatternOmnidirectional
Included Tone/Pattern Caps+4 dB Bright, +0 dB Flat, +8 dB Very Bright
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL130 dB (A-Weighted)
Sensitivity7.0 mV/Pa
Sensitivity5 for Low/Head Placement for Theater (B6, B3, B2D)
Equivalent Noise Level29 dB (A-Weighted)
Connectivity
Analog Output1x TA4F/Mini-XLR 4-Pin Female
Cable Length5' / 1.52 m
Power
Power SourcesPlug-In Power
Operating Voltage1 to 2 V
Physical
ColorBlack
Environmental ResistanceWater-Resistant (Unrated)
Weight0.07 oz / 2 g

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Low, head miking for theater.

Related Questions and Answers

Q: 1. How does the receiver attach to a canon rp?

A: The receiver slides right into the shoe mount on top of the camera. If you have the shoe mount in use, you can always get a multi-shoe mount to mount multiple accessories, or because the Blink 500 receiver is so light, you can even clip it to the camera strap.

Q: 2. What amp do you recommend for this?

A: If you are running just one sub, you can use the Crown XLi 800 in Bridged Mode, which will deliver 600 watts at 8 Ohms. If you are using two subs, consider the QSC GDX 4, which delivers 600 watts at 8 Ohms per channel. https://www.bhphotovideo.com/c/product/1100330-REG/qsc_gxd_4_professional_power.html https://www.bhphotovideo.com/c/product/1126335-REG/crown_audio_xli800_600w_2_channel_stereo.html

Q: 3. Do you connect a tuner or cd player to the RCA connectors?

A: Yes, via terminal block or RCA jack.

Q: 4. As non-diversity, is this system subjected to more dropouts that true diversity? Can anyone shed some light based on experience?

A: A non-diversity wireless system may not have the same distance capability, or frequency agility as a true diversity wireless system.

Q: 5. What head set do I use for the wireless / antenna option?

A: Hi Michael, me and friends use Radio Shack 330312 wireless head set mic. It uses a battery like a watch battery.

Q: 6. The description says it hass wireless capability, and it doesn't as is. You have to buy that separately, do you sell the Wireless tuner: WTU-3800 series, WTU-4800 series and also the Wireless microphone: WM-3220 series, WM-3310 series, WM-4200 series, WM-4300 series ?

A: B&H does not offer these optional wireless components.

Q: 7. does this work with the FujiFilm Xt3?

A: Yes, it would work great with the FujiFilm XT3.

Q: 8. Would this kit be compatible with an iPhone if I use an adapter to connect the receiver to the phone?

A: The Godox WMicS1 Pro Kit comes with a 3.5mm TRS to 3.5mm TRRS Output Cable for compatibility with smartphones.

Q: 9. Will it work with DSLR cameras (specifically a Canon 7D)?

A: Yes. You need to run the receiver into the camera via a 3.5 mm jack.

Q: 10. Other than the ME2II lav mic (upgraded?), what is different about the 112 G4 generation wireless compared to the 112 G3 systems?

A: The new Sennheiser p-112 G4 system has features above that of the G3 series, such as the SK 100 G4 bodypack transmitter and the EK 100 G4 receiver, which sport an updated high-contrast LCD display, blue sync LED, and a dedicated escape button. The G4 series includes the ME 2-II Omnidirectional Clip-On Lav Mic, with improved lighter-weight design above the ME2 mic that comes with the G3 series. It also features an integrated windscreen and better frequency response. The Sennheiser ew 112P G4 system will come in appropriate frequency ranges that are in accordance with recent changes in allocation by the FCC.

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