The white Countryman B6 Omni Lavalier Mic for Micron Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Micron Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter. It can be used to capture audio for theater, broadcast, house of worship, and general lavalier applications.

This version offers the highest gain for general speaking such as in presentations or sermons. Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in a performer's hair or on costumes, ties, or behind a shirt button. It can also be attached to eyeglasses, for a secure, discreet, and convenient alternative to hair miking. The ultrathin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's aramid-reinforced cable terminates to a LEMO 6-pin connector for direct connection to Micron TX 700-Series wireless bodypack transmitters.

Additionally, the included swappable protective caps let you shape the frequency response for different situations or to match other microphones. The B6 is resistant to makeup, sweat, and moisture when used with a protective cap, which can be quickly removed for cleaning or replacement.

For Theater, Live Stage & Studio Use    Hardwired Connector    Fits Micron Transmitters    LEMO 6-Pin (M7), See Description    20 Hz to 20 kHz Frequency Response    Includes 3 Capsule Protection Grids    Headroom for Most Uses    Includes Windscreen & Cable Clips    Includes Carrying Case

Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.

The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.

The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat-frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.

Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.

Standard, for most uses.

Related Questions and Answers

Q: 1. Can you set the frequency? I'm concerned if I have two sets of these, they might interfere with each other.

A: They set automatically. You can have up to 18 dual systems in a single area. Having two sets in an area will be without any issue. Just be sure to have the receivers at least 1-2 feet apart if possible for best results. If that is not an option try to have at least 6 inches between them.

Q: 2. Is the Polsen system considered pro quality?

A: Yes, the Polsen UWM-2 2-Person Camera-Mount Wireless Omni Lavalier Microphone System for Cameras and Smartphones (538 to 586 MHz) is considered pro quality.

Q: 3. Can I plug a wired hand-held dynamic mic into the 3.5mm port on the transmitter?

A: Yes, you can connect a handheld dynamic microphone to a transmitter of this wireless system with an adapter cable, such as the Remote Audio CASENSK100XMC48 XLR Female to Locking 3.5mm TRS Male Adapter Cable (4'), BH #RECASEK100M.

Q: 4. Headphone jack?

A: This is the 512P G4, yes, has a headphone jack to monitor at the receiver.

Q: 5. What did they upgrade in the G4 over the G3?

A: I had a G2 camera mount and now have the G4. The G4 comes with an upgraded lavalier and the electronics seem to be quieter overall. I have not yet used this mic in the real world.

Q: 6. The Manual says you can charge batteries from the USB function. What batteries does this support?

A: Any Rechargeble AA batteries will work any brand

Q: 7. Can the receiver be used while plugged into power?

A: No, the receiver's battery needs to be charged in order to function.

Q: 8. What is the difference from the EW 512P to the EW 100? - In other words, why is there such a price difference?

A: The ew 512P system has a wide 88 MHz bandwidth with 3520 frequencies and an adjustable RF output level of 10, 30 or 50 mW. Depending on your location, you can operate up to 32 wireless systems simultaneously. The ew 100 has a 42 MHz bandwidth with 1680 frequencies and a fixed RF output level of 30 mW. You can use up to 12 ew 100 systems at the same time depending on the environment. The ew 512P includes the MKE 2 lavalier which is a more professional mic than the ME 2-II (or ME 4) which is included with the ew 100 system. Additionally, the ew 512P has a headphone jack on the receiver but the ew 100 does not have a headphone jack. The ew 100 system also includes a plug-on transmitter (SKP 100) for use with dynamic mics and mics that do not require phantom power. If you do want to add on a similar plug-on transmitter for the ew 512 or use the ew 500 system, the SKP 500 does supply +48V phantom power.

Q: 9. has anyone use Sennheiser EW 112P G4 to send line level audio from a computer audio out to a mixer board line level in stereo i know i will need a 3.5 to 3.5 mm for the transmitter and 3.5 to RCA for the mixer board line in?

A: While the Sennheiser EW112PG4 can be used to transmit line level audio wirelessly, it will only send a single channel of audio. You can mono sum the output of the computer using this device, BH #RALTIBLOX , use the BH# SECL2 cable for xlr into the transmitter, and go single XLR out into the mixer. If you need stereo sends, you would need two transmitters and two receivers for the 2 channels of audio. Here a system, more designed for stereo transmission, BH #ALSTEALTHWRL.

Q: 10. How does this system compare to the Sony UWP-D21?

A: You will get very similar quality and range out of either system and both are very highly preferred for professional applications. Either of these are great for using many wireless microphone systems in the same space and at the same time, without running into interference with each other. If you are only going to require a set up with one or two wireless microphones running at the same time, then I recommend considering something more like the Sennheiser AVX system because it will give you the same great quality and it is more compact as well, even though it is not quite as frequency agile as the above solutions.