The black Countryman E2 Unidirectional Earset Microphone XLR Blackfrom Countryman E2 Unidirectional Earset Microphone XLR Blackis an over-the-ear earset, similar to a classic E6 earset but with a shorter boom designed to work with theater, live stage, and studio systems. It provides suitable isolation at the mouth, but with less visibility than an E6 Omni earset, and can be used to capture audio for general speaking and vocal applications.

With an equalizing circuit built into the audio connector, the frequency response is tuned so you can experience full-bodied bass and precise highs that are warm and natural. The element, boom, and sub-miniature connector are all easily hidden from the user's face. The boom position near the ear helps to eliminate breath pops and vocal plosives on the mic.

For Theater, Live & Studio Use    For General Speaking and Vocals    20 Hz to 20 kHz Frequency Response    Fits over the Ear    Hardwired 3-Pin XLR Connection    Includes Carrying Case    Black and White Cable Clips    Windscreen and Protective Cap

The E2 Earset redefines pure sound in a virtually invisible package. It offers better ease of use than a lavalier or podium microphone.

There are two aspects of the E2 design that make it possible to capture sound so far away from the mouth: strong off-axis rejection and precisely tuned frequency response. For on-axis interference, the frequency response tuning in the connector of the E2 allows you to fully capitalize on the proximity boosting effect of the mic to achieve even stronger isolation in the voice band.

Like the connector for the industry-standard E6, the E2's connector is built tougher and more water resistant than previous models.

Standard gain, for speaking and vocals.

Related Questions and Answers

Q: 1. What do I need to connect these mics to a Zoom/MacMini teleconferencing system?

A: The Unidirectional Table Top Wireless Microphone from Revolabs is intended for use with Revolab's HD series wireless microphone and conference systems.The Revolabs Executive HD 4-Channel Wireless Conference Microphone System (No Mics) is an intuitive and easily installed 4-channel wireless microphone system for conferences, meetings and other group discussions. This system supports up to 4 Revolabs wearable, tabletop or plug-in microphone transmitters (not included) and features a 4-channel rack base and 4-bay charging station.

Q: 2. Will this work with E-M1 Mark II?

A: The MM-LAPEL-2 is compatible with the Olympus OM-D E-M1 Mark II.

Q: 3. Does the HS-U3BK headset mic use a battery, or require DC power?

A: The Galaxy Audio HS-U3BH Headset Microphone requires DC power of 1 to 10V in order to function.

Q: 4. I have a JVC GY-HM170UA camera and bought this microphone, but the camera does not recognize, all possible tests and still the same. Can anybody help me?

A: It would be difficult to determine what the issue may be. The mic requires phantom power to operate. This is provided by the camera when Input is set to the MIC+48V setting. This would be the most commonly overlooked. If you require assistance with your purchase, please feel free to email a Pro Video Representative here at provideo@bandh.com They will be best equipped to assist you.

Q: 5. Is this comparable w the GoPro 5 w the 3.5mm adapter?

A: The Microphone Madness MM-LAPEL-2 will work with the GoPro Hero5 provided you use a proprietary audio adapter; B&H# GO35MA.

Q: 6. Has anyone used these microphones for sound reinforcement in a small courtroom?

A: We have customers who have used these microphones in courtrooms and municipal meetings with great success..The microphone is designed to be placed flat on a conference table, features a unidirectional pickup pattern with a pickup area of +/- 45. The design is also impervious to noise caused by Radio Frequency Interference (RFI), so it can used with confidence around other wireless equipment, cell phones, Bluetooth devices, etc.

Q: 7. how long is the cable?

A: Hi, the cable is 4.1 feet. Thank you for shopping at B&H!

Q: 8. I have a JVC GY-HM170UA camera and bought this microphone, but the camera does not recognize, all possible tests and still the same. Can anybody help me?

A: The Panasonic AG-MC200G requires 48 volts phantom power to operate. The camera must be set to the MIC+48 setting to power the mic correctly. If you are having issues with your purchase, please feel free to contact a Sales Representative here by phone at 800-606-6969 or email audio@bandh.com for assistance

Q: 9. Is this mic also compatible with the Sony PXW-Z150 4K ?

A: Yes, it is a standard XLR connected mic, the model you mentioned has 2 XLR inputs. This will also work with any other equipment that has XLR, so it can be very useful for other equipment too.

Q: 10. how would this compare to MKE 600 or AT875R ?

A: In terms of specifications, the three mics do have differences in the way they perform, how they are powered, as well as in their physical size and features. The Panasonic AG-MC200G Unidirectional Microphone is 6.38" (162 mm) long and has a frequency response range of 160 Hz to 20 Hz, a maximum sound pressure level of 127 dB, a sensitivity level of -40 dB at 1 kHz, a signal-to-noise ratio of 69 dB, and operates using phantom power. The Audio-Technica AT875R Short Shotgun Microphone is 6.89" (175 mm) long and has a frequency response range of 90 Hz to 20 kHz, a maximum sound pressure level of 127 dB, a sensitivity level of -30 dB at 1 kHz, a signal-to-noise ratio of 74 dB, and operates using phantom power. The Sennheiser MKE 600 Shotgun Microphone is a longer mic that can operate using either phantom power or a single AA battery and it has a selectable low-cut filter at 100 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic. The MKE 600 is 10.08" (256 mm) long and it has a frequency response range of 40 Hz to 20 kHz, a maximum sound pressure level of 132 dB when using phantom power and 126 dB when using battery, a sensitivity level of 21 mV/Pa with phantom power and 19 mV/Pa with battery power, and a signal-to-noise ratio of 79 dB with phantom power and 78 dB with battery power. The frequency response range is the output range for the audio that the mic is able to reproduce and the maximum sound pressure level is the level of the loudest sounds that the mic can reproduce. The sensitivity rating is the amount of output gain for the input (a higher negative number indicates that the mic is less sensitive than a mic with a lower negative number), and the signal-to-noise ratio is the level of the desired sound compared to the unwanted noise (a higher number indicates a stronger audio signal with less noise).