The tan Countryman B6 Omni Lavalier Mic for Fender Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Fender Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version offers the highest gain for general speaking such as in presentations or sermons. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a 4-pin female proprietary connector for direct connection to Fender Passport wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Hardwired Connector    Fits Fender Transmitters    4-Pin Female Proprietary (FN), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Most Uses    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. can you use outdoors using only cell data on iphone, and live on zoom?

A: The wireless receiver is powered by the iPhone and sends audio to the phone through its Lightning port, but the wireless receiver does not use the phone's data for any of its functions.

Q: 2. What third party mics are supported? Would like to add some smaller profile mics to use with this kit.

A: Any lav that is NOT wired for Sony and has a locking 3.5mm jack will work with this system.

Q: 3. This Lav will work for shoot a movies or documentary?

A: Yes, the Saramonic UwMic9S Mini system would be a good choice for any type of film production where clear dialogue audio is required.

Q: 4. are these still legal in the US? Here's what the FCC says about frequencies - Unlicensed wireless microphone use is permitted on the 902-928 MHz band, the 1920-1930 MHz, and on portions of the 2.4 GHz and 5 GHz bands under specified power levels and rules for operation for each of those bands.

A: These are legal in The US without a liscence. The FCC currently allows wireless microphones in the range of 470-608Mhz to opperate.

Q: 5. Is the 538 to 586 Mhz band legal in the US, and does it require a license?

A: The 538 to 586 MHz used by the Polsen UWM-2 2-Person Camera-Mount Wireless Omni Lavalier Microphone System is legal for unlicensed use in the United States and North America.

Q: 6. Hi, I'd like to know whether you sell this kit in frequency range suitable for France/Europe ? Thanks, Marc

A: The Sony UWP-D Series Wireless Microphone Systems and other wireless microphone systems that we sell are intended for use in North America, but they may also work in other countries. You will need to check with the local authorities or shops in France to find out which frequencies are available for use by wireless microphones.

Q: 7. How many ampere should be rated the USB type A charger to charge quickly a Blink 500 TX?

A: 2.1 A will get it done.

Q: 8. Can i use this as well as my rode mic on the hot shoe?

A: That would depend on which Rode microphone you have, and what you are truly asking in the question. If you were asking if you can plug a Rode microphone into the transmitter: Yes, If you have a Rode lavalier, or even a shotgun microphone that terminates 3.5mm it work with the transmitter. You're asking if you can use your Rode microphone and the Blink 500 system into your camera simultaneously: You will need some kind of mixer, such as the Saramonic SR-PAX1, or the SR-AX100. But keep in mind the SR-AX100 is only for battery powered microphones, it has no pre-amplification. If you want pre-amplification, the Saramonic SR-PAX1 is a much better bet. I hope that helps.

Q: 9. Can both receivers be used at the same time with the same transmitter outputs?

A: No, only one Saramonic SR-WM2100 X receiver can be used at a time (either the camera-mount or USB receiver).

Q: 10. I'm in Denver and I cannot decide which frequency block to get. If anyone can help me decide, and explain why, that would be lovely!

A: The UC14: 470 to 542 MHz and UC25: 536 to 608 MHz frequency bands for the Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System are both very good options for use in Denver, Colorado. Each band has 2,772 auto-scan frequencies so there are plenty of individual frequencies within the band to be able to find clear frequencies to use for transmitting audio and avoiding strong broadcast signal from local radio and TV stations.