Focusrite Rednet A16r Mkii 16x16 Dante Audio Interface
- Product Code: eq86442
-
Equip your Dante audio network with 16 channels of premium analog line-level I/O with the Focusrite RedNet A16R MkII, a rackmount 16x16 Dante analog audio interface offering adjustable levels, high-performance 24-bit / 192 kHz converters, and comprehensive remote control options for professional engineers in every environment from broadcast and touring applications, to the studio, to the dub stage.
With DB25 connectors providing 16 channels of balanced analog line-level audio to and from the Dante audio network, the A16R MkII is ideal for merging external mic preamps, mixer channels, and cue systems with a Dante network. Primary and secondary Dante connectivity is available on dual locking etherCON ports.
In addition to the main analog inputs and outputs, the RedNet A16R MkII features stereo AES3 I/O on XLR jacks and dual sample rate converters for the AES3 inputs. To allow synchronization with a wide range of external sources and hardware, the interface includes BNC wordclock input and output ports and support for DARS (Digital Audio Reference Signal) through the XLR input.
The RedNet A16R MkII is fitted with two separate power supplies with auto-switchover capability to maintain reliable operation in the event of a failure. Plus, locking IEC inlets on the rear of the unit prevent unintended power cable disconnection at the interface. Power-supply status is indicated both remotely and on the front panel. Additionally, the interface features a rugged, roadworthy exterior that occupies just 1 RU of rack space.
A premium bonus is the Brainworx bx_console Focusrite SC channel-strip plug-in, a stellar digital emulation of the legendary and rare Focusrite Studio Console. Only 10 of the consoles were ever produced, but you can access its famed sound directly in your DAW.
Open Box Products Have a Limited 3-Year Manufacturer Warranty Studio, Live & Postproduction Engineers Dual Locking etherCON Dante Connections 16 Channels of Line-Level I/O via DB25 Stereo AES3 I/O via XLR Precision 24-Bit / 192 kHz AD/DA Dual Locking PSUs / Mac, Windows Sample Rate Conversion for AES3 Inputs Per-Channel Level Control via Software BNC Wordclock I/O, Remotely Controllable Brainworx Focusrite Console Plug-In
Key Specs | |
---|---|
Channels of I/O | Analog: 16 Inputs / 16 Outputs Digital: 2 Inputs / 2 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | No |
Analog Audio I/O | 2x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout) 2x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) |
Digital Audio I/O | 1x XLR 3-Pin AES3 Input 1x XLR 3-Pin AES3 Output |
Host Connection | No |
OS Compatibility | macOS 10.13 macOS 10.14 macOS 10.15 macOS 11 Windows 10 |
Power Requirements | AC Input |
Parameters | |
Channels of I/O | Analog: 16 Inputs / 16 Outputs Digital: 2 Inputs / 2 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | No |
Input Level Adjustment | 16x via Software |
Signal Processing | |
Pad | No |
Gain/Trim Range | Inputs: -78 dB to 0 dB (in 1 dB Steps) Outputs: -78 dB to 0 dB (in 1 dB Steps) |
High-Pass Filter | No |
Solo/Mute | No |
Connectivity | |
Analog Audio I/O | 2x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout) 2x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout) |
Phantom Power | No |
Digital Audio I/O | 1x XLR 3-Pin AES3 Input 1x XLR 3-Pin AES3 Output |
Host Connection | No |
Host Connection Protocol | No |
USB (Non-Host) | No |
Sync I/O | 1x BNC Word Clock Input 1x BNC Word Clock Output |
Network I/O | 2x etherCON/RJ45 Dante |
MIDI I/O | No |
Expansion Slots | No |
Performance | |
Frequency Response | AD/DA Converters: 20 Hz to 20 kHz ±0.15 dB |
Dynamic Range | AD/DA Converters: 120 dB (A-Weighted, 10 Hz to 20 kHz) Line Outputs: 118 dB (A-Weighted) Sample Rate Converter: > 138 dB |
SNR | Line Inputs: 119 dB (A-Weighted) |
THD+N | Line Inputs: < -105 dB / < 0.000562% (Unweighted, 20 Hz to 20 kHz, at -1 dBFS) Line Outputs: < -100 dB / < 0.001% (Unweighted, 20 Hz to 20 kHz, +23 dBu Input) Sample Rate Converter: < -130 dB / < 0.00003% |
EIN | Line Inputs: -95 dBu A-Weighted |
Digital Audio | |
Sample Rates | 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Sample Rate Conversion | On Digital Inputs (32 to 216 kHz) |
Bit Depths | 24-Bit |
Latency | 11 ms |
Sync Sources | AES3, Dante, Internal, Word Clock |
Clocking | Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: ±7.5% of Sample Rate |
Audio Storage & Playback | |
Media/Memory Card Slot | No |
Compatibility | |
OS Compatibility | macOS 10.13 or Later / Windows 10 or Later |
OS Compatibility | macOS 10.13 macOS 10.14 macOS 10.15 macOS 11 Windows 10 |
Mobile Device Compatibility | No |
Required Hardware | Available Ethernet Port |
Power | |
Power Requirements | AC Input |
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
Power Consumption | 30 W |
Physical | |
Rackmount Size | 1 RU |
Dimensions | 18.98 x 12.87 x 1.73" / 48.21 x 32.69 x 4.39 cm |
Weight | 10.0 lb / 4.5 kg |
Packaging Info | |
Package Weight | 13.985 lb |
Box Dimensions (LxWxH) | 23.8 x 17.2 x 4.4" |
The RedNet A16R MkII is a 16-channel analog line-level interface for Dante audio-over-IP networks (AES67, AES70 and SMPTE 2110 compliant). The 1 RU rackmount device features individual input/output channel level control and calibration available in ±1 dB increments via digital trim faders with mute and dim functions, allowing for precise calibration and control of all input and output levels using RedNet Control software.
The RedNet A16R MkII is outfitted with high-performance AD/DA converters that support up to 24-bit / 192 kHz resolution. With 119 dB dynamic range and a flat frequency response (±0.15 dB from 20 Hz to 20 kHz), the interface ensures no-compromise recording and audio playback. Level alignment can be set to +18 or +24 dBu via the software.
Featuring power-supply and Ethernet redundancy with auto switchover, the RedNet A16R MkII can provide continued operation in the event of a failure at the main power and audio lines, ensuring silent fail-over during power or network outages.
Various connection options make RedNet A16R MkII a flexible addition to any audio-over-IP system. Four DB25 multipin connectors (AES59 standard configuration) are provided to bring balanced analog line-level signals into and out of the interface, while XLR ports enable two-channel digital AES3 connections to be made. All connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack.
Sample rate conversion on both AES3 inputs enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Wordclock I/O on BNC connectors allow synchronization to a house clock or from external equipment to the Dante network.
The interface boasts full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers. Take advantage of remote routing and control using RedNet Control and Dante Controller software on a Mac or Windows computer.
LED indicators are presented on the front panel for PSU, network, sample-rate, signal-presence, and clock-source status, keeping you informed of the interface's critical functions at a glance. Metering for all inputs and outputs can also be found on the front panel of the RedNet A16R MkII.
Related Questions and Answers
Q: 1. No reason it won't work with Adobe Audition... right?
A: The Focusrite Scarlett series interfaces work seamlessly with most DAW software. Adobe Audition should have no issues as well.
Q: 2. Does the other 6 inputs have pad and instrument/line in controls?
A: Hello Mohammed,The other 6 inputs wont have instrument input or pad control.only the two in the front have instrument and pad.
Q: 3. hi. can i send stems from my daw through this unit to be processed on an outboard mixer and have the processing recorded back. how is the ad/da conversion
A: You can run audio tracks out of your DAW through this interface to then go out through the balanced line outputs. The processed audio can go back into the line inputs to record in your computer. The AD/DA conversion is very good.
Q: 4. Can you bypass the Mix Control software and use Pro Tools only to control mix on second generation?
A: The Focusrite Control software is used for internal routing within the interface. This is not required otherwise. You can use ProTools and other DAW software with the interface directly as well.
Q: 5. Are the preamps powerful enough for low input/gain hungry dynamic mics, like the Shure 7M7B? Planning on using this for a 3 or 4 mic podcast.
A: The Focusrite Scarlett 18i8's preamps are technically powerful enough for a dynamic microphone like SM7b or the RE20, but best results and the lowest noise floor will still be had with a mic activator such as the CL1 CloudLifter.
Q: 6. 8 inputs?4 xlr mics and 4 1/4 simultaneously ?
A: The Focusrite Scarlett 18i8 features (4) XLR mic pre's on the front panel as well as (4) 1/4 line inputs on the rear all accessible simultaneously.
Q: 7. Can you route (via Dante Controller) separately to Headphone and Line Out? As in, are they separate Dante Receivers, or do you send it one signal and both headphone and line out get the same signal?
A: The AM2 has 2 channel I/O which means you can both listen to , and monitor 2 Dante channels. There is no way to split them up between the headphone out and line out.Thank you for your question.
Q: 8. Hi. How can I use this as a desktop interface. What extra gear do I need to buy to just be able to connect it to my Mac and use as a desktop interface. Thx.
A: This does not connect to your computer via USB like other interfaces. This runs on Dante, so you would need an unmanaged network switch like this one to be able to connect it to your computer. https://www.bhphotovideo.com/c/product/1499551-REG/netgear_gs308_300pas_gs308_8_port_gigabit_ethernet.html
Q: 9. What is the round latency spec for each sample rate?
A: Roundtrip latency would be calculated by having an analog conversion and back again. The Focusrite RedNet PCIeNX Dante PCIe Dante Interface Card does not have any analog IO, so to measure roundtrip, it would need to be paired with another device to measure, which would also add to the latency time. Being that all analog IO has slightly different latency specs, Focusrite did not want to release a spec based on a specific analog IO’s latency spec along with the cards. This is why Focusrite uses the terminology 'ultra-low roundtrip latency'.
Q: 10. Is this compatible with the ultranet output of the Midas 32c ?
A: thank you for your question. The ultranet output is only personal monitoring systems such as the Behringer P-16M. To use this interface you would need to get the dante expansion card B&H # KLDN32DANTE.
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