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Mitakon Zhongyi 50mm T1 Cine Lens Arri Pl

Mitakon Zhongyi 50mm T1 Cine Lens Arri Pl
  • Product Code: eq91373
  • Availability: In Stock

$2,997.00 $4,015.98

Sporting an ultrafast aperture, the Mitakon Zhongyi 50mm T1 Cine Lens ARRI PLfrom Mitakon Zhongyi offers full-frame coverage and has an ARRI PL mount. Suitable for 4K+ capture, this T1 lens enables low-light capture and creates pleasing, round bokeh via its 9-blade aperture. Its internal focus design suppresses breathing to a minimum, and its durable housing features precise focus marks and cine-style 0.8 MOD gearing.

Covers Full-Frame Sensors    Ultrafast T1 Aperture    Suitable for 4K Image Capture    9-Blade Iris for Smooth, Round Bokeh    Minimal Focus Breathing    285° Focus Rotation, Precise Focus Marks    105mm Filter Thread    Weighs 4 Pounds    ARRI PL Mount

Key Specs
Focal Length50mm
Maximum ApertureT1
Lens MountARRI PL
Lens Format CoverageFull Frame
Filter Thread105 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1
Minimum ApertureT16
Lens MountARRI PL
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Horizontal: 45°
Focus ScalesImperial
Optical Design12 Elements in 6 Groups
Filter Thread105 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 25.6" / 65 cm
Diaphragm Blades9
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 285°
Iris: 72°
Electronic CommunicationNo
DiameterFront: 4.5" / 114 mm
Length5.4" / 136 mm
Weight4 lb / 1.8 kg
Packaging Info
Package Weight7.11 lb
Box Dimensions (LxWxH)8.8 x 7.4 x 6.3"

An ultrafast T1 aperture suits this 50mm for low-light capture

Covers full-frame image sensors

Internal focus design minimizes breathing while preventing the front of the lens from rotating when focusing

A 9-bladed iris creates smooth, round bokeh effects

A 105mm front thread enables filter mounting without a matte box

Related Questions and Answers

Q: 1. What focal length would it be on the BMPCC 4k?

A: The Mitakon Zhongyi 17mm T1 Speedmaster Cine Lens (MFT) will be 17mm on the Blackmagic Design Pocket Cinema Camera 4K. If curious about the crop factor compared to a full-frame sensor, it will be 30mm.

Q: 2. Is there a version for Fuji X ?

A: No. A adapter must be set in place in order to use the lens. Please review the following item Fringer EF-FX Pro II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera BH #FRFX2 • MFR #FR-FX2 https://bhpho.to/2Ltcvn5

Q: 3. Is 88mm the front diameter or another diameter measurement?

A: The Mitakon Zhongyi Speedmaster S35 20mm T1 Cine Lens's front diameter, as quoted by the manufacturer is 88mm.

Q: 4. Does this lens come with a hard case in the box?

A: Mitakon Zhongyi Speedmaster S35 20mm T1 Cine Lens (Nikon Z) comes on a hard leather case with internal customized hard foam.

Q: 5. which version is this?

A: Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Canon EF is the version III.

Q: 6. Does this kit come with the 35mm V2 lens? This will be my first cine lens set and am curious

A: Yes, the Mitakon Zhongyi Speedmaster S35 20, 35 & 50mm T1 Cine 3-Lens Bundle (Sony E) does come with the 35mm V2 lens included.

Q: 7. Does this work with canon 6D Mark II?

A: The Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Canon EF is compatible with the Canon 6D Mark II.

Q: 8. What is the outer diameter of the front of the lens? What clip on mattebox size would fit?

A: The Mitakon Zhongyi Speedmaster S35 20, 35 & 50mm T1 Cine 3-Lens Bundle (Canon RF) is a set of three lenses, the Mitakon Zhongyi Speedmaster S35 20mm T1, Mitakon Zhongyi 35mm T1.0, and the Mitakon Zhongyi Speedmaster S35 50mm T1. All three lenses have the same 77mm front filter thread size, and the outer diameter of the lenses is 88 mm.

Q: 9. Are the color and contrast fairly consistent between lenses in this set? It would be nice to see some data on this.

A: Yes, the Mitakon Zhongyi Speedmaster kit is color is consistent over the different focal lengths.

Q: 10. Does this lens provide focal plane illumination that is sufficiently near telecentric to allow the f/2.8 pixel condensers in the Canon focal plane to work, out to the corners of the image?

A: The Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Canon EF (B&H# MI50095CEF), while non tele-centric, will allow for cameras possessing a Canon EF mount to attain critical focus throughout the focal plane. Naturally, there is some curvature to that. As is always the case with fast prime lenses, the center is sharpest, but by about f/2 the image circle in general is sharp enough for typical photographic portraiture usage in even the non central region of the frame. Of course, whether or not that is enough for your usage will depend on your needs and preferences. Stop down to f/8 to achieve the wider depth of field that you need if you want the corners to be their sharpest despite natural field curvature.

14/09/2024

[Imperial] Just have to say this is an incredible lens. First one I received did not have the proper line on it, second one was absolutely perfect and the focus distance markings were exact. Years ago it would have been impossible to buy a lens like this for less than 30k, or 10k. Look up some videos on it to confirm how incredible it is. Large format look on an S35 sensor. Great feeling quality. I have used 50k Cooke lenses, this is a great quality lens from Mitakon.

5
14/09/2024

[T16] Pros:
Phenomenally capable
Solid build
Center sharpness is top-tier stopped down to 1.6
Quite compact for it's capability
Dirt cheap compared to other f/1's

Cons:
No autofocus
No exif data
Soft wide open but could be a pro due to dreamy effect- a matter of preference

5
11/09/2024

[T16] Freaking love this lens. Sharp, fast, metal, zero complaints at all.

5
14/08/2024

[Full Frame] It is a very rare instance where I feel I got a better bargain photographically or otherwise. This lens is MUCH better than I
anticipated it would be.

5
13/08/2024

[Full Frame] I read a lot of bad reviews. My experience is that this lens is great!! Yes, the T.1 is soft, but I always use a Tiffen Black Pro-Mist 1 Filter for my films. So, to me, I enjoy that characteristic of a softer look at T.1. I have also seen reviews saying that chromatic aberration is too much. To me, people in post-production that I work with, spend tons of money on plugins to emulate that characteristic alone. So, to have it in lens already is pretty dope. ALso, this lens comes with a awesome hard case!

The manual focus is no problem for me personally. I have honestly never truly used autofocus much at all in my career. The lens is on the heavier side. Personally, I am very active (I work out, play basketball, and golf) so holding this 4Ib lens vs a 2.5Ib lens from Sigma is virtually the same for me. 

The focus without a focus puller is very smooth. If you use manual focus already and don't use / own a focus puller, then you won't need one with this lens in my opinion. My hands are small, and I can still focus relatively easily with my hands alone. Now, I did buy this lens new and not used. So that may be why there are bad reviews regarding the focus. 

Overall to have a T.1 is unbeatable to me. Yes, the image is softer but that's why we have post-production (color grading in Davinci). This lens has a character that is hard to reproduce in post-production. I look at the cons as a win as a creator!

5
04/08/2024

[Full Frame] A masterpieces that will perform at global stage

5
27/07/2024

[T1] BUIT LIKE A TANK. Incredible great lens.

5
07/07/2024

[Full Frame] I bought this lens for my Blackmagic 4K, and I love the quality footage it produces. You can't beat the price for such a fast cine lens! It's well-built, too.

5
15/06/2024

[105 mm] This is just out, of course, I just received it yesterday, I have had a chance to shoot a few nature photos. This is a wonderfully fun lens to use. Very solidly built. (Comes with a very nice lens shade with velvet inside, to help with reflections, which of course helps prevent reflections at this aperture.)

This lens appears to do very well, especially in situations such as side lighting from a window. The thinness of depth of field at 50 mm for full frame at f0.95 is incredible. The light years of bokeh is very neutral and pleasing, in my opinion.

The aperture ring, although stepless, which is great for video, does have some resistance to it, which can help alleviate accidentally moving it off position while shooting.

This lens helps turn your full-frame Sony (etc.) into an old view camera, to some extent. I am having great fun with this so far, the build quality appears truly superb, and I could not ask for more for the money, to say the least.

I also love how close this lens focuses, 1.6 feet if I’m not mistaken – because of floating elements, Which only further emphasizes the insanely-wide aperture at that distance.

5
02/06/2024

[105 mm] Excellent I recommend it and for the price and quality.

5

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