[Synthesizer] This synth is one of the best poly multi timbral synths out there. It’s like oberheim, Moog , prophet have a common child. Sound quality and build quality are both notch. Build in effects are digital but sound good. I have minimoog model d, prophet 6, prophet x, polybrute, deep mind 12, Eventide h9000k, so I believe I know what I am saying. It’s become my go to synth now.

[Synthesizer] Been waiting for so long to get my hands on one of these! Ever since I opened the box I've been in love. For the price point you can't beat it. I've been using the Korg R3 for about 5 years and a Roland SH-32 for about a year, this is a perfect addition to my setup! If you're in the market for an analog synth.. BUY THIS ONE!

[Synthesizer] Excellent value packed into a small package. If you're lucky enough to find one in stock pick it up quick because they move fast. Hours of entertainment.

[Synthesizer] This synht is alot flexible, powerfull and lots of knobs for tweaks.
This sound like a beast. 
Thanks Novation to bring this piece for us.

[AU, VST] I have been using Roland synthesizer since the 1980s. I am a hard to convince consumer when it comes to analog modeling and this one is probably some of the best I've heard from Roland. The ability to stack all of your different synthesizer models on top of one another is amazing. it's very convincing and is just gorgeous sounding. The keyboard feels good and the flow is incredible with all of the polyphony it sounds huge!

[AU, VST] The Minilogue is a really fun to use synthesizer, with an immediate interface to tweak and a great sound, while also affordable. At first I wasn't so sure about its sound, but had a test drive and it really impressed me (all 3 times in consecutive days). Even as an affordable synth, it has its own thing and can sound amazing. Been using it mostly for pad and keyboard(ish) bell sounds, and it is great at it. Throw in an external delay pedal and you're good for days. Sound-wise, it doesn't have the aggressively low end you find on other synths, but it is very good at mid-range. I love the filter tonality, and while not the most versatile beast, it is certainly capable of doing some impressive things. The hardware is also very well made for what you pay... good metallic plate on top, mini-keys that are way better than traditional ones, all necessary tools for customizing simple and complex sounds (although limited in terms of modulations), nice knobs and switches, ideal size (love this small footprint). There's a single thing I don't enjoy much: the pitch bend lever. I'd rather have a single modulation one... this aside, an amazing little synth.

[Synthesizer] If you love the Juno series, this has all of them and yes it sounds just like the old ones. Its buit tough, the action is great. Building your own sounds is very adictive, easy and once get used to the layout and menus its easy. I love all the customisable buttons and sliders on the left. The knobs and sliders are silky smooth and tough. The sounds are very lush and full, the effects are good, but not perfect, the reverb is basic, but its smooth. The delay is very nice and so is the drive. It was easy to update the firmware all you need is a thumb drive. If you want that Juno sound and dont want to risk getting an original, this will do nicely.

[AU, VST] Great affordable analog synth to get the basic understanding of how a synth works.

[Synthesizer] I admit I was attracted to Nina by the innovative powered knobs and ‘50s sci-fi design. When a price break came, I ordered one. My first reaction was that it was cool — but given my active arsenal of three German digitals and two American analogs, it would probably be redundant and, even at that price, have to go back.

And then I started falling in love with Nina. The sound has a flavorful character that cuts through my dense mixes with a presence and authority unmatched by my other synths. Perhaps I’m still in the honeymoon phase, but I find it's the first, and often only, synth I reach for.

I’m a songwriter by nature, not a sound designer. When I want a certain sound, I want a preset that quickly gets me in the ballpark that I can then tweak to taste.

Nina has the most immediately useful UI of any synth I’ve ever used. Not only are the powered knobs an integral part of the design, but several other aspects of the UI are uniquely useful. The datawheel entry for naming patches, for example, has been rethought and just makes sense. The mod matrix is uncommonly simple to access and tweak. And the morph feature is very useful.

What if some curious and resourceful electronic musicians were stuck inside during a global pandemic? And what if they just wanted to make things work as well as possible without necessarily repeating the way they’ve always been done? You’d end up with something pretty much like the Nina — a pathfinding and beautiful instrument.

[AU, VST] The Korg Minilogue is a SUPER fun & intuitive analog synth for everyone from beginners to seasoned synthesits. I've been programming synths for 20 years and this was just as fun as the first synth I ever used. Its analog sound is wonderful and thick. Almost everything has a knob or switch for control and, for the patches I was making, I never went into the menus for further editing beyond naming patches and setting sequencer settings. The shape control of the oscillators gives a lot of variation to your standard waveforms and the sync/ring-mod, cross modulation, & pitch envelope of oscillator two really open up the sonic possibilities. I very much enjoy the dedicated switch for velocity modulation of the filter cutoff and I like that there are only two modulation depths beyond none. My favorite feature of the Minilogue is the envelope modulation of either the rate or the intensity of the LFO. This really gives a sense of motion to what is already a sense of motion from the LFO. My only complaint is that the LFO doesn't go fast enough for analog-FM style tones. It's not nearly as fast as the LFO on the Monologue but that's more of an observation that a full drawback. I really enjoyed the different voice modes of this synth, really finding mono, which introduces a variable level sub, and chord, which creates various fixed chords, to be the most useful beyond the standard poly mode. This is by far the best poly synth I have ever found for someone who is interested in learning analog synthesis. The knobs and switches along with the actual layout of them makes programming make sense and a joy to use. The Minilogue does have mini-keys but the mini keys Korg has been using for their new synths are really great. Much better than the microKORG. With the Minilogue, Korg really show us that there will always be room for one more analog synth.