Spl Marc One Monitor Recording Controller
- Product Code: eq86212
-
The SPL Marc One Monitor Recording Controlleris a monitor controller and 32-Bit AD/DA in SPL's One series of high-quality audio equipment. This unit offers two stereo inputs (one balanced, one unbalanced) as well as two speaker outputs, a headphone output, and a subwoofer output. As with the inputs, the output sections give you a choice of balanced or unbalanced 1/4" connection points. You'll also note the USB port, through which you can record or playback 32-bit audio at high sample rates.
Indeed, the Marc One can support PCM sample rates up to 768 kHz. If you have DSD audio you'd like to hear, you can play it via DSD over PCM (DoP) up to DSD256. Because this unit has line inputs as well as outputs, you can even record audio at these high sample rates and resolutions, which is great for capturing vinyl records or recording instruments such as analog synths. On its front panel, you'll find an input selector that lets you switch between your two line sources, which you can also blend, if that is your desire. An output selector allows you to choose between your A and B output sets. Another front-panel switch sums the stereo output to mono, which can be useful for checking the integrity of your mix. You can also swap the left and right channels in order to ensure that you're center elements are truly centered.
In the headphone section, note the Crossfeed knob. This engages the Phonitor Matrix, SPL's technology for emulating speaker positioning, within a room, all in your headphones. With the Crossfeed knob, you can dial in subtle amounts of the opposing channel to emulate the feeling of speakers. Mixing engineers might find this feature particularly handy when mixing in headphones.
The headphone amp itself utilizes a Class AB design, and is able to power both high- and low-impedance headphones alike. You can go between your favorite consumer-grade closed-backs and your high-grade open backs without problem. A 12V external power supply unit is included.
Audiophile-Grade Monitor Controller Built-In High-Quality Headphone Amp 32-Bit AD/DA Up to 768 kHz PCM or DSD256 DoP 2 Stereo Inputs, 2 Monitor Outs Balanced or Unbalanced 1/4" Ins and Outs Subwoofer Output and Headphones Output Phonitor Matrix with Variable Crossfeed Low Noise & Distortion Characteristics Includes Power Supply
Analog I/O | |
---|---|
Analog I/O | 2 x 1/4" TRS Balanced Line Inputs 2 x 1/4" TS Unbalanced Line Inputs 2 x 1/4" TRS Balanced Speaker Outputs 2 x 1/4" TS Unbalanced Speaker Outputs 1 x 1/4" TRS Balanced Subwoofer Output 1 x 1/4" Stereo Headphones Output |
Input Gain | +22.5 dBu |
Input Impedance | Line In 1: 20 Kilohms Line In 2: 10 Kilohms |
Common Mode Rejection | Line In 1: < 60 dB |
Output Level | Speaker Output (600 Ohms): +22 dBu, Max |
Output Impedance | Speaker Out 1: 150 Ohms Line Out (Unbalanced): 75 Ohms Sub Out (Balanced): 150 Ohms |
Frequency Response (-3 dB) | 10 Hz to 200 kHz |
Dynamic Range | 121 dB |
Noise | -99 dB (A-Weighted, 0 dBu, 600-Ohm Load) |
THD+N | 0.002% (0 dBu, 10 Hz to 22 kHz, 600 Ohms) |
Crosstalk | < 75 dB at 1 kHz |
Attenuation | -93 dB (Fade Out Attenuation) |
Headphones Output | |
Headphones Output | 1/4" TRS Jack |
Wiring Scheme | Wiring Tip = Left, Ring = Right, Sleeve = GND |
Source Impedance | 20 Ohms |
Frequency Response (-3 dB) | 10 Hz to 200 kHz |
Noise | -97 dBu (A-Weighted, 600 Ohms) |
THD + N | 0.002% (0 dBu, 10 Hz to 22 kHz, 600 Ohms) 0.013% (0 dBu, 10 Hz - 22 kHz, 32 Ohms |
Output Power | 2 x 190 mW at 600 Ohms 2 x 330 mW at 250 Ohms 2 x 400 mW at 47 Ohms |
Attenuation | -99 dB (Fade Out Attenuation at 600 Ohms) |
Crosstalk | -75 dB at 1 kHz, 600 Ohms |
Dynamic Range | 117 dB |
Digital | |
Resolution | 32-Bit AD/DA over USB |
Sample Rate | PCM over USB: 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384, 705.6, and 768 kHz DSD over PCM (DoP): 2.8, 5.6, 11.2 MHz / DSD256, DSD64, DSD128 |
Calibration | 0 dBFS = 15 dBu |
Noise | -113 dBFS (A-Weighted at 44.1 or 48 kHz) |
Dynamic Range | 113 dB (at 44.1 or 48 kHz) |
THD + N | 0.0012% (-1 dBFS, 10 Hz to 22 kHz) |
Power Supply | |
Internal Power Supply | Operating Voltage: Analog Audio: ±17 V Headphone Amplifier: ±19 V Relays and LEDs: +12 V |
External Power Supply | AC/DC Switching Adapter: Mean Well GE18/12-SC DC Plug: (+) Pin 2.1 mm; (-) Outside Ring 5.5 mm Input: 100 to 240 VAC, 50 to 60 Hz, 0.7 A Output: 12 VDC, 1.5 A |
Physical | |
Dimensions | 8.2 x 1.95 x 8.7" / 210 x 49.6 x 220 mm |
Weight | 3.4 lb / 1.6 kg |
Packaging Info | |
Package Weight | 4.69 lb |
Box Dimensions (LxWxH) | 14.8 x 10.7 x 3.1" |
Two analog stereo inputs can be connected to the Marc One for sources such as a DA converter, CD player, mixing console, synthesizer, analog tape machine, tape deck, or more. You can also listen to a mix of your two sets of inputs.
The selected input signal is output unchanged at the Line Out. This allows the Marc One to be looped between devices. So if several people want to listen via headphones, a headphone amplifier can be connected to the Line Out. You can also record the signal or send it to a mixer for further processing.
The converter chip used is the Premium AK4490, a new generation of 32-bit DACs equipped with AKM's Velvet Sound. This technology achieves a greater degree of resolution thanks to its low-distortion architecture. It supports sampling frequencies up to 768 kHz PCM (16x CD resolution) and DSD (Direct Stream Digital) playback up to DSD4 or DSD256 (11.2 MHz) resolution.
Three monitoring modes are on hand. In the middle is the default setting "Stereo". To check the mono compatibility, set the switch to Mono. The third setting is a channel swap, which swaps the left and right channels. This is a great way to test if center elements are in fact sitting in the center of your mix, as you intended them. It's also an easy way to correct incorrect left/right orientation while viewing media.
The USB connection is Class Compliant. This means that all Mac computers and iOS devices like iPads and iPhones can use the full performance bandwidth of the DA-converter without driver installation. iOS devices require the camera adapter. For Windows, a driver is required, which you can download freely from SPL.
The output stage of the headphone amplifier is designed as a push-pull amplifier in class AB mode. The bipolar transistors share the amplification of the positive and negative half-waves, which produces a higher gain and a higher output voltage than in Class A operation, where only one transistor amplifies both half-waves.
The output stage transistors are thermally coupled and thus run particularly coherently, which contributes to a consistent and stable sound image.
The power supply has a buffer circuit with low source resistance, ensuring generous current reserves even when operating low-impedance headphones.
In the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, which you can use to recreate the feeling of speakers inside headphones. The crossfeed knob determines the crosstalk of the channels—the so-called interaural level difference. The intensity of the crossfeed is fully variable.
At the beginning of the control path, the function is not in the audio path. It is only switched on by adding it via relay (hysteresis circuit). The audio signal therefore does not pass through the crossfeed stage if this is not desired.
Related Questions and Answers
Q: 1. Can the Atomos Shogun bluetooth transmit time code to Mixpre 3 II? Thanks!
A: No, You would need to add the Atomos UltraSync BLUE Wireless Time code Sync for AtomX SYNC which feeds frame-accurate time code to up to six devices up to 32.8' away over Bluetooth. Atomos UltraSync BLUE Wireless Timecode Sync for AtomX SYNC and Ninja V BH #ATOMSYBL01US
Q: 2. Does this work at 4k 120p and 240p HD in prores RAW? Is there any spec difference with the Ninja V+ pro specs for the sony fx6?
A: the shogun 7 does NOT work with any form of HDMI RAW, it only supports RAW via 12G SDI. For all other NEW raw formats the NINJA V+ is the appropriate recorder
Q: 3. Can this device record 12 bit color depth when connected to a Panasonic Varicam LT?
A: Hello Michael, we can see up to 10-bit
Q: 4. Can this record 5.7k raw connected to a EVA1?
A: Hello Juny, yes it can via SDI and ProRes RAW, the Tech 1TB SSD may not be fast enough though. Please go to our website for the recommended drives.
Q: 5. Will the Shogun 7 work with the Z-Cam E-2 for ProRes Raw? 60FPS?
A: Hello Paris, at the moment only the NINJA V will work. we are working on the other Atomos products.
Q: 6. We have the Shogun 7 with latest firmware, and Blackmagic HDMI-SDI converters. Plan to use for switching/iso recording. Works fine on Canon C70, but GoPro gets error about SDI A vs SDI B. Is there a solution?
A: Atomos actually responded and talked me through Blackmagic firmware update and SDI type on the converter. Works now.
Q: 7. Can I use the 12G out with a 3G cable?
A: Yes you can.
Q: 8. I posted a question before about the Input for the breakout cable. I know that the cable is not provided, but, what I meant was about the input on the side of the recorder, I haven't been able to get a photo of the side panel where the input is supposed to be. Is the input like the one in the Shogun Inferno?
A: Hello Hugo, yes it is exactly like the SHOGUN INFERNO.
Q: 9. why the new firmware does not come out on Shogun 7 with support for new cameras and the RAW format. Shogun 7, you have a top model from a small format, and updates come out only for Nina V. I made a mistake that I bought Shogun 7 and it was better to buy Ninja V or will you update the firmware?
A: the shogun 7 support SDI raw formats from all the cameras that have SDI raw formats. This unit is designed for SDI cameras which is why it does not have a lot of the HDMI Raw formats
Q: 10. Is this recorder comes with a breakout cable input?
A: Hello Hugo, it does not, you would have to buy that separately. Thank you.
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