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Elysia Nvelope 500 Dual-channel Analog Transient Shaper

Elysia Nvelope 500 Dual-channel Analog Transient Shaper
  • Product Code: eq93467
  • Availability: In Stock

$2,997.00 $3,596.40

The nvelope 500 Dual-Channel Analog 500 Series Transient Shaper by elysia is a rack-mounted dynamics unit that packs the power of three processors into a single box, rendering it a rewarding tool for tracking and mixing engineers. Utilizing custom-designed, high-quality electronics, the nvelope 500 is a powerful and useful transient shaper, allowing for precise control over the envelope of a signal by shaping its attack and sustain levels. Born from the transient shaping technology invented by company founder Ruben Tilgner in the late '90s, elysia has improved upon this tech with an intuitive user interface, a 500 Series form factor, and high-grade, discrete analog circuitry.

By adjusting the Attack, percussive sounds such as slapped bass, drums, or piano can either be tamed or accentuated, while the Sustain adjustment allows for precise control over room sound and space; blend sounds into mixes more easily than ever. Full Range mode delivers big drum sounds or edgy guitar attacks with just a few turns of a knob, while Dual Band mode offers a more granular approach with separate attack and sustain controls for multiple frequencies. When dynamics processing isn't necessary, the whole transient shaper can be bypassed to transform the nvelope 500 into a dual-band shelving equalizer. Hand built and tested in Germany to exacting standards, the nvelope 500 by elysia is a singular, top-notch processor that performs well beyond its price point.

Dual-Processor Design with Stereo Link    Auto Gain Avoids Loud Peaks & Distortion    Full Range, Dual Band, and EQ Modes    41-Step Pots for Frequency Controllers    Discrete Class-A Topology    Ultralow Harmonic Distortion    Mixed Mode for Custom Signal Chain    200mA ±16 VDC Power Consumption    Takes up Two 500 Series Rack Slots    Handcrafted in Germany

General
CompatibilityAPI 500 Series Rack Chassis
Power
Power SourceProprietary Interface (Built-In)
DC Input Power 16 VDC at 0.2 A
Physical
MountingFront: 4x 500 Series Rackmount Holes
ColorBlue
CertificationsCE, RoHS
DimensionsNot Specified by Manufacturer
WeightNot Specified by Manufacturer

The nvelope 500 does away with the complex controls of typical compressors, making it easier to dial in the sound you are seeking. Three distinct operating modes provide great flexibility for several possible studio scenarios.

Full Range mode allows you to get results with just a turn of the attack and sustain knobs, with the unit handling the rest.

Dual Band mode gives more detailed control by assigning the attack and sustain controls to individual frequency selectors.

EQ mode lets you bypass the dynamics section entirely and use the unit as a two-band shelving equalizer.

When not being used in Stereo Link mode, the two individual processors can be used in parallel via mixed mode. Process two different signals simultaneously or feed the output of one processor into the input of the other for mixed EQ and dual band stages, with many more possible combinations.

Related Questions and Answers

Q: 1. do the XLR inputs have Phantom power?

A: Datavideo adheres to the IEC Standard (61938:2018) regarding voltage, current draw, and impedance that phantom power must secure a connection with all brands.

Q: 2. Does the receiver have a cold shoe for a DSLR or another mounting method?

A: Yes, the belt clip on the receiver for the Saramonic Blink 500 ProX B2 2-Person Digital Camera-Mount Wireless Omni Lavalier Microphone System does include a cold shoe mount for use with DSLR and mirrorless cameras.

Q: 3. Why cant i get the RXDi reciever to light up and activate on my iphone?

A: The LED on the Saramonic Blink 500 RXDi Dual-Channel Digital Wireless Receiver for Lightning iOS Devices will remain dim when the receiver is initially connected to the iPhone and it will light up once the transmitter is paired and powered on, and an application is launched that uses audio from the external microphone, such as the native voice memos recording app or the camera app.

Q: 4. Can one transmitter be paired with two receivers for audio monitoring?

A: No, the Saramonic Blink 500 RX Dual-Channel Camera-Mount Digital Wireless Receiver (2.4 GHz) can only be paired to one receiver.

Q: 5. CAN I USE THIS ON A MACBOOK (OR ANY COMPUTER WITH USB-C FOR THAT MATTER)? OR ONLY MOBILE DEVICES (I.E. PHONES)? THANKS!

A: Yes, the Saramonic Blink 500 ProX B5 Digital Wireless Lavalier Microphone System with USB-C Connector is compatible for use with mobile devices and computers that are equipped with a USB-C port.

Q: 6. Is it conceivable (technologically) that Mackie could do a firmware upgrade on the Onyx8 to allow 8-track recording to the SD card? That seems to be the strongest limitation here.

A: Anything is possible. But there have been no announcements regarding this to date.

Q: 7. Can two receivers pair to the same transmitter to be used for monitoring?

A: No, the transmitters can only be paired to one receiver. That is the nature of these 2.4 GHz systems unfortunately. The best way to monitor audio is through the camera's headphone output. If you are using a mobile device, you can monitor audio using Bluetooth headphones with some apps like Filmic Pro.

Q: 8. How much gain is available with this mixer?

A: The CAD MXU2 2-Channel Analog Mixer with USB can provide approximately 28dB of gain.

Q: 9. Does this unit support interlaced formats? (1080i)

A: No, the Datavideo DAC-91 2-Channel SDI Analog Audio Embedder can only see progressive signal video.

Q: 10. Do you need one of these at each end of the cable?

A: Yes, you will be able to use the SoundTools CAT Box MFX 4-Channel Analog Stage Box on each side of the Cat 5 cable that you plan to use. Here is a link to the SoundTools page, with illustrations on how this would work: https://soundtools.com/audio-over-cat5-systems-page-catbox4.html.

28/09/2024

[Blue] I bought this for a church. Our services are considered mission critical. Our live stream is very important to us, we don't want to have any down time or lack of quality. That is why we bought this product. We have used datavideo before and they have lasted us a long time.


A few things to know:
1. The power adaptor cable is not the most robust. It does have a screw on type connector, but it isn't the strongest. I accidentally dropped the unit and bent the power connected where it screws onto the device. I tried to bend it back in place and it broke off completely. Not cool. Luckily I have some other datavideo equipment around and was able to connect another power supply while a new one comes in the mail.


2. The device has male mini XLR connectors. If you're from the audio world (like me) you know this is backwards. You can easily find male mini XLR to female XLR. But it is harder to find the opposite. What it doesn't say on this website (BHphoto), is what's in the box. Funny, it doesn't even say on the datavideo website. When I ordered the product I ordered separate cables too. BUT, I didn't need to. In the box with the datavideo product they give you two mini XLR female to XLR female cables. How nice of them! But I wish I woulda known.


3. When you connect audio to this device it will show you nothing. No signs of life. It has audio meters, but nothing will appear. I was frustrated, knowing I was sending audio but not seeing the meter move. Finally I thought, let me connect the SDI cable. Still nothing. Then I turned on my switcher. Nothing. Then I turned on the camera and made sure I was sending a signal. When the device saw the signal it turned on and showed me audio levels.
Lesson: Send a signal over SDI so the device turns on and you can see and test audio meters.


A little more info would have been nice, but we got it working.


It is a sturdy little device. I hope it lasts me a long time.

5
04/09/2024

[Blue] Pleasantly surprised with this mixer. Really like the filter .

5
04/09/2024

[Blue] This is the perfect complement to a video switch that doesn't do audio. We recently went from Black Magic to Ross and needed an audio embedder and this one is perfect! It has meters built in for you can see how much audio you are inputting.

5
16/08/2024

[Blue] I am always wanting to eliminate any link in my audio chain that will compromise any loss of signal.Saying that, If you were to see my studio, you would understand.Its still a home studio though, and to spend a large amount of money on a cable snake thats 5' long, I had to take time and think about it.After reading the spec on the cable and trying to look closely at the picture supplied, I decided, why not.I can see where the money has gone.No effort has been spared to construct this cable, its very robust, completely shielded and apart from dragging it behind a car for 40 miles, its definitely a once in a lifetime purchase.all cable ends both braided and then shrunk wrap coatings are as good as any top shelf cable I have, and if the specs are anything to go by, I'm yet to see any other cable of this type on the market that will match it.As with any signal path you still have to be mindful of what cables are running next to what, so I still don't run audio less than 150mm parallel to power and always cross at 90 degrees. My recording equipment gets moved around alot, so to have something that can handled regularly and not show signs of ware and tear is a big one. Although I have only had it for a short time, I reckon this cable will last as long as any I have.Well done to the crew at Mogami, well made.If you can afford it, you will only buy it once, thats worth considering.

5
22/07/2024

[Blue] I'm using this with a data Video switcher and two Atomos recorders.
Works great!

5
22/07/2024

[Blue] Works perfectly out of the box.

5
16/07/2024

[Blue] I used to mix with waves NLS, great plugin but it’s just not a fast workflow even with template. Studio One is brilliant with their mix fx channel and can’t wait to see what the future brings. CTC-1 is pretty brilliant and it’ll give you 3 very different analogue emulations, that because of the mix fx takes it a step further than any summing plugins out there, not only in how it sounds and works (especially cause of the cross feed), but also just the ease and workflow speed.

This is not a plug-in you put on after a mix as it won’t really work as supposed - and might muddy or make your mix worse. The point of it, is to treat it as your console and mix in to it from scratch. It’ll instantly bring a lot of life and Mojo just by leveling your mix and I find that it makes me process the individual tracks less. I do have a mix bus and parallel compression template but I’m sure no matter your starting mix state mixing in to this will make you experience your mix approach different.

5
03/07/2024

[Blue] I used for dj gig and karaoke, this is the best for a budget

5
01/06/2024

[Blue] I've had many small mixers before.but this Mackie Onyx8 is just superb..all the diffrent features makes it a MUST have.

5
17/04/2024

[Blue] I've purchased a couple of these Fredenstein units now, and have found them solid and reliable. Great bang for the buck.

5

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