Tascam Us-2x2hr Usb-c Audio Midi Interface
- Product Code: eq83350
-
Record or livestream songs, podcasts, and commentary in high resolution to your Mac/Windows computer or iOS mobile device with the TASCAM US-2x2HR, a desktop 2x2 USB-C audio/MIDI interface designed to deliver comfortable, user-friendly operation, clean audio quality, and simultaneous input of two mics or instruments for home recordists and traveling content creators. The inclusion of MIDI ports gives producers an easy way to integrate MIDI gear into their music production setups.
With its two Ultra-HDDA mic/line/instrument preamps, the US-2x2HR allows you to track or overdub two different sources at the same time. Phantom power is onboard for condenser mics and LED signal/peak indicators are provided to help you properly set levels. The stereo balanced 1/4" line outs and 1/4" headphone output enable monitoring through speakers, headphones, or both, each with its own level control. Additional feature enhancements include virtual loopback for podcasting and livestreaming, zero-latency adjustable direct monitoring, and an empowering software bundle.
Musicians, Podcasters, and Producers AC and Bus Powered / Mac, Windows, iOS 2 Mic Pres, 2 Line / Hi-Z In, 2 Line In 1 Headphone Out, 2 Line Out 24-Bit / 192 kHz AD/DA Conversion Virtual Loopback for Streaming 48V, Zero-Latency Direct Monitoring MIDI I/O on 5-Pin DIN Jacks DAWs, Virtual Instrument, Auto-Tunex
Key Specs | |
---|---|
Channels of I/O | Analog: 2 Inputs / 2 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 2 |
Analog Audio I/O | 2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
Digital Audio I/O | No |
Host Connection | 1x USB-C |
OS Compatibility | macOS 10.13 macOS 11 or Later Windows 7 or Later iPadOS 13 or Later 11 or Later |
Power Requirements | AC/DC Power Adapter (Not Included) or USB Bus Power |
Parameters | |
Channels of I/O | Analog: 2 Inputs / 2 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 2 |
Input Level Adjustment | 2x Knob |
Signal Processing | |
Pad | No |
Gain/Trim Range | Mic/Line/Hi-Z Inputs: 56 dB |
High-Pass Filter | No |
Solo/Mute | No |
Connectivity | |
Analog Audio I/O | 2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
Phantom Power | 48 V, Selectable On/Off (Applied to All Inputs) |
Digital Audio I/O | No |
Host Connection | 1x USB-C |
Host Connection Protocol | USB 2.0 |
USB (Non-Host) | No |
Sync I/O | No |
Network I/O | No |
MIDI I/O | 1x DIN 5-Pin Input 1x DIN 5-Pin Output |
Expansion Slots | No |
Performance | |
Frequency Response | Mic, Line Inputs: 20 Hz to 20 kHz +0/-0.4 dB (at 44.1/48 kHz, JEITA) 20 Hz to 40 kHz +0/-0.4 dB (at 88.2/96 kHz, JEITA) Line Outputs: 20 Hz to 20 kHz +0.2/-0.1 dB (at 44.1/48 kHz, JEITA) 20 Hz to 40 kHz +0.2/-0.4 dB (at 88.2/96 kHz, JEITA) |
Maximum Input Level | Mic Inputs: +9 dBu Line Inputs: +20 dBu Hi-Z Inputs: +10 dBV |
Maximum Output Level | Line Outputs: +20 dBu |
Headphone Output Power | 18 mW per Channel into 32 Ohms (0.1% THD) |
Impedance | Mic Inputs: 2.2 Kilohms Line Inputs: 10 Kilohms Line Outputs: 210 Ohms Hi-Z Inputs: ≥ 1 Megohm |
SNR | Mic Inputs: 110 dB (A-Weighted, Min Gain) Line Inputs: 108 dB (A-Weighted, Min Gain) Line Outputs: 110 dB (A-Weighted, Max Gain) |
THD+N | Mic Inputs: 0.0013% (1 kHz, Min Gain) Line Inputs: 0.0011% (1 kHz, Min Gain) Line Outputs: 0.0012% (1 kHz) |
EIN | -128 dBu |
Digital Audio | |
Sample Rates | 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Sample Rate Conversion | No |
Bit Depths | 24-Bit |
Sync Sources | Internal |
Audio Storage & Playback | |
Media/Memory Card Slot | No |
Compatibility | |
OS Compatibility | Computer: macOS 10.13 or Later / Windows 7 or Later Mobile: iPadOS Only |
OS Compatibility | macOS 10.13 macOS 11 or Later Windows 7 or Later iPadOS 13 or Later 11 or Later |
Processor Requirement | 2 GHz or Better |
RAM Requirements | 2 GB |
Mobile Device Compatibility | iPad iPhone |
Required Hardware | Available USB 2.0 Port USB Cable (Included) |
Power | |
Power Requirements | AC/DC Power Adapter (Not Included) or USB Bus Power |
AC/DC Power Adapter | 5 VDC, Center-Positive (Not Included) |
Power Consumption | 1.75 W |
Physical | |
Operating Conditions | 41 to 95°F / 5 to 35°C |
Dimensions | 7.3 x 6.3 x 2.6" / 18.6 x 16 x 6.5 cm (Including Controls and Protrusions) |
Weight | 2.4 lb / 1.1 kg |
Packaging Info | |
Package Weight | 3.215 lb |
Box Dimensions (LxWxH) | 8.4 x 8 x 4.1" |
- Ultra-HDDA (High Definition Discrete Architecture) mic preamp design developed in-house and combined with a newly improved audio circuit for enhanced audio performance and transparency
- Low noise level with EIN rating of -128 dBu and signal-to-noise ratio of 110 dB
- Microphone preamps with phantom power and gain range of 56 dB supports dynamic, condenser, and ribbon microphones
- Two microphone/line/instrument inputs feature XLR-1/4" combo connectors and switchable +48V phantom power for condenser microphones
- Line / Hi-Z switching to accommodate balanced line-level signals from professional processors and synthesizers or high-impedance signals for direct recording of electric guitar and bass
- Records at up to 192 kHz / 24-bit resolution
- Mic preamps and A/D converters work together to capture the clearest signal path, at 192 kHz or at lower sampling rates
- USB-C 2.0 computer connection (includes USB-C to USB-A cable) supplies appropriate bandwidth, even for multichannel 192 kHz recordings
- Works with ASIO, WDM, or Core Audio drivers
- USB bus-powered for mobile recording with computer
- Connects with iPad, iPhone, and other iOS devices (requires separately available 5 VDC power adapter; Apple Camera Connection Kit required for use with Lightning-equipped devices)
- Direct monitoring path provides zero-latency monitoring of the input signal before it is sent to the computer
- Adjustable monitor mix blend between input and computer via the front panel
- Balanced stereo 1/4" output suitable for connection to powered monitors
- Standard 1/4" TRS headphone output jack
- Separate controls for line and headphone output volumes
- Input monitoring can be set to stereo or mono via the software settings panel
- Solid and practical design intended to withstand long hours of hard use
- Robust metal jacket improves durability and combines with diecast aluminum side panels to provide a sleek, eye-catching design
- Angled design is optimized for desktop viewing and operation
- LED indicators for phantom power, USB connection, signal presence, and peak
- Loopback function allows the audio from the computer to be returned to the streaming software for playback during livestreams
- Selectable mono/stereo audio mode via software settings panel
- Supports OBS (Open Broadcaster Software) for easy recording and streaming
- Standard 5-pin DIN MIDI input and output connectors
- Allows MIDI external devices such as keyboards, drum machines, and controllers to be synchronized and controlled
- Increased stability in native driver
- Audio buffer size can be as low as 4 samples (Windows only) to give the best performance
- Cubase LE: Compact Mac/Windows DAW with the basic tools for recording, editing, and mixing everything from the initial musical idea to the final track
- Cubasis LE: Compact version of Steinberg’s streamlined, multitouch sequencer for the iPad
- IK Multimedia SampleTank SE: Virtual instrument with a massive 30GB sound library encompassing more than 2000 different musical instruments
- Auto-Tune Unlimited (3-Month Subscription): Comprehensive suite of industry-standard pitch correction and vocal effects
Related Questions and Answers
Q: 1. Would this work with Ableton Live 9?
A: This interface will work fine with most popular DAWs including Ableton LIVE 9.
Q: 2. How much is the transformer for 5V input ?
A: We do not have the Tascam branded power supply for this unit, You may wnat to contact them directly. If you would like a universal power supply this one would work for you: https://www.bhphotovideo.com/c/product/574791-REG/Hosa_Technology_ACD_477_ACD_477_Universal_Power_Adapter.html?sts=pi&pim=Y
Q: 3. Does it's class compliantness allow me to use it with Linux? How am i "punished" for this? Do i still get the 16 in/8 out?
A: The TASCAM US-16x08 USB Audio/MIDI Interface (BH # TAUS16X08) includes drivers that have been re-written from the ground up, providing improved compatibility and performance on Mac, Windows and iPad recording systems. LINUX drivers are not available. Note: Driver Software The US-16x08 includes a driver architecture that was written in-house by TASCAM engineers. The Windows driver software can be installed without connecting the interface, with simple on-screen instructions. Mac users can use the interface without installing a driver at all. Simply install the control panel software in order to change device settings. Finally, the class-compliant driver allows it to be used with tablets like Apple's iPad. (Requires Apple's Camera Connection Kit for USB connection, not included)
Q: 4. Sitting at a computer for prolong periods can cause spinal discomfort from degenerative disc disease. With that said, in simultaneously recording 16 channels interfacing, a term I know little about, with a software platform means foregoing standalone units with built-in mixing that I would find physically easier. I am just learning of sound recording have last worked with a Teac 4-track recorder, so I am admittedly intimidated technically overwhelmed by this approach. However, since someone bestowed upon me an iPad (that I have little idea of what it does), interfacing seems the most inexpensive way to approach the aforementioned goal of learning to simultaneously record a sizable number of tracks. As a revived joy of music has given me brighter days in anticipation of helping others enjoy, too, what resources exist to begin to grasp merely the basic concept of interfacing, which I presume means using an editing software. I sincerely am asking pointing me toward materials availability on this subject. Our wonderful B&H resource (that is to say, staff) has put together a collection of books on various audio and other topics. Any suggestions on where to start, please? Respectfully, Jeff F.
A: Jeff F,Here are a couple of links that might be helpful...a href= http://www.musicradar.com/tuition/tech/the-beginners-guide-to-daws-182337 target= _blank http://www.musicradar.com/tuition/tech/the-beginners-guide-to-daws-182337/aa href= http://www.basic-home-recording-studio.com/ target= _blank http://www.basic-home-recording-studio.com//aThank you for your interest in TASCAM products.
Q: 5. can this be used with a usb hub, a powered hub? i only have one usb-c port om my computer.
A: It is recommended that you use a powered USB hub.
Q: 6. Is this compatible with DaVinci Resolve?
A: This interface is compatible with DaVinci Resolve, which requires USB connected audio interfaces. According to users, DaVinci Resolve generally requires the sample rate to be set to 48kHz.
Q: 7. I have the Adobe Creative Cloud and I work on an HP workstation. Does this supply 16 separate channels of audio to Adobe Audition over a single USB cable? Would I need a special adapter to record the separate channels of audio?
A: No special adapters are needed. And it will supply all 16 separate channels of audio. 8 on XLR connectors and 8 on 1/4" TRS connectors. Make sue all required drivers are installed.
Q: 8. I am concerned that one day in the future, Tascam will stop updating the Driver/app you need to get all 16 inputs into your DAW. If that happens, I guess you just get the 1st 8 mic inputs, which would work for me but who wouldn't like to have all the features work all the time?
A: If such a thing should come to pass in the future. That will be out dated and you will buy a new one with many inputs.
Q: 9. The specs don't mention drivers for using the 16x08 interface with Android tablets. Are there drivers for Android?
A: There are no Android drivers or apps available.
Q: 10. Is that thing REALLY 52 long?
A: I know it seems hard to believe and you will be relieved to know it is not 52 long. If it was 52 long it would be 4.3 feet. The true dimensions are 17.5 x 2.3 x 8.6 . It seems to be an error that can be found in several places. Those are the correct dimensions.
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