[25 W] This monitor worked great for use as an on-camera preview monitor. We used it with an SDI cable for a VariCam35 and the client and the camera operator was able to see the composed shot, which looked great on the screen. We had to use a different arm for the monitor, though, this only comes with a hot shoe mount, which we could not use on our camera.

[25 W] This monitor is feature packed for the price. We are using it for an on set production monitor which works very well. It has everything you would want including audio monitoring at the monitor. Focus peaking is very nice and the wave form is handy too. We use the NP-F970 batteries and we yet have to change batteries during a shoot. I was also very pleasantly surprised when the monitor arrived in a very nice metal case. The only negative is the menu navigation is a bit clunky but is alright once you get used to it. Bottom line... You'll have to pay more than twice the money for a monitor with the same features and quality. Highly recommended for low budget and student film programs.

[186 ppi] First impressions are strong. Lots of great features for such a low price.


This product is made by some other manufacturer with a Feelworld badge attached; I've seen identical units under other brand names, including here on B&H. Hopefully they'll stand behind it if warranty issues arise.


I've just sent it out on a project that requires the racked monitor to bounce across the country on the way to a show. We'll see how durable & roadworthy the unit is.

[25 W] We needed a monitor for our production team because we were using an old TV for awhile instead. It works great, especially for when filming outside.

[TFT LCD] good little monitor. no issues so far

[800 x 480] I am an independent producer, shooter, editor, scriptwriter, etc. I shoot a great many interviews and have, as of late, been reducing the size and weight of the gear I have to lug around. For the last year, I have been lugging around a TV set I bought@. It was cheap and I really only needed it for positioning of the interviewee. I had to bring power blocks and stingers to run the TV set. Now, with this hot little monitor, I not only get great positioning, outstanding quality of image, and other features (some of which I don't use), it also runs forever on batteries. Before I purchased it, I read some of the reviews. I must say that I could find none of the problems other people say they had. I think most of those other reviewers preferred to open the package, turn everything on, and, then, when it wasn't exactly what they expected, tried to read the instructions. I read them first and the unit is great. I have compared it with other units that cost four times as much and I can't tell the difference.

[800 x 480] The monitor is solid and the price is right! The menus and setting sharpness, color, are not that difficult to navigate. I haven't seen anyone have problems setting it yet. I just can't wait until I have a moment to wire up, integrate it's tally.

[500:1] Excellent features for the price. I never know how much difference a field monitor would make in our production quality. This unit has false color which aids focussing; wave form and histogram views to aid the lighting set-up up front so less effort is needed in post. Unit comes with a sun shield for outdoor use and has a variety of mounting options. It can be mounted on top of a DSLR with the hot shoe mount or on a stand or tripod. Multiple inputs formats can be used although I only use the HDMI input. I use a separate HDMI selector switch to enable multiple cameras to use the same monitor which facilitates camera matching.

[25 W] A 5 monitor seemed too small for my Nikon D7500 DSLR rig, where the C6 was 'just right' and doesn't add significantly more weight when handheld.

Best thing about the C6 is how bright it is - able to clearly see the screen even in mid-day southern California sun (the sun hood does help with glare control for contrast). When indoors or at night, the screen dims to comfortable levels (extending the battery time).

Been getting about one hour of runtime at low/mid-brightness using Ikan NP-F750 5800mAh with HDMI loop out and powering my Tilta Nucleus-n wireless focus motor. Do recommend using a battery plate on your rig for better weight distribution/balance.

The U/X is easy to use via the touchscreen or the control wheel.

Comes with a semi-hard carrying case that snuggly fits the monitor with closed cell foam screen protector, plus a zippered accessory pocket big enough for the mounting bracket, and maybe a short HDMI cable or two. Note that the case won't fit batteries or other accessories.

Only significant issue is the 1/4-20 mounts on the monitor. A) they are not ARRI-style compatible, with the registration holes on the C6 spaced 12mm on center vs 15mm of the ARRI-style anti-rotation pins, plus they are too shallow. B) DC power in/out jacks are too close to the bottom -20 mounting hole to allow using a NATO rail or other quick release plate. So you either need to use the provided arm or get another monitor arm that just screws on.

[16:9] I have used this monitor on a SDI cable with the Blackmagic Cinema Camera. It is the only affordable solution to monitoring on SDI and it works as advertised.