The matte gray Schoeps CMC 1 MK 5 Microphone Amp & Capsule Matte Grayis an ultracompact, space-saving Colette Series modular condenser microphone bundle, offering the flexibility of switchable omnidirectional and cardioid polar patterns along with transparent, low-distortion sound pickup for ideal sound capture in a broad spectrum of music production applications.

It includes the CMC 1 (XLR output) miniature microphone amplifier, the MK 5 omni/cardioid condenser capsule, a stand clamp, a foam windscreen, and a premium case. Thanks to the inclusion of the ultracompact CMC 1, this bundle serves as a lighter and smaller alternative to the CMC 6 without compromising sonic performance. The MK 5 capsule provides tonal and response characteristics akin to the Schoeps MK 2S and MK 4 capsules.

MK 5 Omni/Cardioid Condenser Capsule    CMC 1 Miniature Mic Amp (XLR)    Lighter, Smaller Option to CMC 6 Amp    Mechanical Polar Pattern Switching    High Immunity from RF Interference    Works with Colette Active Accessories    Supports 12 or 48 VDC Phantom Powering    XLR 3-Pin Output Connector    Includes Foam Windscreen    Includes Stand Clamp and Premium Case

The matte gray Schoeps CMC 1 is a miniature Colette Series microphone amplifier offering uncompromising high fidelity in a lightweight and ultracompact form factor for studio recording, broadcast, and live stage applications. Presented as an alternative to the renowned Schoeps CMC 6 amplifier, the CMC 1 is compatible with all existing MK mic capsules and Colette active accessories (available separately).

It features a balanced XLR 3-pin output, compliance with 12 or 48V phantom power, and low current consumption. Its Schoeps RFI Shield provides high immunity from RF interference for a clean, low-noise signal. The CMC 1 supports the high maximum SPLs tolerated by the various MK mic capsules (available separately). A stand adapter is supplied with the CMC 1.

• Complete, no-compromise alternative to the renowned CMC 6 amplifier
• Electrical characteristics of the CMC 1 are equal to, or even better than, those of the CMC 6 (flat frequency response, very-low distortion, and constant output impedance across the audio frequency range)
• Only 1.4" long (about a third the size of the CMC 6)
• Weighs just 1.3 ounces
• Fully compatible with all existing MK capsules and Colette active accessories such as the CUT 60 and RC tubes
• Compatible with all accessories of the CCM series
• Very-high immunity from RF interference with the Schoeps RFI Shield
• Optimized RF protection of the CMC 1 makes it ideal for use with transmitters such as the Audio Limited A 10
• Balanced, direct-coupled, Class-A output circuit
• Output is filtered in the ultrasonic range to prevent interference, e.g. from camera autofocus

The Schoeps MK 5 is part of the Colette series of modular capsules designed for use with the CMC mic amplifiers. With the Schoeps MK 5, pattern switching is purely mechanical via a sliding lever on the side of the capsule. The result in each setting is like an independent microphone capsule with the same quality as the MK 2S / MK 4, and very similar (though not identical) frequency and polar response characteristics. In contrast to most dual-diaphragm microphones, the cardioid setting of the MK 5 maintains its directivity even at the lowest frequencies, and has high-frequency response up to 20 kHz. In addition, the MK 5 has excellent low-frequency response in the omnidirectional setting along with the low sensitivity toward wind, vocal “popping” noise, and solid-borne sound typical of pressure transducers.

• Mechanical switching between omnidirectional and cardioid patterns
• True one-diaphragm system
• Pure pressure transducer in the omni setting; pressure gradient transducer in the cardioid setting
• Can be used in nearly any situation; often suggested as an initial acquisition

Related Questions and Answers

Q: 1. This is very similar to the H3-VR, does anyone know if this will have upgraded microphones or would it be the same as the H3-VR in terms of sound quality?

A: Sound quality is the same as H3-VR,

Q: 2. Is there a recommended field recorder for a high end mic like this? Is a Zoom F3 good enough?

A: The Zoom F3 would be an excellent choice for use with the Schoeps CMC641. It offers high-quality recording in 32-bit, which allows for great dynamic range with sensitive microphones.

Q: 3. Having this microphone a built in amplifier does it require phantom power?

A: Yes, the Schoeps CCM 41 LG does require phantom power.

Q: 4. Does this have a BINAURAL MODE like the H3-VR?

A: Yes. According to Zoom representative Mike, the VRH-8 will have a binaural mode, as the He does. Mike says that they do NOT have a delivery date for the VRH-8, as of yet, though they are hoping to have it by Oct 1.

Q: 5. Hey sound guys and cam ops, what if i put this on my camera top? for run and gun documentary filming? Will there be difference?

A: The Schoeps MiniCMIT is a high-quality short shotgun microphone that can be camera-mounted and used for run-and-gun documentary filming with excellent results.

Q: 6. Will this suspension fit with Sennheiser 8040, 30 and 40?

A: It might but it comes with all the Schoeps mic's. You cannot buy this without the mic's.

Q: 7. What is a good schock mount/suspension holder to fit this microphone? I realize this mic is predominantly used indoors, but if I am in a situation where I need to use it outside, what product to reduce wind effect will fit this mic?

A: I have a Rycote Blimp with a lyre mount for bad windy conditions and the usual dead kittens for general breezes. But you said it yourself, this is an indoor mic. Moreover, it is a short mic so not so great at a distance of more than a few feet unless you have an amplified audio target. If you have critical audio needs outdoors, your better bet is to rent a good shotgun mic or buy something like the Sennheiser 416, Sanken Cs3, or Schoeps CMIT if you want to go all in. I have used the CMC6 outdoors (without needing a blimp). If you can get in close, it's OK but at say four or five feet, I don't know that the 'Schoeps' difference is any longer in effect. These weren't scientific shootouts and audio environments vary but I suspect plain old microphone physics trump German engineering at a certain distance.

Q: 8. Is this different than the foam windscreen that's included with the CMC641? Thanks.

A: yes, these are different. the screens that come stock with Schoeps mics are the cheaper B5 screens, which are made from ALL foam. these B5D's have a hollow interior like a basket type windscreen, with a velvety foam exterior covering. the B5's will do fine if the mic setup isn't moving, but if you're using the mics on a boom pole, you'll want the B5D's, because they have better "wind" and movement protection vs the cheaper B5's. supposedly, you can hear a "swoosh" effect when moving the mics on a boom pole too quickly! however, I'm a "taper" who records live Audio music with a stereo mic setup, and I just bought these to use indoors if my mic stand gets bumped or there are fans inside of the venue I'm recording at! so it depends on how you're going to use your mic/s. I hope that was helpful!

Q: 9. Is this VRH-8 compatible with the extension cable ECM-6? Thank you

A: This capsule is designed for the H8 recorder. This cable is not listed as compatible with the H8.

Q: 10. Do they make these in black?

A: The Schoeps B5-D Hollow Foam Windscreen is available in gray, and chroma green. Unfortunately, there isn't a black color available. Here is a link to the Chroma Green version: https://bhpho.to/3IO8zHM