The black Countryman B6 Omni Lavalier Mic for Vega Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Vega Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version is ideal for use as a head mic in theater. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a TA4F connector for direct connection to Vega BP2020, PRO-2, ST2020, T23, T25, T37, and T93 wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Detachable Connector    Fits Vega Transmitters    TA4F (VS), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Theater Head Miking    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Low, head miking for theater.

Related Questions and Answers

Q: 1. Would this kit be compatible with an iPhone if I use an adapter to connect the receiver to the phone?

A: The Godox WMicS1 Pro Kit comes with a 3.5mm TRS to 3.5mm TRRS Output Cable for compatibility with smartphones.

Q: 2. What is antenna diversity? I'm looking for what I call "true" diversity - multiple receive antennas.

A: "If you glance at the Sennheiser EK 100 receiver, you only see one antenna. However, if you write it off as a non-diversity system, you are mistaken. The EK 100 features a technology called “adaptive diversity,” which utilizes the connected output cable as the second antenna, making it a diversity receiver. By using the ground connection of its output as the link to a second antenna, it provides improved reception and reliability" Taken from "Understanding the Basics of Sennheiser G3 Camera-Mount Wireless Systems" https://www.bhphotovideo.com/explora/pro-audio/hands-on-review/understanding-the-basics-of-sennheiser-g3-camera-mount-wireless-systems.

Q: 3. Kind of 2 questions: Whats the difference between the frequency models? It shows A, A1, & G with different frequency ranges. Which is best?

A: The frequencies have nothing to do with range. The range on all these is about 300'.It really doesn't matter you can pick whatever frequency block you want. You can run as many as 4 or more units in the same frequency block. When you reach a maximum of let's say 4 units in the same block. Then the next unit you would need to change blocks. So 4 A's then switch to A1 for the next 4. So it only matters when you are running several units at the same time.

Q: 4. Would this work well for live sound plugging the receiver into an active speaker with built in mixer and two mic channels?

A: The Saramonic UwMic9 2-Person Camera-Mount Wireless Omni Lavalier Microphone System Kit that you asked about can work for live sound, feeding into XLR mic inputs on a mixer or speaker. If you don't strictly need battery power though, a stationary wireless system will usually be more reliable. I would recommend considering this Sennheiser XSW1 dual system: https://bhpho.to/2TyfIGm or, on a more limited budget, this Samson Concert 288 system: https://bhpho.to/3PfE6bE

Q: 5. Is there any downside to getting two systems that are in different bands (e.g. A and G)?

A: There is not.

Q: 6. does the usb c port on the receiver output audio or is it charge only?

A: the USB-C port is only for charging

Q: 7. Can I use two transmitters with only one receiver?

A: No this is a one channel receiver and it will not work with two transmitters, in order to mic two people you need two complete systems.

Q: 8. Hi, just bought two of these. When I plug them into the separate XLR channels on my Sony fs7, there is a noticeable hiss being recorded. When I only plug in one, the hiss goes away. Any suggestions? Thanks. Each is set to a different frequency.

A: Try each channel individually to see if there is a noise floor isolated to one channel. I would also recommend double checking that the level from each system is as close to the same as possible.

Q: 9. Can you tell me the serial number of these product?

A: The serial number is only provided after you purchase the wireless system. We cannot provide a serial number for an item that you do not own. If you are looking for the serial number on a wireless system that you have already purchased, you can find it printed inside the battery compartment of the transmitter and receiver.

Q: 10. As non-diversity, is this system subjected to more dropouts that true diversity? Can anyone shed some light based on experience?

A: A non-diversity wireless system may not have the same distance capability, or frequency agility as a true diversity wireless system.