Designed for the SLR Magic 35mm cine lens, this PortaBrace Pro Lens Cup for SLR Magic 35mm Cine Lensis a padded case designed to protect the lens or other fragile accessories during transport. Go "Shoot Ready" by removing the Lens Cup and carrying it using the durable handle.

The Lens Cup is constructed using durable 400-denier nylon material with a soft Veltex interior and features a foam-padded frame that is reinforced by a thin layer of plastic. The zippered opening features a long-lasting YKK zipper.

Protects Lens When Not In Use    400D Nylon Exterior/Soft Veltex Interior    Zippered Closure    Integrated Carry Handle

Related Questions and Answers

Q: 1. description says "suitable for 4k capture", will there be image issues if I record on a higher resolution than 4k?

A: There won't be issues recording higher resolutions with the SLR Magic MicroPrime CINE 35mm T1.5 Lens (MFT). The higher resolution may render the "flaws," in the lens and they may be more noticeable. Some consider such flaws to be "character."

Q: 2. Does 35mm shows vignetting in frame,if I use in my Gh5 and Gh5s body?

A: This lens is designed for use with an MFT mount camera. It will not vignette on the GH5 or GH5S.

Q: 3. Would this work with the SLR Magic rangefinder?

A: We're afraid not. This hood is specifically for SLR Magic's Anamorphot-CINE Lens, such as B&H # SLRAC50133PL.

Q: 4. Does this create a light-tight seal between the lens and the mattebox?

A: This does have a fairly large opening in it to control the focus on one of the lenses it is designed for, such as the B&H # SLRAC502XMFT. It may not be light proof, however it will give you a strong connection to clamp a Matte Box to.

Q: 5. This compatible with the Sony PMW-F3?

A: No, the SLR Magic Cine 35mm T1.4 Mark II Lens with Sony E-Mount is not compatible with the FZ mount on the Sony PMW-F3 Super 35mm XDCAM EX Full-HD Compact Camcorder.

Q: 6. wanna get this on a red scarlet-w ef mount I'm about to order, any PL to EF mount solutions?

A: Unfortunately, there are no PL/EF or EF/PL adapters. However, as a RED Scarlet-W owner, your are in luck. You can get the DSMC TI PL MOUNT from RED. This will change the mount from EF to PL on your camera. While it is possible to do this procedure in the field, I doubt you will want to do this on a regular basis. You most likely will wind up staying with one mount for the duration of any particular job.

Q: 7. This optics works with blackmagic pocket cinema camera 4k ?

A: We're afraid not. While this lens has an MFT mount, the Pocket Cinema Camera 4K does not offer a 4x3 Anamorphic Mode at this time. With an anamorphic lens that is 2.0x you need a 4x3 mode for the proper aspect ratio.

Q: 8. Would I be able to achieve a 2.35:1 in post if using this lens with a Panasonic Lumix GH5S ?

A: Yes, that is exactly what this lens is designed for. You will just need to shoot in the GH5S' 4x3 Mode with this lens.

Q: 9. Would this work with the Anamorphot 1.33x-40 (the original, not the new compact version)? I know this is made for the Anamorphot cine lenses, but the 1.33-40 adapter has very similar dimensions for the front of the lens.

A: Not that we are aware of. This is designed specifically for Anamorphot-CINE prime lenses, not their adapter products.

Q: 10. What field of view does this have vertically? Is the vertical field of view equivalent to 35 mm full frame or is it equivalent to a 35 mm m4/3?

A: This anamorphic lens creates the same vertical field of view as a spherical lens of the same length. However, your result will vary do to the shape of the sensor being different from anamorphic mode or flat.