[Yes] This synth is the best. So many high quality sounds.. A ton of customizations.. Use it with whatever DAW u use if it supports Vst plugins.

[Yes] After recording 32 tracks at a concert and discovering that every single track had popping and clicking I was severely stressing. Izotope saved the day. Lots of work, but incredible results. I almost trashed the recording but it turned out okay after several treatments in Izotope.

[Yes] Wonderful product, and great store service

[Download] good

[Download] I purchased my Mac Pro just so that I can start my own photobooth company. Just to find out that being a MAC user this isn't something that you would want to do with such an expensive device. I downloaded this software to test the device out but it wouldn't work. Thats when I noticed that you can only use this software with Windows.

[Yes] It is expensive but absolutely worth it, i tried a demo, then looked for alternatives but there are none ... this is a unique and very powerful plugin. Remove bad colorations of hidden lav mics, etc. It works so well, imo it is a must have.

[Download] I've been using protools for about 10 years in my recording studio and I think is the best software for record, edit and mix music. I got this version for working in my laptop and now I can work everywhere. The native plug ins woks very well and you can get others of your preference that run well too. For shure I will continue using protools in the future.

[Download] So, I've been using FastRawViewer for...about three weeks now. It actually lives up to the name, being fantastically, well, fast. But that's not the main point; the main point is that FastRawViewer let me better understand my camera, and helped me increase its dynamic range by over a stop, having lowered the amount of noise in the shots - it turns out that you tend to pick better RAW shots when you pick images based on the optimal exposure for RAW, and not for JPEGs (since, earlier, I was forced to work based on JPEG previews). I've tried many programs, both viewers and converters, but none of them gave me the ability to quickly and accurately pick shots with optimal exposure for RAW. Even if FastRawViewer didn't have any tools other than the RAW histogram and the RAW-based over- and underexposure statistics (which it does - FastRawViewer offers a lot of other unique tools for RAW culling and even for preliminary correction), I'd suggest that anyone who shoots in RAW use this program. There is one thing about this program that...saddens me, for lack of a better term. It's shown me that before I started using it, I'd thrown out many, many, many shots that I thought were overexposed, selecting them on the basis of the embedded JPEG. If I'd kept them instead, I would now be able to choose shots that were actually exposed much better, and accordingly had much less noise than those that I chosen to keep without using FastRawViewer.

[Download] I have used this Waves De-Esser software way back before 2010 in my Windows XP PC but lost it due to PC failure. The new Waves Sibilance Vocal De-Easier is easier to use because I just turn the Threshold dial to the desired setting and leave the default Detection and Mode settings to 50%. I must say the plug-in removes the essss sound of the vocals much better than the first Waves De-Esser I had used. When I process digital copies of my rare vinyl LP records and saved soundtracks from my DVD collection, the plug-in can only work without combining other VST plug-ins. This plug-in works only on a 64-bit compatible DAW software like Audacity 3.4.2 running under Win10/MacOS Operating system. Audacity 3.4.2 automatically detects the WAVES De-Esser plugin after installation. Audacity can only use VST and VST3 plug-in types. The 2 uploaded images depict how the WAVES Sibilance De-Esser plug-in is used in Audacity 3.4.2.

[Yes] We use Darkroom Booth on our PCs. Wish we started with it! This wasn't our first software. But it will be the last. Once we realized what our strengths were (selling) and our weakness (graphics), we found Darkroom. We are graphic artist wannabes. We were so close to buying AND learning photoshop, but guess what? Darkroom Booth 2 is a drag and drop editor. We customize every layout and all of the screens the guests see and we still spend less time and effort than we did just designing the layouts with our original software. We have never used the same print layout or screens since we moved forward with Darkroom Booth. Clients LOVE personalization. Also, the way it organizes files, it is a cinch to transfer the graphics we create on our office computer to the booth computer/s. We used to sdesign directly on the booth computers, that was cumbersome and meant we had to be where the booth was. Now, we can do the backend work from anywhere! These folks are rolling out new features practically faster than we can learn them. Thankfully, the publisher has great communication with the users to spoon feed the latest and greatest to make sure we know how to use everything! Training/tech support is via LIVE human beings who speak English as a first language, you tube videos and a very active FB forum. Green screen is easy. I mean, really, really easy. Just playing with my laptop in my living room, the software keyed out my house plants. My other software involved tweaking during testing, then again at set up, then again as lighting would change during an event. Darkroom Booth 2 is a relief! Printer drivers are built into the software so you don't have to use the same port every time. Sure wish we would have started with Darkroom Booth 2, but I don't know if we would have known how truly powerful it is.