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Dzofilm Vespid 100mm T2.1 Lens Pl Ef Mounts

Dzofilm Vespid 100mm T2.1 Lens Pl Ef Mounts
  • Product Code: eq85356
  • Availability: In Stock

$4,197.00 $5,917.77

Relatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens PL EF Mountsis part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount and included EF mount allow you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting..

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring has a generous 83° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

Covers Full-Frame Sensors    T2.1 to T22 Aperture Range    80mm Front Diameter    16-Blade Iris    Cinema Gearing for Focus and Iris    270° Focus Rotation    Magnetic Rear Clear/ND Filter

Parameters
Focal Length100mm
Lens MountARRI PL
Lens Format CoverageFull Frame
Image Circle46.5 mm
Maximum ApertureT2.1
Minimum ApertureT22
Minimum Focus DistanceFrom Camera Sensor: 2.3' / 0.7 m
Diaphragm Blades16
Gear MOD & PitchFocus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Front Diameter80 mm
Filter Thread77 mm
Focus ScalesImperial
Focus Rotation270°
Iris Rotation83°
Electronic CommunicationNo
Image StabilizationNo
Lens SupportNo
Length3.9" / 100 mm
Weight31.4 oz / 890 g
Packaging Info
Package Weight2.81 lb
Box Dimensions (LxWxH)8.6 x 5.2 x 4.9"

This 100mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don't have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 2.3' allows you to get extremely close to your subject.

Related Questions and Answers

Q: 1. Will this cover super 35 sensor?

A: Yes, the DZOFilm Vespid Lenses will cover Super35 sensors.

Q: 2. Can you swap the mount on this lens like with the Pictor Zooms?

A: Yes you can. The Vespid Primes and the Pictor Zoom lenses both feature swappable mounts. If you need to swap the mount on your lens we sell the DZOFilm PL-Mount Tool Kit for Pictor Zoom & Vespid Lenses B&H # DZOACC1MPL MFR # DZO-ACC1MPL

Q: 3. Is it possible to get this with the EF mount installed instead of the PL mount? I would rather not take any risks swapping the mount myself.

A: We do not currently carry a version with the EF mount pre-installed. Swapping mounts is a relatively easy process that shouldn't take you more than five or ten minutes. Feel free to contact us over the phone or Video Chat and we can try to help walk you through any difficulties.

Q: 4. what's the different between Canon EF and EF mount?

A: Two different locking systems. PL mount systems grip the lens firmly with a four-point friction lock instead of the EF mount's leaf-spring.

Q: 5. Will this lens work with the DZO film Octopus PL to L adapter on Lumix S5 markii x camera without issues?

A: Yes, the DZOFilm VESPID 35mm T2.1 Lens (PL Mount) would work with the Panasonic Lumix S5 IIX Mirrorless Camera when using the DZOFilm Octopus Adapter (PL to L) as a mount adapter. I recommend using a lens support for the lens/adapter.

Q: 6. Are they weather sealed?

A: No they are not.

Q: 7. what kind of resolution can handle?

A: It will handle the amount of resolution that the sensor you put it in front of will handle. It's a cinema lens, designed for optical resolution available via sensor.

Q: 8. For the EF version. Is there enough room behind the rear element for a EF-E or EF-R or EF-FX speedbooster?

A: Yes

Q: 9. Will these Vespids (EF mount) fit BMPCC4k with Speedboosters?

A: Yes they will.

Q: 10. This lens does include an EF mount in the box as stated above correct?

A: Yes, the DZOFilm VESPID 21mm T2.1 Lens (PL & EF Mounts), does come with both PL and EF mounts in it's packaging.

23/09/2024

[83°] Great Lens!!

5
11/09/2024

[T2.1] I bought this 21mm lens along with the 40mm and 75mm Vespid primes. I'm quite happy with these lenses, and the 21mm is a useful focal length for both Super35 and Full Frame sensors. Build quality is very good, rings turn smoothly, weight and size is good and all lenses match in color and contrast. The only thing missing is weather sealing, which I think is a must have for any lens that will be put to professional use. Other than that, I'm very please with Vespid primes.

5
22/08/2024

[16] This is a great budget cine lens . The quality is top tier. Would highly recommend this product. I love the image quality I get out of it.

5
13/08/2024

[80 mm] I bought this lens along with the 100mm and now I'm waiting for the 25mm to be in stock since I like the look so much! The lens is sharp but not clinical like the sigma arts and has a beautiful roll-off from sharp details into the bokeh. Great colors and texture to the image with extremely minimal chromatic aberration (I've only seen it come up with extremely blown out background behind the subject). This is a HUGE difference from the Rokinon DSX which had such bad CA that most back-lit footage was unusable. Only cons to this lens are the weight and the extremely long focus throw if you're not shooting in a controlled set - the focus throw is definitely not ideal for fast paced environments, but still workable. All in all definitely pleased with these guys.

5
17/07/2024

[Full Frame] I love it!

5
09/06/2024

[83°] Absolutely love this lens . I use it on my Red Epic Dragon and the quality is very comparable to the Canon CNE ...

5
03/06/2024

[T22] This lens and the other DZO lens I own are amazing for the price. They are so much better then my previous SLR Magic micro primes. They function like much expensive cine primes. I use them on my Fuji X-T4 and it's a great match. I would definitely recommend DZO products.

5
26/05/2024

[ARRI PL] I'm impressed by the quality of this lens, the weight. It's the perfect add-on to my Red Komodo Kit - Used a RF to PL adaptor from Metabone and it's rock solid.

5
26/05/2024

[ARRI PL] 35mm is a focal length I used quite often on both super 35 and full frame cameras. I sometimes wanted just a bit more reach and shallower DOF. The 40mm length achieves this quite well, and may reduce my need for a 50mm.

I have been using the Rokinon Cine DS lenses for years, and wanted to step up to the Vespid lenses after seeing many good examples and positive reviews. I won't claim there is a dramatic night and day difference, as the Rokinons are not nearly as bad as some would have you believe. I will say the Vespids have a thicker look to them, with richer blacks and more overall character. They have much less breathing than the Rokinons, too. Of course, the build quality is substantially nicer, so I expect them to far outlive the Rokinon lenses.

I have a full set of Rokinons, and I will gradually replace most of them with the Vespid lenses. I currently have the 21mm, 40mm and 75mm, which cover the majority of my shooting needs. I will likely get the 90mm macro and possibly the 16mm wide. Overall, the Vespids are as good as people say, and worth a look (or rent if you're curious).

5
21/05/2024

[83°] I bought this lens along with the 50mm and now I'm waiting for the 25mm to be in stock since I like the look so much! The lens is sharp but not clinical like the sigma arts and has a beautiful roll-off from sharp details into the bokeh. Great colors and texture to the image with extremely minimal chromatic aberration (I've only seen it come up with extremely blown out background behind the subject). This is a HUGE difference from the Rokinon DSX which had such bad CA that most back-lit footage was unusable. Only cons to this lens are the weight and the extremely long focus throw if you're not shooting in a controlled set - the focus throw is definitely not ideal for fast paced environments, but still workable. All in all definitely pleased with these guys.

5

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