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Focusrite Rednet A16r Mkii 16x16 Dante Audio Interface

Focusrite Rednet A16r Mkii 16x16 Dante Audio Interface
  • Product Code: eq86442
  • Availability: In Stock

$13,199.97 $17,159.96

Equip your Dante audio network with 16 channels of premium analog line-level I/O with the Focusrite RedNet A16R MkII, a rackmount 16x16 Dante analog audio interface offering adjustable levels, high-performance 24-bit / 192 kHz converters, and comprehensive remote control options for professional engineers in every environment from broadcast and touring applications, to the studio, to the dub stage.

With DB25 connectors providing 16 channels of balanced analog line-level audio to and from the Dante audio network, the A16R MkII is ideal for merging external mic preamps, mixer channels, and cue systems with a Dante network. Primary and secondary Dante connectivity is available on dual locking etherCON ports.


In addition to the main analog inputs and outputs, the RedNet A16R MkII features stereo AES3 I/O on XLR jacks and dual sample rate converters for the AES3 inputs. To allow synchronization with a wide range of external sources and hardware, the interface includes BNC wordclock input and output ports and support for DARS (Digital Audio Reference Signal) through the XLR input.


The RedNet A16R MkII is fitted with two separate power supplies with auto-switchover capability to maintain reliable operation in the event of a failure. Plus, locking IEC inlets on the rear of the unit prevent unintended power cable disconnection at the interface. Power-supply status is indicated both remotely and on the front panel. Additionally, the interface features a rugged, roadworthy exterior that occupies just 1 RU of rack space.


A premium bonus is the Brainworx bx_console Focusrite SC channel-strip plug-in, a stellar digital emulation of the legendary and rare Focusrite Studio Console. Only 10 of the consoles were ever produced, but you can access its famed sound directly in your DAW.

Open Box Products Have a Limited 3-Year Manufacturer Warranty    Studio, Live & Postproduction Engineers    Dual Locking etherCON Dante Connections    16 Channels of Line-Level I/O via DB25    Stereo AES3 I/O via XLR    Precision 24-Bit / 192 kHz AD/DA    Dual Locking PSUs / Mac, Windows    Sample Rate Conversion for AES3 Inputs    Per-Channel Level Control via Software    BNC Wordclock I/O, Remotely Controllable    Brainworx Focusrite Console Plug-In

Key Specs
Channels of I/OAnalog:
16 Inputs / 16 Outputs
Digital:
2 Inputs / 2 Outputs
Maximum Sampling Rate192 kHz / 24-Bit
Number of Microphone InputsNo
Analog Audio I/O2x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout)
2x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout)
Digital Audio I/O1x XLR 3-Pin AES3 Input
1x XLR 3-Pin AES3 Output
Host ConnectionNo
OS CompatibilitymacOS 10.13
macOS 10.14
macOS 10.15
macOS 11
Windows 10
Power RequirementsAC Input
Parameters
Channels of I/OAnalog:
16 Inputs / 16 Outputs
Digital:
2 Inputs / 2 Outputs
Maximum Sampling Rate192 kHz / 24-Bit
Number of Microphone InputsNo
Input Level Adjustment16x via Software
Signal Processing
PadNo
Gain/Trim RangeInputs:
-78 dB to 0 dB (in 1 dB Steps)
Outputs:
-78 dB to 0 dB (in 1 dB Steps)
High-Pass FilterNo
Solo/MuteNo
Connectivity
Analog Audio I/O2x DB-25 25-Pin Balanced Line Input (AES 59/Tascam Pinout)
2x DB-25 25-Pin Balanced Line Output (AES 59/Tascam Pinout)
Phantom PowerNo
Digital Audio I/O1x XLR 3-Pin AES3 Input
1x XLR 3-Pin AES3 Output
Host ConnectionNo
Host Connection ProtocolNo
USB (Non-Host)No
Sync I/O1x BNC Word Clock Input
1x BNC Word Clock Output
Network I/O2x etherCON/RJ45 Dante
MIDI I/ONo
Expansion SlotsNo
Performance
Frequency ResponseAD/DA Converters:
20 Hz to 20 kHz ±0.15 dB
Dynamic RangeAD/DA Converters:
120 dB (A-Weighted, 10 Hz to 20 kHz)
Line Outputs:
118 dB (A-Weighted)
Sample Rate Converter:
> 138 dB
SNRLine Inputs:
119 dB (A-Weighted)
THD+NLine Inputs:
< -105 dB / < 0.000562% (Unweighted, 20 Hz to 20 kHz, at -1 dBFS)
Line Outputs:
< -100 dB / < 0.001% (Unweighted, 20 Hz to 20 kHz, +23 dBu Input)
Sample Rate Converter:
< -130 dB / < 0.00003%
EINLine Inputs:
-95 dBu A-Weighted
Digital Audio
Sample Rates44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
Sample Rate ConversionOn Digital Inputs (32 to 216 kHz)
Bit Depths24-Bit
Latency11 ms
Sync SourcesAES3, Dante, Internal, Word Clock
ClockingWord Clock:
Input Termination: 75 Ohms (Switchable)
Lock Range: ±7.5% of Sample Rate
Audio Storage & Playback
Media/Memory Card SlotNo
Compatibility
OS CompatibilitymacOS 10.13 or Later / Windows 10 or Later
OS CompatibilitymacOS 10.13
macOS 10.14
macOS 10.15
macOS 11
Windows 10
Mobile Device CompatibilityNo
Required HardwareAvailable Ethernet Port
Power
Power RequirementsAC Input
AC Input Power100 to 240 VAC, 50 / 60 Hz
Power Consumption30 W
Physical
Rackmount Size1 RU
Dimensions18.98 x 12.87 x 1.73" / 48.21 x 32.69 x 4.39 cm
Weight10.0 lb / 4.5 kg
Packaging Info
Package Weight13.985 lb
Box Dimensions (LxWxH)23.8 x 17.2 x 4.4"

The RedNet A16R MkII is a 16-channel analog line-level interface for Dante audio-over-IP networks (AES67, AES70 and SMPTE 2110 compliant). The 1 RU rackmount device features individual input/output channel level control and calibration available in ±1 dB increments via digital trim faders with mute and dim functions, allowing for precise calibration and control of all input and output levels using RedNet Control software.

The RedNet A16R MkII is outfitted with high-performance AD/DA converters that support up to 24-bit / 192 kHz resolution. With 119 dB dynamic range and a flat frequency response (±0.15 dB from 20 Hz to 20 kHz), the interface ensures no-compromise recording and audio playback. Level alignment can be set to +18 or +24 dBu via the software.

Featuring power-supply and Ethernet redundancy with auto switchover, the RedNet A16R MkII can provide continued operation in the event of a failure at the main power and audio lines, ensuring silent fail-over during power or network outages.

Various connection options make RedNet A16R MkII a flexible addition to any audio-over-IP system. Four DB25 multipin connectors (AES59 standard configuration) are provided to bring balanced analog line-level signals into and out of the interface, while XLR ports enable two-channel digital AES3 connections to be made. All connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack.

Sample rate conversion on both AES3 inputs enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Wordclock I/O on BNC connectors allow synchronization to a house clock or from external equipment to the Dante network.

The interface boasts full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers. Take advantage of remote routing and control using RedNet Control and Dante Controller software on a Mac or Windows computer.

LED indicators are presented on the front panel for PSU, network, sample-rate, signal-presence, and clock-source status, keeping you informed of the interface's critical functions at a glance. Metering for all inputs and outputs can also be found on the front panel of the RedNet A16R MkII.

Related Questions and Answers

Q: 1. No reason it won't work with Adobe Audition... right?

A: The Focusrite Scarlett series interfaces work seamlessly with most DAW software. Adobe Audition should have no issues as well.

Q: 2. Does the other 6 inputs have pad and instrument/line in controls?

A: Hello Mohammed,The other 6 inputs wont have instrument input or pad control.only the two in the front have instrument and pad.

Q: 3. hi. can i send stems from my daw through this unit to be processed on an outboard mixer and have the processing recorded back. how is the ad/da conversion

A: You can run audio tracks out of your DAW through this interface to then go out through the balanced line outputs. The processed audio can go back into the line inputs to record in your computer. The AD/DA conversion is very good.

Q: 4. Can you bypass the Mix Control software and use Pro Tools only to control mix on second generation?

A: The Focusrite Control software is used for internal routing within the interface. This is not required otherwise. You can use ProTools and other DAW software with the interface directly as well.

Q: 5. Are the preamps powerful enough for low input/gain hungry dynamic mics, like the Shure 7M7B? Planning on using this for a 3 or 4 mic podcast.

A: The Focusrite Scarlett 18i8's preamps are technically powerful enough for a dynamic microphone like SM7b or the RE20, but best results and the lowest noise floor will still be had with a mic activator such as the CL1 CloudLifter.

Q: 6. 8 inputs?4 xlr mics and 4 1/4 simultaneously ?

A: The Focusrite Scarlett 18i8 features (4) XLR mic pre's on the front panel as well as (4) 1/4 line inputs on the rear all accessible simultaneously.

Q: 7. Can you route (via Dante Controller) separately to Headphone and Line Out? As in, are they separate Dante Receivers, or do you send it one signal and both headphone and line out get the same signal?

A: The AM2 has 2 channel I/O which means you can both listen to , and monitor 2 Dante channels. There is no way to split them up between the headphone out and line out.Thank you for your question.

Q: 8. Hi. How can I use this as a desktop interface. What extra gear do I need to buy to just be able to connect it to my Mac and use as a desktop interface. Thx.

A: This does not connect to your computer via USB like other interfaces. This runs on Dante, so you would need an unmanaged network switch like this one to be able to connect it to your computer. https://www.bhphotovideo.com/c/product/1499551-REG/netgear_gs308_300pas_gs308_8_port_gigabit_ethernet.html

Q: 9. What is the round latency spec for each sample rate?

A: Roundtrip latency would be calculated by having an analog conversion and back again. The Focusrite RedNet PCIeNX Dante PCIe Dante Interface Card does not have any analog IO, so to measure roundtrip, it would need to be paired with another device to measure, which would also add to the latency time. Being that all analog IO has slightly different latency specs, Focusrite did not want to release a spec based on a specific analog IO’s latency spec along with the cards. This is why Focusrite uses the terminology 'ultra-low roundtrip latency'.

Q: 10. Is this compatible with the ultranet output of the Midas 32c ?

A: thank you for your question. The ultranet output is only personal monitoring systems such as the Behringer P-16M. To use this interface you would need to get the dante expansion card B&H # KLDN32DANTE.

18/09/2024

[30 W] This controller is pure genius, for the life of me I don't know how they pull it off. Partially by hijacking the custom mixes of your 4Pre or whatever, but there seems to be more going on than that.


At any rate this has transformed my studio. One, you get the great displays telling you at a glance both your routing and your metering. Two, the flexibility of it is out of this world. Eight input setups, 4 output, Cue mixes, headphone and no less than four talkback, not to mention the dimming, summing and other features. I've had the RED 4PRE for a number of years and never got a decent routing setup out of it - THIS simplifies the whole thing. Combined with Dante now I've got three computers routing to one master (4Pre), multiple Dante devices, include Bluetooth so I can monitor my phone or whatever. This has empowered my interconnected studio like none other, and I can do 12 channel ATMOS with it. And all digital and networked! All my other monitor controllers have been analog and don't hold a candle to this. It's worth converting your studio to RED just for this.


No real downsides. 32 channels maximum used for input and cue routing. We can't expect unlimited, but another 4 our 8 would have been perfect, perhaps Focusrite could come out with a interface with the FPGA chops for this? At any rate that's not really a negative, 32 should take care of you,

5
07/09/2024

[AC Input] This isn't my first Focusrite. The quality, as always, is top notch. Easy to Set up and Use. The software to set up configuration was easy to use. I had a question at the time of set up and was surprised that Focusrite Support answered my call in less than one minute and answered my question immediately. You can't go wrong with this unit..

5
09/08/2024

[13.985 lb] This is the best option for monitor level and routing control with the Focusrite Red series interfaces. And, by extension, some control of their other Rednet Dante interfaces. It controls output options from mono all the way up to 7.1.4. With the added bonus of an assignable headphone out and talkback mic.

5
21/07/2024

[24-Bit] I upgraded my iD4 to the MKII version, mainly to use the more reliable USB-C connection. I had seen some connection problems with the older unit. Besides that, I see improved sensitivity, and really low noise so I am happy with my purchase. I love the interface!

5
19/07/2024

[13.985 lb] It is so simple to get up and running! I am using it in tandem with my Clarett 8pre and able to get amazingly crisp and fast conversion. I am so happy with Focusrite's products and would recommend them to anyone!

5
27/06/2024

[11 ms] As I am upgrading my production machines to apple silicon, I was in need of a new high channel count Dante interface for my virtual soundcheck machine. This installed and configured with zero issues, recording 128 channels at 96k, also using prodcom for speech to text for talkback mics on an M1 Mac mini. Flawless. Highly recommend. The fact that Dante Controller is also able to utilize this as a NIC is a huge plus over the now obsolete Dante accelerator card.

5
23/05/2024

[13.985 lb] The iD4 is an upgrade from the Motu M2 being used previously. The depth of sound produced when replaying recordings and movies is spectacular. I've only recorded digital piano so far, looking forward to voice recording. Controls and dials are on point with the iD buttons extra functionality. Highly recommend.

5
03/05/2024

[11 ms] Beast. I like all about this and the few features that made using the PC more productive.

5
02/05/2024

[30 W] This has been a great way to get IEM outputs to backline musicians via Dante. The power over ethernet function is great so you aren't having to worry about a power supply. I have had no complaints from musicians.

5

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