The matte gray Schoeps Colette CMC 1 MK 41 Supercardioid Mic Amp Stereo Setis a matched pair of ultracompact, space-saving Colette Series modular supercardioid condenser microphones designed to provide shotgun-like directivity performance along with frequency-independent directionality and transparent, low-distortion sound pickup for dialog, opera singers, and orchestral instruments in film, television, and music production.

It includes two CMC 1 (XLR 3-pin output) miniature microphone amplifiers, two matched MK 41 supercardioid condenser capsules, two stand clamps, two foam windscreens, a certificate of matching, a cable strap, and a premium case. Thanks to the inclusion of the ultracompact CMC 1, this bundle serves as a lighter and smaller alternative to the CMC 6 without compromising sonic performance.

Matched Pair for Precise Stereo Miking    2 x MK 41 Supercardioid Capsules    2 x CMC 1 Miniature Mic Amps    Lighter, Smaller Option to CMC 6 Amp    Directivity Comparable to Shotgun Mic    High Immunity from RF Interference    Works with Colette Active Accessories    Supports 12 or 48 VDC Phantom Powering    XLR 3-Pin Output Connector    Windscreens, Stand Clamps & Premium Case

The matte gray Schoeps CMC 1 is a miniature Colette Series microphone amplifier offering uncompromising high fidelity in a lightweight and ultracompact form factor for studio recording, broadcast, and live stage applications. Presented as an alternative to the renowned Schoeps CMC 6 amplifier, the CMC 1 is compatible with all existing MK mic capsules and Colette active accessories (available separately). It features a balanced XLR 3-pin output, compliance with 12 or 48V phantom power, and low current consumption. Its Schoeps RFI Shield provides high immunity from RF interference for a clean, low-noise signal. The CMC 1 supports the high maximum SPLs tolerated by the various MK mic capsules (available separately). A stand adapter is supplied with the CMC 1.

• Complete, no-compromise alternative to the renowned CMC 6 amplifier
• Electrical characteristics of the CMC 1 are equal to, or even better than, those of the CMC 6 (flat frequency response, very-low distortion, and constant output impedance across the audio frequency range)
• Only 1.4" long (about a third the size of the CMC 6)
• Weighs just 1.3 ounces
• Fully compatible with all existing MK capsules and Colette active accessories such as the CUT 60 and RC tubes
• Compatible with all accessories of the CCM series
• Very-high immunity from RF interference with the Schoeps RFI Shield
• Optimized RF protection of the CMC 1 makes it ideal for use with transmitters such as the Audio Limited A 10
• Balanced, direct-coupled, Class-A output circuit
• Output is filtered in the ultrasonic range to prevent interference, e.g. from camera autofocus

The Schoeps MK 41 is part of the Colette series of modular capsules designed for use with the CMC mic amplifiers. The MK 41 effectively attenuates diffuse sound energy and produces a clear, "dry" sound pickup. Its polar pattern is exceptionally frequency independent; sounds from the side and back are strongly attenuated, but picked up without false coloration. This feature has made the MK 41 an international standard for indoor film sound.

The susceptibility of the MK 41 to acoustic feedback is lower than with any other Schoeps capsule type, provided that no loudspeaker radiates directly from the rear. The sensitivity minimum of the supercardioid occurs at approximately a 125° angle of incidence. The directional effect is independent of frequency, so that off-axis and diffuse sound are picked up free of false coloration, thus sounding natural. That is a real advantage over shotgun microphones, which have appreciably greater directivity only at higher frequencies, and frequency response (and thus sound quality) that depends on the direction of sound incidence.

Thus for many situations, the MK 41 offers an interesting alternative to a shotgun microphone, even if its small dimensions do not appear to suggest high directivity. As a capsule without an interference tube in front of it, the MK 41 can also be placed closer to the sound source.

This Schoeps stereo set comes with two CMC 1 microphone amps, two matched MK 41 capsules, a certificate of matching, two stand clamps, two foam windscreens, a hook-and-loop fastener cable strap, and a premium case.

Related Questions and Answers

Q: 1. Will this work for the DPA 4018c? Seems like it would due to the size of comparable mics.

A: Yes, the Rycote 041110 InVision INV-6 SOFT Shockmount is compatible for use with the DPA Microphones 4018C Compact Supercardioid Microphone,

Q: 2. Does this system have a 70volt output?

A: The MM2000 is not designed for 70V operation.

Q: 3. Hey guys, is this product the right one to get if I plan on using with a SD 633 mixer which can supply 48V phantom? It's confusing to know whether I need this or the more expensive $1900 mic. How does it compare with Senn 8060 or MKH 50? Is this mic no good in humid conditions or with possible RF interference?

A: Thank you for your Question. If humidity and RF are a big concern i would highly recommend sticking with the 8060. The Schoeps is great but it does not have built in protections again humidity or RF interference.

Q: 4. Will this suspension fit with Sennheiser 8040, 30 and 40?

A: It might but it comes with all the Schoeps mic's. You cannot buy this without the mic's.

Q: 5. Is there a recommended field recorder for a high end mic like this? Is a Zoom F3 good enough?

A: The Zoom F3 would be an excellent choice for use with the Schoeps CMC641. It offers high-quality recording in 32-bit, which allows for great dynamic range with sensitive microphones.

Q: 6. What is a good schock mount/suspension holder to fit this microphone? I realize this mic is predominantly used indoors, but if I am in a situation where I need to use it outside, what product to reduce wind effect will fit this mic?

A: I have a Rycote Blimp with a lyre mount for bad windy conditions and the usual dead kittens for general breezes. But you said it yourself, this is an indoor mic. Moreover, it is a short mic so not so great at a distance of more than a few feet unless you have an amplified audio target. If you have critical audio needs outdoors, your better bet is to rent a good shotgun mic or buy something like the Sennheiser 416, Sanken Cs3, or Schoeps CMIT if you want to go all in. I have used the CMC6 outdoors (without needing a blimp). If you can get in close, it's OK but at say four or five feet, I don't know that the 'Schoeps' difference is any longer in effect. These weren't scientific shootouts and audio environments vary but I suspect plain old microphone physics trump German engineering at a certain distance.

Q: 7. dose it have a remote control?

A: The MM3000 does not have a remote available.

Q: 8. what is the speaker output OHMS required for each channel ?

A: This mixer/amp can handle speakers between 4 and 16 OHMS.

Q: 9. Does this amp work well with karaoke?

A: Yes - this amplifier could be used for Karaoke applications.

Q: 10. Hello! With this microphone amplifier, will I still need phantom power to connect a condenser microphone to a camera like the Sony A7SIII, or a recorder like the Atomos Ninja V? If so, what do you recommend?

A: This amplifier is designed to work with the Shoeps MK series capsules, and will still require phantom power to run.