Capture instruments and room sounds with natural realism or mix-ready presence using the Lewitt LCT 140 AIR Stereo Pair, a matched pair of LCT 140 AIR small-diaphragm condenser microphones. Each mic provides a switchable sonic signature via two frequency curve settings—Flat maintains a linear response for true-to-source accuracy, while Air imparts a high-frequency lift to enhance clarity and polish. Additionally, an 80 Hz low-cut filter is provided to help control bass buildup.

Thanks to the 0.7" cardioid capsules, the LCT 140 AIR delivers immediate transient response and smooth sound reproduction for an array of sources such as acoustic instruments and choirs. The -12 dB pad can be engaged to prevent distortion when miking especially loud instruments. The microphone, which features a lightweight aluminum body with a gold-plated XLR 3-pin output connector, requires standard 48 VDC phantom power. The LCT 140 AIR Stereo Pair comes with two mic clips, two windscreens, and a cushioned bag with two pockets.

Precisely Matched Stereo Pair    For Detailed Instrument Recordings    Small-Diaphragm Condenser Capsule    Cardioid Polar Pattern    Air Setting for Presence Lift    -12 dB Pad and 80 Hz Low-Cut Filter    48V Phantom Powered    Gold-Plated XLR 3-Pin Connector    Lightweight Aluminum Housing    Includes Mic Clips and Windscreens

The LCT 140 AIR has two sound characteristics, Air and Flat. Air delivers an open, sparkling character that's optimized for getting a great sound without spending time on postproduction. The Flat setting provides a linear frequency response for realistic, "as-it-is" reproduction of drums, strings, acoustic guitars, and choirs.

Lewitt uses an extremely precise matching process to ensure no audible difference between the two mics of a stereo pair. The frequency response and sensitivity of every single microphone is measured. A measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 140 AIR. Then, an algorithm compares the measured frequency response of each microphone and finds the perfect pairs.

Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. To be prepared for all eventualities, the LCT 140 AIR has an 80 Hz low-cut filter and a -12 dB pad. You won't break a sweat with loud sources, nor will you have to deal with low-frequency noise when you don't want to.

The LCT 140 AIR is very durable yet lightweight thanks to its CNC-machined aluminum housing. Positioning and setup become easy tasks.

The LCT 140 AIR Stereo Pair comes with two snap-in mic clips, a transport bag with two pockets, and two windscreens.

Related Questions and Answers

Q: 1. Is the included female to 2x male XLR cable meant to be just an adapter as it seems short? I would be connecting to MixPre-3

A: The Y-cable that is included with the NT4 stereo microphone is 10.3 feet long and can be used to connect directly to the inputs on a MixPre-3. If a longer length is needed, you can attach standard 3-pin XLR cables onto each side as extensions. The included Y-cable is the Rode NT4-DXLR Stereo 5-Pin XLR to Dual 3-Pin XLR Cable for NT-4 Fixed X/Y Condenser Microphone (B&H # RONT4DXLRCBL).

Q: 2. Is it possible to buy these as a matched pair?

A: No, unfortunately not. Lewitt does not offer any of their large diaphragm condenser microphones as a matched pair.

Q: 3. What is the self-noise of these microphones?

A: According to the manufacturer, the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone (Matched Pair) are rated at 20 dBA for self-noise. The standard SPL for measurements is 94 dBA and the signal-to-noise ratio rating is 74 dB.

Q: 4. What deadcat wind screen fits 440 Pure?

A: The Lewitt LCT 440 PURE Large-Diaphragm Cardioid Condenser Microphone BH #LELCT440PURE is not intended for outdoor use. We do not offer a furry windscreen for it.

Q: 5. Could I simply use the Lewitt LCT-240 mic with a RØDECaster Pro to record a podcast? Is a 48V phantom power supply required as well?

A: Hi Maria, Yes, that microphone would work. Phantom power is indeed required, which your Rodecaster has.

Q: 6. So are these specifically for the Mixerface recorders? I wanted to get these for my Zoom F3 because they would be perfect for it, but I'm seeing other people saying they're proprietary.

A: The CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone will perform best when used with the CEntrance Mixerface. Presumably these could be used with other recorders such as the Zoom F3, however as others mention, the orientation of the XLR connections may present an issue when attempting to orient the capsules in a specific stereo pattern.

Q: 7. International warranty ? User in singapore.

A: The limited manufacturer's warranty provided with the Rycote OM-08 does not include any stipulations regarding country of purchase; the warranty terms provide coverage for all purchases from an authorized reseller (such as B&H).

Q: 8. Is a 48V phantom power supply required, or can you simply use the Lewitt LCT-240 Pro mic with the RØDECaster Pro (to record a podcast)?

A: No, the Rodecaster Pro supplies Phantom Power. You just need to go to the settings of each channel and turn it on or off.

Q: 9. Is there a mount for this microphone on a HVX-255?

A: Due to the weight and diameter of the Rode NT4 it is difficult to shock mount this mic on a camera. You are able however to adapt the incuded stand mount the RM3 to your cameras shoe with a simple adapter. The Tether Tools hot shoe adapter features a 3/8 male thread that will support the stand mount using the 3/8 thread adapter that was included with the stand mount.

Q: 10. Does it come with a fixing frame?

A: The Lewitt LCT-240 Pro Cardioid Condenser Microphone comes with a basic stand mount.