Sigma 24mm T1.5 Ff Cine Prime Pl Mount /i Technology
- Product Code: eq81820
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The enhanced Sigma 24mm T1.5 FF Cine Prime PL Mount /i Technologyfrom Sigma 24mm T1.5 FF Cine Prime PL Mount /i Technologycombines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 24mm prime with PL mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.
Covers Full-Frame Sensor Size T1.5 to T16 Aperture Range Lens Marks in Feet Supports Cooke /i Technology Metadata 95mm Front Diameter 9-Blade Iris, Clickless Iris Ring 0.8 MOD Focus and Iris Gearing Suitable for 8K Image Capture
Key Specs | |
---|---|
Focal Length | 24mm |
Maximum Aperture | T1.5 |
Lens Mount | ARRI PL |
Lens Format Coverage | Full Frame (36 x 24 mm) |
Filter Thread | 82 mm |
Image Stabilization | No |
Electronic Communication | Yes |
Parameters | |
Maximum Aperture | T1.5 |
Minimum Aperture | T16 |
Lens Mount | ARRI PL |
Interchangeable Mount | No |
Lens Format Coverage | Full Frame (36 x 24 mm) |
Image Circle | 43.3 mm |
Angle of View | APS-C (1.5x) Horizontal: 52.6° Full Frame Horizontal: 73.7° Super 35 Horizontal: 54.3° |
Focus Scales | Imperial |
Filter Thread | 82 mm |
Minimum Focus Distance | From Camera Sensor: 9.8" / 25 cm |
Maximum Magnification Ratio | Not Specified by Manufacturer |
Diaphragm Blades | 9, Rounded |
Image Stabilization | No |
Lens Mounting | 1x 1/4"-20 (via Included Support Foot) |
Gear Standard | 0.8 MOD / 32 Pitch |
Gear Rotation | Focus: 180° Iris: 60° |
Electronic Communication | Yes |
Camera Connection | 1 x 4-Pin Flat Connector (Cooke /i Technology Lens Data) Data |
Diameter | Front: 3.7" / 95 mm |
Length | 3.43" / 87 mm |
Weight | 2.2 lb / 1005 g |
Packaging Info | |
Package Weight | 3.075 lb |
Box Dimensions (LxWxH) | 8.5 x 6.9 x 6.8" |
High image performance covering full-frame sensors; suitable for 8K capture
Related Questions and Answers
Q: 1. Autofocus?
A: The ZEISS Nano Prime 24mm T1.5 Cine Lens (Sony E, Feet) provide eXtended lens data but have no autofocus.
Q: 2. If I were to get this for my C100 (super 35mm Sensor), would the lens then translate to 35-40mm?
A: The C100 has a Super35 sensor and the Rokinon 24mm will convert to roughly a 36mm.
Q: 3. Why are these Rokinon lenses costing almost 10x as much as the Canon mount versions?
A: That is a fair question.The difference between consumer and pro level cine style lenses comes down to functionality on set. In order that the exacting work of movie making be as efficient, reliable, and consistent as possible, there need to be certain design parameters. 1. Excellent resolution, color and contrast image quality that all lenses in the line match. This is so you can cut between them in editing and not waste time making sure each lens seamlessly has the same look.2. A big barrel is needed by the 1st Camera Assistant for precise focus control.3. A common size front diameter is desired so the matte box fits all of the lenses quickly, without fiddling with adapters. The placement of the gears on the lens must be in the same place so less time is used on set adjusting follow focus devices and remote motors for focus and iris. Finally, similar weight lenses mean less time balancing MoVI, Steadicam and other stabilizing devices.4. The DS line has 8 iris blades which is good for bokeh. The Xeen line has 11 blades which is better.All of these parameters cost money. As you go in the filmmaking world, you will see the benefits they provide.
Q: 4. Is this an anamorphic lens with what squeeze factor?
A: The Meike FF Prime Cine 24mm T2.1 Lens is not an anamorphic lens.
Q: 5. Does it come with a lens hood?
A: A detachable petal shaped lens hood is included.
Q: 6. Is it only marked in feet?
A: No, the DZOFilm Arles FF/VV Prime Cine 5-Lens Set (ARRI PL) can be easily switched from feet to meters.
Q: 7. Are there contacts for lens data?
A: The Canon 20mm Sumire Prime T1.5 (PL Mount, Feet) does not have contacts that would provide lens data to the connected camera.
Q: 8. how will it work with Sony PMW F3?
A: You can use this lens on that camera. You will need an adapter. See below. You will not need the adapter's aperture feature with this lens but you will if you get Canon EF lenses.
Q: 9. Does this set come with a case?
A: No, the Sigma T1.5 Cine FF High-Speed Art Prime 5-Lens Set does not come with a case.
Q: 10. I had the same question, “Is the case is included with the 5-lens kit?” When I ordered the 5-lens kit on 06/14/24 it was listed.
A: No, there is no case included in the DZOFilm Arles FF/VV Prime Cine 5-Lens Set (ARRI PL). Cases will be available at a later time.
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